Sukta 43
Sukta 2.43
Gṛtsamada (traditional attribution for RV 2.43)
Triṣṭubh (probable; verify against pada-count of full text tradition)
Himne ringkas ini ditujukan kepada Śakuni/Śakunta (burung petanda) sebagai penutur yang benar, selaras dengan ṛta, yang panggilannya dibaca sebagai tanda bermakna dalam upacara dan kehidupan harian. Penyair memuji “suara dua lapis” burung itu seolah-olah ia seorang pelantun terlatih, dan berulang kali memohon agar ia mengucapkan tutur yang mujur lagi menyucikan dari setiap arah. Dengan demikian, sukta ini menguduskan pendengaran petanda: bunyi di alam menjadi saluran berkat, pemahaman yang tepat (sumati), dan kejayaan dalam perhimpunan.
In this hymn
Addressed to
Mantras
Mantra 1
प्रदक्षिणिदभि गृणन्ति कारवो वयो वदन्त ऋतुथा शकुन्तयः । उभे वाचौ वदति सामगा इव गायत्रं च त्रैष्टुभं चानु राजति ॥
Dalam gerak kanan yang bertuah, para penyanyi memuji; burung-burung, berkata menurut musim dan Tertib-Kebenaran (ṛta), melafazkan tanda-tandanya. Ia berkata dengan dua suara, seperti pelantun Sāman; ia bersinar, menurut sukatan Gāyatrī dan juga Triṣṭubh.
Mantra 2
उद्गातेव शकुने साम गायसि ब्रह्मपुत्र इव सवनेषु शंससि । वृषेव वाजी शिशुमतीरपीत्या सर्वतो नः शकुने भद्रमा वद विश्वतो नः शकुने पुण्यमा वद ॥
Seperti seorang Udgātṛ, wahai burung, engkau menyanyikan Sāman; seperti putera Sabda-Suci (brahman), engkau memaklumkan dalam pemerasan (savana). Seperti lembu jantan, seperti pelari yang gagah, mendekati daya-daya muda yang sedang membesar, katakanlah kepada kami yang baik dari segala sisi; katakanlah kepada kami yang bertuah dan menyucikan dari segala penjuru.
Mantra 3
आवदँस्त्वं शकुने भद्रमा वद तूष्णीमासीनः सुमतिं चिकिद्धि नः । यदुत्पतन्वदसि कर्करिर्यथा बृहद्वदेम विदथे सुवीराः ॥
Wahai burung, bersuaralah—katakan kepada kami yang baik; bahkan ketika duduk dalam diam, bangkitkanlah pada kami pengertian yang benar. Apabila engkau melompat terbang lalu bersuara seperti karkarī, semoga kami mengucapkan Yang Maha-Luas dalam perhimpunan (vidatha) dan dipenuhi daya kepahlawanan.
Inside Sukta 43
How it unfolds
- Where it opens
The hymn begins by observing auspicious movement and praise: singers acclaim, while birds ‘speak’ in season with ṛta, establishing nature as meaningful and ordered.
- Development
The bird is elevated through ritual metaphors—Udgātṛ, Sāman-chanter, brahma’s ‘son’—so its call becomes authoritative speech within sacrifice.
- Climax
A repeated, urgent petition: “speak to us the good… speak the fortunate/purifying from all directions,” turning omen into blessing and guidance.
- Where it settles
The poet seeks sumati even in silence and prays that, as the bird calls and rises, humans may speak the ‘Vast’ in the assembly and gain heroic strength (suvīra).
The deity: Śakuni/Śakunta
- Cosmic functionMediator of signs: it marks direction, time, and auspiciousness, translating the ordered rhythms of nature (seasons, movements, rightward course) into intelligible guidance for human action.
- Inner significanceThe capacity to hear truth in subtle signals—cultivating discernment, auspicious interpretation, and inner alignment so that one’s speech becomes ‘vast’ and effective in the vidatha (assembly).
The seer
- GṛtsamadaBhārgava (of the Bhr̥gu line; traditionally connected with the Gṛtsamada branch) · A principal seer of Maṇḍala 2, noted for hymns of strong ritual clarity and for articulating how praise (stuti) aligns humans with ṛta and divine favor.
Famous verses
ubhe vācau vadati
sarvato naḥ śakune bhadram ā vada
bṛhad vadema
Attributes of the deity
- ṛta-aligned speech (truth-order)
- seasonal/time-keeping signifier (ṛtuthā)
- directional auspiciousness (rightward/pradakṣiṇa)
- twofold voice (ubhe vācau)
- likened to Sāman-chant (udgātṛ imagery)
- bringer of bhadra and puṇya (good and purifying fortune)
- awakener of sumati (right understanding)
Also by this seer
- Major attribution for much of Rig Veda Maṇḍala 2 (Gṛtsamada hymns)
- Hymns to Agni and Indra in Maṇḍala 2 emphasizing correct invocation and protection
- Several Maṇḍala 2 suktas framing speech, praise, and ritual order as vehicles of power
The rite, step by step
- Sit facing the ritual space (or intended direction of travel/undertaking) and establish silence (tūṣṇīm) to ‘hear’ signs without agitation.
- Recite RV 2.43.1 acknowledging the bird’s rightward course and ṛta-seasonal speech; mentally align with ṛta.
- Recite RV 2.43.2 as a direct petition: ask for bhadra (good) and puṇya (purifying fortune) ‘from every side’ (sarvataḥ/viśvataḥ).
- Recite RV 2.43.3 requesting sumati even in silence, and strength of ‘vast speech’ in the vidatha (assembly/ritual gathering).
- Conclude with a brief intention (saṅkalpa): undertake the act only with clarity, auspiciousness, and benevolent speech.
Offerings
- Ghee or simple oblation into Agni (if performed with a fire)
- Water libation (ācamana/pariṣecana) as a symbol of purification (puṇya)
- Optional grains or a small food offering placed outdoors, acknowledging the bird as a messenger of ṛta
Frequently Asked Questions
The hymn addresses the Śakuni/Śakunta, an omen-bird whose call is treated as meaningful speech aligned with ṛta (cosmic order).
It repeatedly asks the bird to “speak the good” and “speak the purifying/fortunate” from every direction, and to awaken right understanding (sumati) in the listener.
In Vedic terms it is about ṛta: hearing nature’s rhythms as ordered and truthful, and using that hearing to cultivate clarity, auspicious action, and effective speech in ritual and community.
Ask anything about Sukta 43 of the Rig Veda
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