Sukta 19
Rishi: Atharvanic tradition (specific ṛṣi attribution for this verse is not securely determinable from the single mantra alone)
Devata: Agni
Chandas: Anuṣṭubh-like cadence (exact metrical diagnosis requires full hymn context and pada scansion)
Ten krótki hymn do Agni jest zwięzłym atharwańskim kontr-zaklęciem, które odwraca wrogie zamiary przeciwko ich sprawcy, czerpiąc z arciṣ (płomienia), śocis (palącego żaru) i tejas (blasku) Agni. Działa jako zrytualizowane "odwrócenie" (praty-), dążąc do spalenia, wypalenia i pozbawienia mocy tego, kto nienawidzi wykonawcy, jednocześnie chroniąc domostwo poprzez kontrolowaną moc ognia.
Mantras
Mantra 1
शत्रुनाशनम्। अग्ने॒ यत् ते॒ तप॒स्तेन॒ तं प्रति॑ तप॒ यो॒३स्मान् द्वेष्टि॒ यं व॒यं द्वि॒ष्मः
O Agni, tym żarem, który jest twój - tym spal go w odwecie, kto nas nienawidzi, kogo uważamy za wroga.
Mantra 2
अग्ने॒ यत् ते॒ हर॒स्तेन॒ तं प्रति॑ हर॒ यो॒३स्मान् द्वेष्टि॒ यं व॒यं द्वि॒ष्मः
O Agni, tym twoim palącym gromem - jaką masz moc żaru - uderz go w odwecie, kto nas nienawidzi, którego my sami nienawidzimy.
Mantra 3
अग्ने॒ यत् ते॒ऽर्चिस्तेन॒ तं प्रत्य॑र्च॒ यो॒३स्मान् द्वेष्टि॒ यं व॒यं द्वि॒ष्मः
O Agni, tym twoim płomieniem, rozpal się przeciwko niemu - który nas nienawidzi, którego my nienawidzimy.
Mantra 4
अग्ने॒ यत् ते॑ शो॒चिस्तेन॒ तं प्रति॑ शोच॒ यो॒३स्मान् द्वेष्टि॒ यं व॒यं द्वि॒ष्मः
O Agni, tym twoim płomieniem, spal go w odwecie - tego, kto nas nienawidzi, którego my sami nienawidzimy.
Mantra 5
अग्ने॒ यत् ते॒ तेज॒स्तेन॒ तम॑ते॒जसं॑ कृणु॒ यो॒३स्मान् द्वेष्टि॒ यं व॒यं द्वि॒ष्मः
O Agni, tym twoim blaskiem, pozbaw go blasku - tego, kto nas nienawidzi, którego my nienawidzimy.
Frequently Asked Questions
It is used to protect oneself and one’s household by ritually reversing hatred or harmful intent back onto the person who is sending it.
Agni is the visible, immediate power of fire; the hymn treats his flame and heat as an executable force that can burn, scorch, and neutralize an enemy’s potency.
The primary ‘substance’ is the fire itself. Traditional performance may add kindling and a small oblation, but the hymn’s main mechanism is directing Agni’s arciṣ/śocis/tejas through recitation.
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