Sukta 175
Sukta 10.175
Late-maṇḍala ritual hymn context (10.175) addressing the soma-pressing implements; r̥ṣi attribution varies by Anukramaṇī, confirm per edition.
Likely Gāyatrī (shorter cadence; verify per edition).
この簡潔な後期マンダラの祭式讃歌は、grāvāṇaḥ（ソーマの搾り石）に呼びかけ、搾り板の上に所定の座を占めてソーマを搾り出すよう促す。さらに神なる「衝き動かす者」サヴィトリ（Savitṛ）を招き、器具がdharmaṇā（法・正しい秩序）に従って正しく作動するようにし、祭主の搾りが神々に力と昂揚をもたらすことを願う――とりわけ「強き者」（しばしばインドラ）に。
In this hymn
Addressed to
Mantras
Mantra 1
प्र वो ग्रावाणः सविता देवः सुवतु धर्मणा । धूर्षु युज्यध्वं सुनुत ॥
進め、搾り石よ。神なるサヴィトリ（Savitṛ）、その推進者が、正しき法（dharma）によって汝らを動かさんことを。搾り座に自らを繋ぎ、ソーマ（Soma）を搾り出せ——内なる上昇を養う歓喜を滴らせよ。
Mantra 2
ग्रावाणो अप दुच्छुनामप सेधत दुर्मतिम् । उस्राः कर्तन भेषजम् ॥
搾り石よ、凶兆の力を払い退けよ、曲がれる思いをも払い退けよ。輝ける者たちよ、癒しを刻み出せ——搾られた精髄の内より薬（bhéṣaja）を解き放て。
Mantra 3
ग्रावाण उपरेष्वा महीयन्ते सजोषसः । वृष्णे दधतो वृष्ण्यम् ॥
上なる板の上にある搾り石は、同じ心にていよいよ力を増す。彼らは強き者に雄々しき力を据える——力のうちに力を立てつつ。
Mantra 4
ग्रावाणः सविता नु वो देवः सुवतु धर्मणा । यजमानाय सुन्वते ॥
搾り石よ、いま神サヴィトリ（Savitṛ）が正しき法（dharma）によって汝らを駆り立て給え——祭主にして、ソーマを搾る者のために。
Inside Sukta 175
How it unfolds
- Where it opens
A direct injunction to the pressing-stones to move forward, with Savitṛ invoked as the lawful Impeller.
- Development
The hymn shifts from command to description: the stones, placed on the boards, act together and become mighty in coordinated work.
- Climax
Their unified pressing establishes ‘strength within strength’—the virile power offered into the Strong One (often Indra), making the sacrifice efficacious.
- Where it settles
A closing reiteration: Savitṛ is asked again to impel the stones by dharma, specifically for the yajamāna who performs the pressing.
The deity: Grāvāṇaḥ, impelled by Savitṛ
- In the VedaSavitṛ is the devá who ‘impels’ (su-vatu) their lawful action.
- Cosmic functionThey mediate transformation: raw Soma is converted into a consecrated, shareable essence that strengthens divine powers and sustains ṛta/dharma within the sacrifice.
- Inner significanceThe stones symbolize disciplined effort and concentrated pressure that releases hidden delight/energy; Savitṛ signifies the higher impulse that sets right action in motion, aligning will and work with dharma.
The seer
- Anukramaṇī-attribution varies (late-maṇḍala ritual/technical hymn; often treated as anonymous/collective)Associated with practical Soma-pressing liturgy in the late portions of the Rig Veda, focusing on consecrating and animating ritual implements rather than narrating myth.
Famous verses
savitā devaḥ suvatu dharmaṇā
ग्रावाण उपरेष्वा महीयन्ते सजोषसः । वृष्णे दधतो वृष्ण्यम् ॥yajamānāya sunvate
Attributes of the deity
- Ritually ‘yoked’ and coordinated
- Agents of extraction/transformation (pressing Soma)
- Mighty in unison (sajoṣasaḥ)
- Operate ‘by dharma/ṛta’ (dharmaṇā)
- Connected with strengthening the Vṛṣan (often Indra)
Also by this seer
- Comparable late ritual hymns in Mandala 10 addressing implements and liturgical actions (e.g., other Soma-pressing and yajña-technical sūktas in the 10th maṇḍala)
- Tradition sometimes groups such verses with priestly/ritual schools rather than a single personal seer
The rite, step by step
- Arrange the pressing-boards/seats (uparas, dhūḥ) and place the grāvāṇaḥ.
- Invoke Savitṛ to impel the stones ‘by dharma’ and set the rite in right motion.
- Yoke/position the stones upon the pressing-seats and begin the pressing.
- Express the Soma and direct it toward the recipient deity (commonly Indra as Vṛṣan), for the benefit of the yajamāna who presses.
Offerings
- Pressed Soma juice (soma-rasa)
- Associated oblations customary to Soma service (as context requires): clarified butter and accompanying offerings
Frequently Asked Questions
The hymn addresses the grāvāṇaḥ—Soma pressing-stones—treating them as sacred agents of the rite, and calls on Savitṛ to set their action in motion.
Savitṛ is the divine Impeller: he represents the power that initiates and guides right action. The hymn asks him to impel the stones ‘by dharma’ so the pressing is effective and orderly.
It fits the Soma-pressing sequence, especially when positioning and beginning to use the stones on the pressing-boards, to sanctify the action and direct its fruit to the gods and the yajamāna.
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