

साम्बपुराण
The Ancient Text of Surya Worship and Solar Devotion
The Samba Purana is a unique sacred text centered on the worship of Surya, the Sun god. Narrating the story of Samba's curse and cure through solar devotion, it encompasses the establishment of Mitravana, the arrival of Maga priests, temple architecture, tantric mantras, healing rituals, and the path to liberation through Saura Yoga.
Start ReadingThe Samba Purana, also known as the Sambapurana, is an Upa-Purana devoted to the glorification and worship of Surya, the Sun god. It tells the story of Samba, son of Krishna, who was cursed with leprosy and healed through devoted solar worship at Mitravana. The text uniquely documents the arrival of Maga (Zoroastrian-influenced) priests from Shakadvipa, the construction of Surya temples and idols, elaborate tantric rituals, mantric sciences, yogic practices, and the path of Saura liberation. It is an invaluable source for understanding the solar worship tradition of ancient India.
The Samba Purana is structured into 84 Adhyayas (chapters), encompassing mythology, cosmology, temple architecture, ritual procedures, tantric practices, and yogic philosophy.
84 chapters of sacred teaching
Verses read one by one
This edition of the Samba Purana on Vedapath includes:
The Samba Purana is composed of 84 Adhyayas.
Each Adhyaya covers mythology, cosmology, temple architecture, rituals, tantric mantras, yoga, or healing through Surya worship.

ບົດນີ້ເລີ່ມຕົ້ນດ້ວຍ ມັງຄະລາຈະຣະນະ (ການກ່າວຄຳອວຍພອນອັນເປັນມົງຄຸນ) ໂດຍ ສຸຕະ, ເຊິ່ງສັນລະເສີນ ພຣະພານຸເທວ
Samba Purana Adhyaya 0 presents the auspicious invocation and the table of contents for the entire text, setting the stage for the discourse on Surya worship and the Saura tradition.

ໃນບົດທໍາອິດຂອງ Samba Purana, Suta ເລົ່າເຖິງການສົນທະນາທາງປັດຊະຍາທີ່ເລິກເຊິ່ງລະຫວ່າງກະສັດ Brihadbala ແ
Samba Purana Adhyaya 1 opens with King Brihadbala’s inquiry into the supreme deity, leading to a discourse on the glory and supremacy of Surya as the ultimate cosmic principle.

ໃນບົດນີ້, ກະສັດ Brihadbala ໄດ້ສອບຖາມກ່ຽວກັບສູນກາງຕົ້ນຕໍຂອງການບູຊາພະອາທິດ. ລືສີ Vashistha ເປີດເຜີຍວ່າ
Samba Purana Adhyaya 2 narrates how Samba, son of Krishna, was cursed with leprosy and how the sacred site of Mitravana was established for Surya worship and healing.

ໃນບົດນີ້, ກະສັດ Vrihadbala ຖາມລືສີ Vashistha ກ່ຽວກັບ Mitravana. Vashistha ອະທິບາຍວ່າ Mitravana ແມ່ນບ
Samba Purana Adhyaya 3 describes the twelve manifestations of the Sun god and traces the sacred origins of Mitravana as a center of solar devotion.

ພະລາຊາ Vrihadbala ຖາມລືສີ Vasishtha ວ່າເປັນຫຍັງພະອາทິດຈຶ່ງບຳເພັນຕະບະ. Vasishtha ເລົ່າເລື່ອງການສົນທະນ
Samba Purana Adhyaya 4 reveals the secret of Surya’s penance through Mitra’s discourse to Narada, explaining the solar deity’s austerities and cosmic role.

ຫຼັງຈາກໄດ້ຮັບຄໍາສາບທີ່ຫນ້າຢ້ານກົວຈາກພຣະກິດສະນະຜູ້ເປັນພໍ່, ສາມພະຜູ້ບໍລິສຸດໄດ້ອ້ອນວອນຂໍຄວາມເມດຕາ. ພຣະກ
Samba Purana Adhyaya 5 recounts Samba’s heartfelt plea for healing and Narada’s revelation of Suryaloka, the divine abode of the Sun god.

ໃນບົດທີ 6 ຂອງ ສັມພະປຸຣານະ, ສັມພະ ໄດ້ຖາມກ່ຽວກັບການມີຢູ່ທົ່ວທຸກແຫ່ງ, ຮູບລັກສະນະ ແລະ ບໍລິວານອັນສັກສິດຂອ
Samba Purana Adhyaya 6 expounds the cosmological framework, establishing Surya’s omnipresence and describing the emanation of solar rays and planetary bodies.

ໃນບົດນີ້, ລືສີນາຣາດາ ໄດ້ສອນ ສັມພະ ກ່ຽວກັບບົດບາດສູງສຸດໃນຈັກກະວານຂອງ ອາທິດ (ສຸຣິຍະ). ນາຣາດາ ປະກາດວ່າ ເ
Samba Purana Adhyaya 7 establishes the supremacy of Surya over all deities and explains the cosmic cycle of time governed by the Sun’s movements.

ໃນບົດນີ້, ລືສີນາຣະດາ ໄດ້ມອບຄວາມຮູ້ອັນເລິກເຊິ່ງໃຫ້ແກ່ສຳພະ ກ່ຽວກັບການແບ່ງພາກທັງສິບສອງຂອງພຣະສຸຣິຍະ (ອາທ
Samba Purana Adhyaya 8 enumerates the twelve Adityas, explains the etymology of Surya’s many names, and affirms his supreme universality across all realms.

ໃນບົດນີ້, ສາມບະສະແດງຄວາມເຄົາລົບຢ່າງເລິກເຊິ່ງຕໍ່ພຣະສຸລິຍະຫຼັງຈາກໄດ້ຟັງຄໍາສອນຂອງນານະດາ. ເພິ່ນໄດ້ຖາມກ່ຽ
Samba Purana Adhyaya 9 traces the genealogy of Surya’s consorts Rajni and Nikshubha and their progeny in the solar lineage.

ນາຣະດາເລົ່າເລື່ອງຂອງພຣະສຸຣິຍະ ແລະມະເຫສີຂອງພຣະອົງ ຄືນາງສັນຍາ ແລະນາງສາຍາ. ເນື່ອງຈາກນາງສັນຍາບໍ່ສາມາດທົນ
Samba Purana Adhyaya 10 narrates the progeny of Surya, the tale of Chhaya’s illusion, and the famous trimming of the Sun’s radiance by Vishvakarma.

ໃນບົດນີ້, Samba ຂໍໃຫ້ລືສີ Narada ອະທິບາຍກ່ຽວກັບການຫຼຸດຜ່ອນລັດສະໝີຂອງຮ່າງກາຍພຣະສຸລິຍະ. Narada ອະທິບາຍ
Samba Purana Adhyaya 11 describes how Vishvakarma pared down Surya’s overwhelming radiance, shaping the excess into divine weapons and ornaments.

ໃນບົດນີ້, ສາມບາ ຖາມກ່ຽວກັບບົດເພງສະເພາະທີ່ພຣະພົມ ແລະ ເຫຼົ່າເທວະດາໄດ້ຮ້ອງໃນຂະນະທີ່ພຣະສຸລິຍະກໍາລັງຖືກສ້
Samba Purana Adhyaya 12 presents the hymn of praise (stuti) offered to Surya during the process of his divine shaping by Vishwakarma.

ໃນບົດນີ້, Samba ຂໍໃຫ້ Narada ເລົ່າເລື່ອງສັກສິດຂອງພຣະສຸລິຍະເພີ່ມເຕີມ. ພຣະພົມອະທິບາຍຂະບວນການສ້າງ ແລະຕົ
Samba Purana Adhyaya 13 reveals the origin of Surya and extols his supreme glory as the source of all light, life, and cosmic order.

ໃນບົດທີ 14, ສາມພະ ຖາມວ່າຮູບຮ່າງຂອງພຣະສຸລິຍະຖືກສ້າງຂຶ້ນແນວໃດ. ນາຣະດາ ເລົ່າເຖິງເວລາທີ່ຈັກກະວານໄດ້ຮັບຄວ
Samba Purana Adhyaya 14 continues the account of Vishvakarma trimming Surya’s radiance and the divine instruments fashioned from the solar effulgence.

ໃນບົດນີ້, ນາຣາດາ ໄດ້ພັນລະນາເຖິງຕົ້ນກຳເນີດ ແລະ ການຈັດວາງບໍລິວານຫຼັກ 18 ອົງຂອງພຣະສຸຣິຍະ (ອະນຸຈອນ). ຍ້ອ
Samba Purana Adhyaya 15 enumerates the eighteen divine attendants of Surya and narrates the story of Dindi, a devoted worshipper of the Sun.

ນາຣະດາ ເລົ່າໃຫ້ ສັມພະ ຟັງກ່ຽວກັບບົດເພງສັນລະເສີນທີ່ ດິນດີ (ພຣະສິວະ) ຮ້ອງຖວາຍແດ່ ພຣະສຸຣິຍະເທບ. ພຣະສິວະ
Samba Purana Adhyaya 16 presents Dindi’s hymn to Surya and describes the glory of Avimukta Kshetra as a sacred site of solar worship.

ລືສີນາຣະດາ ບັນຍາຍເຖິງທ້ອງຟ້າແຫ່ງຈັກກະວານ (Vyoma) ແລະ ຜູ້ຢູ່ອາໄສອັນສັກສິດຂອງມັນ. ທ່ານໄດ້ລະບຸເທບພະເຈົ້
Samba Purana Adhyaya 17 describes the celestial space (Vyoma), the Devas who inhabit it, and the structure of the planetary system governed by Surya.

ໃນບົດນີ້, ລືສີນາຣະດາ ໄດ້ອະທິບາຍເຖິງໂຄງສ້າງຈັກກະວານອັນຍິ່ງໃຫຍ່, ໂດຍເນັ້ນໃສ່ພູມສາດຂອງໂລກ ແລະ ພູເຂົາພະສ
Samba Purana Adhyaya 18 presents the cosmological geography centered on Mount Meru, the axis of the universe, and its relation to solar worship.

ນາຣະດາ ອະທິບາຍກ່ຽວກັບພູມສາດຂອງຈັກກະວານ ແລະ ການເຄື່ອນທີ່ຂອງດວງອາທິດອ້ອມຮອບພູເມຣຸ. ເພິ່ນໄດ້ພັນລະນາເຖິງ
Samba Purana Adhyaya 19 describes the orbit of the Sun through the heavens and the divine cities of the Lokapalas (guardians of the directions).

ໃນບົດນີ້, ລືສີນາຣະດາ ໄດ້ໃຫ້ລາຍລະອຽດກ່ຽວກັບໂຄງສ້າງ ແລະ ຈັກກະວานວິທະຍາຂອງລົດມ้าຂອງພຣະສຸຣິຍະ. ລົດມ้าຖືກ
Samba Purana Adhyaya 20 details the magnificent architecture of Surya’s celestial chariot and the divine retinue that accompanies the Sun god.

ໃນບົດນີ້, ສາມບະ ຖາມລືສີ ນາຣາດາ ກ່ຽວກັບກົນໄກທາງດາລາສາດ ແລະ ຈິດວິນຍານຂອງການຂຶ້ນ ແລະ ແຮມຂອງດວງຈັນ. ນາຣາ
Samba Purana Adhyaya 21 explains the lunar cycle and its sixteen kalas, connecting them to the sacred journey to Mitravana for solar worship.

ໃນບົດນີ້, ສັມພະ ຖາມກ່ຽວກັບການຂຶ້ນແລະແຮມຂອງດວງຈັນ. ລືສີນາຣະດາ ອະທິບາຍກ່ຽວກັບໄລຍະຕ່າງໆຂອງດວງຈັນ ແລະ ບົ
Samba Purana Adhyaya 22 explains the phenomenon of the Moon’s waxing and waning and affirms Surya’s supremacy over all celestial bodies.

ສັມພະ ຂໍໃຫ້ລືສີ ນາຣະດາ ຊ່ວຍຊີ້ແຈງຂໍ້ສົງໄສທີ່ມີມາແຕ່ດົນນານກ່ຽວກັບສຸຣິຍຸປະຣາຄາ: ຣາຫູ ເຊິ່ງເປັນກຸ່ມກ້ອນ
Samba Purana Adhyaya 23 explains eclipses through the illusion of Rahu and the mythological connection to the nectar of Soma.

ໃນບົດທີ່ສໍາຄັນນີ້, ສາມພະ (Samba), ຜູ້ທີ່ທົນທຸກທໍລະມານຢ່າງຫນັກຈາກພະຍາດຂີ້ທູດ ແລະ ບໍ່ພົບການປິ່ນປົວຈາກຢ
Samba Purana Adhyaya 24 narrates Samba’s fervent prayer to Surya and the miraculous cure of his leprosy through divine solar grace.

ໃນບົດນີ້, ລືສີ Vasishtha ເລົ່າເຖິງວິທີທີ່ Samba ຜູ້ທີ່ຈ່ອຍຜອມໄດ້ສັນລະເສີນພຣະສຸລິຍະເທບຢ່າງຕໍ່ເນື່ອງດ້
Samba Purana Adhyaya 25 presents the Stavaraja, the king of hymns revealed by Surya himself, extolling the Sun’s supreme nature.

ສາມບາໄດ້ພົບເຫັນຮູບປັ້ນໄມ້ຂອງພຣະສຸຣິຍະໃນແມ່ນ້ຳຈັນທະຣະພາກາ ແລະ ໄດ້ປະດິດສະຖານໄວ້ທີ່ມິດຣາວະນາ. ພຣະສຸຣິຍະ
Samba Purana Adhyaya 26 describes the Maganayanam, the bringing of the Maga priests from Shakadvipa to establish proper Surya worship rituals.

ໃນບົດນີ້, ວະສິດຖະ ອະທິບາຍເຖິງຄວາມຍິ່ງໃຫຍ່ຂອງຜູ້ທີ່ນັບຖືພຣະສຸລິຍະ. ທ່ານໄດ້ກ່າວເຖິງເສັ້ນທາງຄູ່ຂອງກຳມະໂ
Samba Purana Adhyaya 27 explains the significance of the Maga and Yajaka priests and describes the three forms of Surya in ritual worship.

ບົດນີ້ໃຫ້ລາຍລະອຽດກ່ຽວກັບເສັ້ນທາງສູ່ການຫຼຸດພົ້ນຜ່ານ ເສົາຣະຍໍຄະ (Saura Yoga). ມັນເນັ້ນໜັກເຖິງຄວາມບໍ່ທ່
Samba Purana Adhyaya 28 teaches the path of Saura Yoga, meditation on Surya, and describes the supreme spiritual state attained through solar devotion.

ໃນອັດທະຍາທີ 29 ຂອງ ສາມພະ ປຸຣານະ, ລືສີ ວະສິດຖະ ອະທິບາຍກ່ຽວກັບແນວທາງໃນການສ້າງຮູບປັ້ນພຣະສຸລິຍະ ແລະ ການສ
Samba Purana Adhyaya 29 prescribes detailed rules for the construction of Surya idols and the architectural principles for Surya temples.

ໃນບົດນີ້, ລືສີ Vasishtha ໄດ້ອະທິບາຍລະອຽດກ່ຽວກັບຂໍ້ກໍານົດໃນການສ້າງຮູບປັ້ນສັກສິດ (Pratima Vidhi) ຂອງພຣ
Samba Purana Adhyaya 30 specifies the rules for selecting wood and materials for crafting Surya images, as part of the Pratima Vidhi tradition.

ໃນບົດນີ້ຂອງ Samba Purana, ລືສີ Vashistha ໄດ້ໃຫ້ລາຍລະອຽດກ່ຽວກັບຄຸນລັກສະນະຂອງຮູບປັ້ນ (Pratima Lakshana
Samba Purana Adhyaya 31 details the Pratima Lakshanam: the canonical characteristics, proportions, and iconographic standards for Surya idols.

ບົດນີ້ໃຫ້ລາຍລະອຽດກ່ຽວກັບພິທີກຳທີ່ຊັບຊ້ອນສຳລັບການຊຳລະໃຫ້ບໍລິສຸດ (Adhivasana) ແລະ ການປະດິດສະຖານ (Prati
Samba Purana Adhyaya 32 describes the Adhivasana ritual and the sacred ceremony for installing the Surya idol in a temple.

ໃນບົດນີ້, ລືສີ ນາຣາດາ ໄດ້ໃຫ້ລາຍລະອຽດກ່ຽວກັບພິທີກຳອັນສັກສິດຂອງການຍົກທຸງ (Dhvajaropana) ເທິງຍອດວິຫານ,
Samba Purana Adhyaya 33 prescribes the Dhvajaropana Vidhi, the ritual of hoisting the sacred flag at a Surya temple as part of worship ceremonies.

ຫຼັງຈາກການຕິດຕັ້ງພຣະອາທິດທີ່ Mitravana ເປັນເວລາຫນຶ່ງປີ, Samba ໄດ້ຖາມ Narada ກ່ຽວກັບຂັ້ນຕອນການໄຫວ້ປະຈ
Samba Purana Adhyaya 34 describes the annual Ratha Yatra procession for Surya and the Graha Shanti Vidhi for planetary pacification.

ໃນບົດນີ້, ລືສີ Vasishtha ໄດ້ໃຫ້ລາຍລະອຽດກ່ຽວກັບພິທີກຳອັນລະອຽດອ່ອນສຳລັບ Ratha Yatra (ບຸນລົດມ້າ) ຂອງພຣະ
Samba Purana Adhyaya 35 details the rituals of the Ratha Yatra, purification ceremonies, and the Dhupa Vidhi (incense offering) for Surya worship.

ໃນບົດທີ 36 ຂອງ ສັມພະ ປຸຣານະ, ລືສີ ວະສິດຖະ ໄດ້ອະທິບາຍຂັ້ນຕອນທີ່ລະອຽດອ່ອນໃນການເຮັດພິທີບູຊາໄຟ (Homa) ທີ
Samba Purana Adhyaya 36 prescribes the Homa Vidhana, the detailed procedure of fire oblations (homa) dedicated to Surya for spiritual merit.

ໃນບົດນີ້, ວະສິດຖະ ເລົ່າຄືນການສົນທະນາລະຫວ່າງ ສາມພະ ແລະ ລືສີ ນາຣະດະ ກ່ຽວກັບຜົນຕອບແທນ (ຜົນ) ທີ່ແນ່ນອນຂອ
Samba Purana Adhyaya 37 enumerates the spiritual fruits of sun worship, including the merits of devotion, rituals, and various offerings to Surya.

ໃນບົດນີ້, ກະສັດ Brihadbala ໄດ້ຖາມກ່ຽວກັບການລິເລີ່ມທີ່ສັກສິດ (Diksha) ທີ່ Samba ໄດ້ຮັບຈາກພຣະເຈົ້າດວງອ
Samba Purana Adhyaya 38 describes the Saura Diksha (solar initiation) and the Mandala Vidhana, the ritual construction and use of sacred diagrams in Surya worship.

ໃນບົດນີ້, ວະສິດຖະ ໄດ້ອະທິບາຍເຖິງຄວາມສຳພັນທາງຈິດວິນຍານລະຫວ່າງຕົວອັກສອນສັນສະກິດ ແລະ ຮູບກາຍຈັກກະວານຂອງພ
Samba Purana Adhyaya 39 explores the mysticism of the Sanskrit alphabet and reveals the Saura Mahamantra, the great solar mantra for spiritual attainment.

ໃນບົດນີ້, ລືສີ Vasishtha ໄດ້ອະທິບາຍເຖິງການບູຊາຕາມພິທີກຳ (Puja) ທີ່ຊັບຊ້ອນຂອງເຫຼົ່າເທບບໍລິວານ ແລະ ຮູບ
Samba Purana Adhyaya 40 describes the worship of attendant deities in the cardinal directions and extols the glory of the Saura Shastra tradition.

ບົດນີ້ໃຫ້ລາຍລະອຽດກ່ຽວກັບພິທີກຳໂຮມະ ແລະ ບາລີ ທີ່ອຸທິດໃຫ້ແກ່ທິກປາລະ (ເທວະດາປະຈຳທິດ). ມັນກຳນົດການຖວາຍເນ
Samba Purana Adhyaya 41 prescribes ritual offerings to the Dikpalas (guardians of directions) and affirms the supreme glory of Surya worship.

ສາມພະ ພ້ອມດ້ວຍພວກພຣາມມະຄະ ໄດ້ມາຮອດຕະໂປວັນອັນສັກສິດຢູ່ແຄມມະຫາສະໝຸດເກືອ. ນາຣະທະ ຍ້ອງຍໍຄວາມສັດທາຂອງສາມພ
Samba Purana Adhyaya 42 narrates the arrival at Mitravana, Surya’s boons granted to the ascetics, and teachings on cosmic time cycles.

ວະສິດຖະ ບັນຍາຍເຖິງປ່າສັກສິດແຄມຝັ່ງມະຫາສະໝຸດ ບ່ອນທີ່ເຫຼົ່າເທວະດາ, ລືສີ ແລະ ສິ່ງສັກສິດເທິງສະຫວັນຕ່າງກໍ
Samba Purana Adhyaya 43 describes the sacred establishment of the Surya idol at Mundira, a significant event in the solar worship tradition.

ບົດນີ້ເລີ່ມຕົ້ນດ້ວຍລືສີ Vasishtha ສັນລະເສີນພຣະສຸລິຍະ. ຈາກນັ້ນ Samba ໄດ້ສອບຖາມກ່ຽວກັບ Achara (ການປະພຶ
Samba Purana Adhyaya 44 prescribes the Sadachara Varnana, rules of righteous conduct and daily observances for devoted worshippers of Surya.

ໃນບົດນີ້, Samba ຖາມກ່ຽວກັບອານິສົງຂອງການບໍລິຈາກຄັນຮົ່ມ ແລະ ເກີບ. Narada ເລົ່າເລື່ອງບູຮານຂອງລຶສີ Jamad
Samba Purana Adhyaya 45 explains the origin and spiritual merit of donating umbrellas and sandals as acts of charity connected to Surya worship.

ໃນບົດນີ້, Samba ຖາມກ່ຽວກັບກົດລະບຽບຂອງ Saptami Vrata. ລືສີ Narada ລາຍລະອຽດກ່ຽວກັບເຈັດປະເພດຂອງຄໍາສາບານ
Samba Purana Adhyaya 46 describes the rites and rewards of the Saptami Vrata and enumerates the twelve forms of Surya worshipped through the year.

ໃນບົດທີ 47 ຂອງ ສາມພະປຸຣານະ, ລືສີນາຣະດາ ໄດ້ອະທິບາຍເຖິງຄວາມສໍາຄັນອັນສູງສົ່ງ ແລະ ວິທີການລະອຽດຂອງ ຊະປະ-ຍ
Samba Purana Adhyaya 47 prescribes the Japa Yajna Vidhi, the procedure and rules for the chanting sacrifice dedicated to Surya.

ບົດນີ້ໃຫ້ລາຍລະອຽດກ່ຽວກັບທ່າທາງຂອງມື (Mudras) ທີ່ໃຊ້ໃນການບູຊາພຣະສຸຣິຍະເທບ. ເລີ່ມຕົ້ນໂດຍ Narada ແລະ ອະ
Samba Purana Adhyaya 48 describes the characteristics and formation of sacred mudras (ritual hand gestures) used in Surya worship.

ໃນບົດນີ້ຂອງ ສາມພະ ປຸຣານະ, ລືສີ ນາຣະດາ ໄດ້ກ່າວເຖິງພິທີກຳປະຈຳວັນ (Ahnika) ແລະ ພິທີການຊຳລະລ້າງ (Shaucha
Samba Purana Adhyaya 49 prescribes daily solar rituals and the Shaucha Vidhi, purification rites for maintaining spiritual cleanliness in Surya devotion.

ໃນບົດທີ 50 ຂອງ ສາມພະປຸຣານະ, ເນື້ອຫາໄດ້ປ່ຽນໄປສູ່ມິຕິທາງຈິດວິນຍານ ແລະ ພິທີກຳຂອງການບູຊາພະອາທິດ. ຜູ້ບັນຍ
Samba Purana Adhyaya 50 details the combined rituals of mantras, mudras, and nyasa (ritual placement) in the practice of sun worship.

ບົດທີ 51 ຂອງ ສາມພະປຸຣານະ ໃຫ້ລາຍລະອຽດກ່ຽວກັບການບູຊາ (Puja Vidhi) ພຣະສຸຣິຍະ ໃນນາມ ຂະໂຂລກະ (Khakholka).
Samba Purana Adhyaya 51 describes the ritualistic worship of Khakholka Surya, a specific form of the Sun god, and his cosmic manifestations.

ບົດທີ 52 ຂອງ ສາມພະ ປຸຣານະ ໄດ້ອະທິບາຍເຖິງຂັ້ນຕອນທາງຈິດວິນຍານໃນການສ້າງ ສຸຣິຍະ ມົນທົນ ອັນສັກສິດ ແລະ ການ
Samba Purana Adhyaya 52 details the construction of the Surya Mandala (sacred solar diagram) and the Saura Diksha initiation ceremony.

ໃນບົດທີ 53 ຂອງ ສາມພະປຸຣານະ, ລືສີນາຣະດາ ໄດ້ໃຫ້ລາຍລະອຽດກ່ຽວກັບການບູຊາ (Puja) ພະອາທິດ ຫຼື ພະພາສກອນ ຢ່າງ
Samba Purana Adhyaya 53 prescribes the ritual worship procedures and various offerings to be made to Surya for spiritual benefit.

ບົດນີ້ໃຫ້ລາຍລະອຽດກ່ຽວກັບພິທີກຳ Ashtapushpika ຫຼື ພິທີກຳດອກໄມ້ແປດຊະນິດທີ່ອຸທິດໃຫ້ແກ່ພະສຸລິຍະເທບ. ມັນອ
Samba Purana Adhyaya 54 describes the Ashtapushpika Vidhi, the ritual of the eight flowers combined with seed mantras for invoking Surya’s blessings.

ບົດທີ 55 ຂອງ ສາມພະປຸຣານະ ລາຍລະອຽດກ່ຽວກັບພິທີກຳການບູຊາພຣະສຸຣິຍະເທບທີ່ສັບຊ້ອນ. ເລີ່ມຕົ້ນດ້ວຍການກຳນົດຄຸ
Samba Purana Adhyaya 55 continues with advanced mandala construction, the Diksha Vidhi, and the esoteric process of creating sacred mantras.

ບົດທີ 56 ຂອງ Samba Purana ເຈາະເລິກເຖິງມິຕິທີ່ລຶກລັບ ແລະ ຕັນຕຣະ ຂອງການບູຊາພຣະສຸຣິຍະເທບ, ໂດຍເນັ້ນໃສ່ກາ
Samba Purana Adhyaya 56 reveals the esoteric heart-lotus meditation and the powerful Bija mantras associated with Surya worship.

ບົດນີ້ເຈາະເລິກວິທະຍາສາດທີ່ລຶກລັບຂອງສຽງ ແລະຕົ້ນກຳເນີດຂອງຕົວອັກສອນສັນສະກິດ (Varnamala) ໃນຖານະເປັນມົນຕາ
Samba Purana Adhyaya 57 teaches Tattva-Jnana (knowledge of cosmic principles) and traces the origin of Bija mantras from primordial sound.

ບົດນີ້ໃຫ້ລາຍລະອຽດກ່ຽວກັບການສ້າງມົນຕາສັກສິດ 40 ພະຍາງໃນທາງເລິກລັບ, ໂດຍເນັ້ນໃສ່ການກຳເນີດຂອງ Bija (ພະຍາງ
Samba Purana Adhyaya 58 presents the Jnanottara teaching on the generation of Bija (seed syllables) and Svara (tonal elements) in mantric science.

ບົດທີ 59 ຂອງ Samba Purana ສະຫຼຸບພາກທີ 6, ເນັ້ນໃສ່ການສ້າງມົນຕາ Saura ທີ່ລຶກລັບ ແລະ ຈັກກະວານວິທະຍາຂອງກ
Samba Purana Adhyaya 59 describes the Mantra Vidhana (mantra procedures) and their connection to the principles of cosmic creation.

ບົດນີ້ສຳຫຼວດຄວາມສຳພັນອັນເລິກເຊິ່ງລະຫວ່າງເວລາຂອງຈັກກະວານ ແລະ ວິທະຍາສາດມົນຕາພາຍໃນການບູຊາພຣະສຸຣິຍະ. ມັນ
Samba Purana Adhyaya 60 explains the Kala Chakra (wheel of time) and the mantric manifestation of Surya through sacred syllables.

ບົດນີ້ເຈາະເລິກເຖິງມິຕິທາງດ້ານຄວາມລຶກລັບ ແລະ ຕັນຕະຣະ ຂອງການບູຊາພຣະສຸຣິຍະເທບ (Saura). ມັນໄດ້ກຳນົດໂຄງສ້
Samba Purana Adhyaya 61 teaches esoteric mantras, the Nyasa Vidhi (ritual placement of mantras on the body), and ritual vratas for spiritual advancement.

ບົດທີ 62 ຂອງ ສາມພະ ປຸຣານະ ອະທິບາຍກ່ຽວກັບພິທີກຳພິເສດເພື່ອປິ່ນປົວພະຍາດ ແລະ ກຳຈັດອຸປະສັກສຳລັບຜູ້ປະຕິບັດ
Samba Purana Adhyaya 62 prescribes rituals for curing diseases and removing obstacles through the power of Surya mantras and worship.

Adhyaya 63 ຂອງ Samba Purana ລາຍລະອຽດກ່ຽວກັບພິທີກໍາທີ່ລຶກລັບ ແລະ ຮຸນແຮງຂອງ Abhicara (ມົນດໍາທໍາລາຍ), ເ
Samba Purana Adhyaya 63 describes the Abhicara Vidhi, rituals of destructive magic and their controlled use within the tantric Surya tradition.

ບົດທີ 64 ຂອງ Samba Purana ອະທິບາຍຂັ້ນຕອນ Tantric ແລະ Mantric ສໍາລັບການປິ່ນປົວພະຍາດໂດຍການແນໃສ່ອະໄວຍະວ
Samba Purana Adhyaya 64 describes the Kilana ritual and the mantric methods for eradicating diseases through solar tantric practice.

ບົດນີ້ກ່າວເຖິງຂໍ້ກໍານົດຂອງວັດຕະ (ຄໍາສາບານ) ແລະ ພິທີກໍາການປິ່ນປົວ (Chikitsa) ທີ່ເຂັ້ມງວດເຊິ່ງ Mantrin
Samba Purana Adhyaya 65 prescribes healing rituals and the vrata (sacred vow) to be observed by the Mantrin, the practitioner of sacred mantras.

ບົດທີ 66 ຂອງ Samba Purana ໄດ້ກ່າວເຖິງພິທີກຳ Tantric ແລະ Mantric ຂັ້ນສູງ (Sadhana) ເພື່ອຄວາມສຳເລັດທາງ
Samba Purana Adhyaya 66 teaches mantra sadhana (spiritual practice through mantras) and the tantric vratas required for mantric mastery.

ບົດນີ້ໃຫ້ລາຍລະອຽດກ່ຽວກັບ ມັນຕຣາ ສາທະນາ, ໂດຍເນັ້ນໃສ່ພິທີກຳ, ຄຳປະຕິຍານ, ແລະ ການປະຕິບັດສະມາທິທີ່ຈຳເປັນສ
Samba Purana Adhyaya 67 continues the teaching on mantra sadhana and nyasa vidhi, culminating in the attainment of siddhi (spiritual powers).

ບົດນີ້ອະທິບາຍເຖິງເສັ້ນທາງທາງຈິດວິນຍານທີ່ເປັນລະບົບເພື່ອບັນລຸເຖິງສິວະໂລກ. ມັນລາຍລະອຽດກ່ຽວກັບການພັດທະນາ
Samba Purana Adhyaya 68 describes the path of yoga within the Saura tradition and the initiation required for attaining supreme liberation.

ບົດນີ້ສຳຫຼວດວິທະຍາສາດທີ່ເລິກເຊິ່ງຂອງ Bija Mantras (ພະຍາງແກ່ນ) ແລະ Japa (ການສວດມົນ) ທີ່ເປັນສ່ວນໜຶ່ງຂອ
Samba Purana Adhyaya 69 expounds the science of Bija mantras and sacred syllables, revealing their cosmic correspondences and spiritual power.

ບົດທີ 70 ຂອງ Samba Purana ເຈາະເລິກເຖິງການປະຕິບັດທີ່ລຶກລັບຂອງ Bija Mantra ແລະ Nyasa (ການວາງພະຍາງຕາມພິ
Samba Purana Adhyaya 70 details the ritual of Bija mantra nyasa, the systematic placement of seed syllables on the body for spiritual empowerment.

ໃນບົດທີ 71 ຂອງ ສາມພະປຸຣານະ, ເນື້ອໃນໄດ້ຫັນໄປສູ່ມິຕິທາງຄວາມເຊື່ອ ແລະ ພິທີກຳຂອງການບູຊາພຣະສຸຣິຍະເທບ, ໂດຍ
Samba Purana Adhyaya 71 prescribes the Varna-Nyasa Vidhi, the mystic placement of syllables (varnas) on the body as part of tantric solar worship.

ບົດນີ້ອະທິບາຍກ່ຽວກັບພິທີກຳທາງໄສຍະສາດຂອງ Nyasa (ການວາງມົນຕາໃສ່ຮ່າງກາຍ) ແລະການກຳນົດພະຍາງເມັດພັນສະເພາະ
Samba Purana Adhyaya 72 describes the mantra nyasa vidhi and reveals the syllabic forms through which Surya is invoked in esoteric practice.

ບົດທີ 73 ຂອງ Samba Purana ເຈາະເລິກເຖິງມິຕິທີ່ລຶກລັບຂອງການບູຊາ Saura, ໂດຍໃຫ້ລາຍລະອຽດກ່ຽວກັບ Yonis ຕ່າ
Samba Purana Adhyaya 73 describes the mystic matrices (yonis) and the mantric syllables that form the foundation of advanced Saura tantric practice.

ໃນບົດນີ້, ຈຸດສຸມແມ່ນຢູ່ທີ່ການປະຕິບັດທາງຈິດວິນຍານຂອງ Saura Dharma, ໂດຍສະເພາະແມ່ນການລິເລີ່ມສີ່ຢ່າງ (Di
Samba Purana Adhyaya 74 describes the fourfold initiation ceremony and the ritual purification required for advancing in Saura spiritual practice.

ບົດທີ 75 ຂອງ Samba Purana ລາຍລະອຽດກ່ຽວກັບພິທີກໍາການເລີ່ມຕົ້ນ (Diksha) ແລະ ສິນລະລຶກທາງວິນຍານ (Samskar
Samba Purana Adhyaya 75 prescribes the Diksha Vidhi (initiation procedure) and the spiritual sacraments that mark the disciple’s progress.

ບົດທີ 76 ຂອງ Samba Purana ລາຍລະອຽດກ່ຽວກັບພິທີກໍາ Samskara (ການລິເລີ່ມ) ທີ່ລຶກລັບ ເພື່ອແນໃສ່ຕັດພັນທະທ
Samba Purana Adhyaya 76 details the initiation ritual and the consecration ceremony that formally admits the disciple into the Saura tradition.

ບົດນີ້ໃຫ້ລາຍລະອຽດກ່ຽວກັບເສັ້ນທາງແຫ່ງສັນຍາສະ (ການສະລະໂລກ) ພາຍໃນປະເພນີໂສລະ. ມັນກໍານົດພິທີກໍາສະເພາະສໍາລ
Samba Purana Adhyaya 77 describes the path of Sannyasa, renunciation of worldly life, within the framework of the Saura spiritual tradition.

ໃນບົດນີ້, Samba Purana ໄດ້ໃຫ້ລາຍລະອຽດກ່ຽວກັບພິທີກໍາສະເພາະສໍາລັບຜູ້ປະຕິບັດທີ່ຕ້ອງການຖອນຕົວອອກຈາກຫນ້າທ
Samba Purana Adhyaya 78 describes the ritual of withdrawal and Nyasa-Nivartana, the systematic reversal of mantric placements at the conclusion of practice.

ບົດທີ 79 ຂອງ ສັມພະປຸຣານະ ລາຍລະອຽດກ່ຽວກັບຂະບວນການໂຍຄະເພື່ອການຫຼຸດພົ້ນໃນທັນທີ (Sadyomukti). ຜູ້ປະຕິບັດ
Samba Purana Adhyaya 79 teaches the yogic method of Sadyomukti (immediate liberation) through piercing the Brahmarandhra, the crown aperture.

ບົດນີ້ໃຫ້ລາຍລະອຽດກ່ຽວກັບດ້ານທີ່ເລິກລັບ ແລະ ຕັນຕະຣະ ຂອງການບູຊາພຣະສຸຣິຍະ. ມັນເລີ່ມຕົ້ນດ້ວຍການອະທິບາຍອົ
Samba Purana Adhyaya 80 describes advanced tantric rituals, mantra application techniques, and ascetic practices within the solar worship tradition.

ບົດນີ້ປ່ຽນຈາກມົນຕາທີ່ລຶກລັບໄປສູ່ປັດຊະຍາອັນເລິກເຊິ່ງຂອງການບູຊາພາຍໃນ (Manasa Puja). ພຣະພົມອະທິບາຍວ່າ ລ
Samba Purana Adhyaya 81 teaches the practice of internal worship (antarayaga) and the eight flowers of devotion offered to Surya in the heart.

ອັດທະຍາຍະທີ 82 ຂອງ ສາມພະປຸຣານະ ອະທິບາຍເຖິງການສັງເຄາະອັນເລິກເຊິ່ງຂອງ ໂຍຄະ, ຊະຍານະ (ຄວາມຮູ້) ແລະ ກັມມະ
Samba Purana Adhyaya 82 synthesizes the paths of yoga and jnana (knowledge), teaching the mastery of senses as the foundation for solar realization.

ສາມພະ ຖາມລືສີ ນາຣະດາ ກ່ຽວກັບສາເຫດແຫ່ງກຳຂອງໂລກຂີ້ທູດ. ນາຣະດາ ອະທິບາຍວ່າ ໂລກນີ້ເກີດຈາກການລະເລີຍການບູຊາ
Samba Purana Adhyaya 83 concludes with the causes and cures of diseases through the power of Surya worship, mantras, and solar healing rituals.
The first chapter serves as an introduction and index, invoking Lord Surya as the healer of diseases like leprosy and outlining the Purana's contents, including Samba's curse, the Maga priests, and detailed Sun worship rituals.
The narrator, Suta, is addressing the assembled Rishis (sages), introducing them to the sacred and disease-curing Samba Purana.
The chapter mentions Samba being cursed by his father (Krishna) due to Narada's instigation, his subsequent redemption, and the establishment of a Sun temple and city.
King Brihadbala asks about the eternal Supreme Brahman, the ultimate deity to worship for liberation across all life stages, and the origin of the universe.
Sage Vashistha describes Surya as the visible Supreme Deity (Pratyaksha Devata), the creator, sustainer, and destroyer of the universe, and the ultimate destination for yogis.
The text explains that enlightened beings like Shuka, Vyasa, and the Valakhilyas entered the solar orb (Surya Mandala) through yoga, achieving ultimate liberation.
Krishna cursed Samba because his unparalleled physical beauty caused Krishna's intoxicated wives to become infatuated and agitated. This situation was orchestrated by Sage Narada, whom Samba had previously disrespected.
Krishna cursed his wives, except Rukmini, Satyabhama, and Jambavati, to lose their heavenly realms and be abducted by thieves after his death, as a consequence of their intoxication and loss of modesty.
To cure his leprosy, Samba worshipped the Sun God and established a permanent center for Surya worship called Sambapura, located on the picturesque banks of the Chandrabhaga river.
It is called Mitravana because Mitra, the twelfth manifestation of the Sun God (Surya), performed severe penance there to bless his devotees, making it his primordial abode before Samba rebuilt it.
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