Sukta 8.7
गिरयश्चिन्नि जिहते पर्शानासो मन्यमानाः । पर्वताश्चिन्नि येमिरे ॥
giráyaś cid ní jihate párśānāso mányamānāḥ | párvatāś cid ní yemire ||
内なる「丘」さえも屈して沈み、抗う塊は自ら堅しと思いながら退く。さらに「山々」さえも抑えられ、引き留められる——神なる力が障碍を圧するとき。
Even the hills sink down; the resisting masses, thinking themselves firm, give way. Even the mountains are restrained/held back.
The mantra describes the collapse of inner resistances under divine pressure: ‘hills’ and ‘mountains’ are formations of hardened habit, subconscious inertia, and entrenched ego-structures. When the higher Force acts (often through Indra-Marut dynamism in this hymn-sequence), what seemed immovable yields; the proud resistance (manyamānāḥ) is compelled to subside.
No obstruction is absolute: when truth-force and sustained spiritual energy act, even the most entrenched patterns can be re-shaped and brought under control.
obstruction-breaking, inner battle: Light vs. resistance, divine constraint of the inconscient
Within the Kāṇva Marut/Indra sequence, such verses often describe the effect of divine force on obstruction—typical of victory imagery.
A psychological ‘victory-verse’: it reassures the seeker that entrenched resistances can be made to yield under higher action.
Breaks the coverings, compels the fixed masses to move, and releases the blocked flows (waters/light).
Irresistible pressure of illumination and dynamic energy that dislodges inertia and binds rebellious movements.
Victory/obstacle-breaking praise within Indra/Marut contexts (general)
गि॒रय॑श्चि॒न्नि जि॑हते॒ पर्शा॑नासो॒ मन्य॑मानाः । पर्व॑ताश्चि॒न्नि ये॑मिरे ॥
गि॒रयः॑ । चि॒त् । नि । जि॒ह॒ते॒ । पर्शा॑नासः । मन्य॑मानाः । पर्व॑ताः । चि॒त् । नि । ये॒मि॒रे॒ ॥
girayaḥ | cit | ni | jihate | parśānāsaḥ | manyamānāḥ | parvatāḥ | cit | ni | yemi re
Triṣṭubh (probable by sūkta pattern; not verified)
44
4 × ~11
Heavy, descending cadence mirroring ‘sinking’ and ‘subduing’; emphatic repetition of ‘cit’ (even) intensifies inevitability.
Conveys certainty of victory; gives the listener a felt sense of pressure that pushes obstacles down.
General praise/invocation context; specific Śrauta assignment not determinable from the isolated verse without full hymn metadata.
When invoking the removal of impediments to the rite and the release of powers (waters/rays).
Recitation to affirm the overpowering of resistance and the establishment of unobstructed movement.
Mantra for breaking habits, fear, procrastination, or depressive inertia—used as an affirmation of inevitable change under sustained practice.
: middle 3pl; intens./descriptive use from √hā ‘leave, abandon’ (with sense of ‘give way, recoil’ in context). : perfect/middle 3pl from √yam ‘to hold, restrain’; conveys ‘being constrained’ rather than mere motion. : pres. mid. participle nom. pl. from √man ‘to think, suppose’; here ‘self-conceiving as solid’. : preverb indicating downward/inward subduing—symbolically, the descent of force that breaks rigid formations.
R̥ta (right ordering through divine pressure on disorder), tapas/force that compels transformation, overcoming of obstruction (nirodha of tamasic formations)
Obstructions are deviations from ṛta; divine force compels them to yield so right movement can reassert itself.
The resistant nature ‘imagines’ solidity; satya reveals its impermanence and subdues it.
Release through breaking of fixed formations; evolution by overcoming the ‘coverer’ principle.
Vedic psychology of obstruction (Vṛtra/covering) and liberation (release of waters/light)
Mountains/hills = hardened samskāras; sinking/being restrained = ego and inertia losing dominance under higher will and light.
Contemplate the ‘mountain’ you face (one entrenched pattern) and invoke the descending pressure of truth-force until the sense of immovability softens.
muladhara (deep inertia/fear)
Slow, grounding breaths; on exhale, feel the obstruction ‘sink’; on inhale, feel a higher pressure descending from above the head into the spine.
From intimidation by resistance to calm certainty and steady power.
Name the resistance without drama (‘manyamāna’—its imagined solidity). Chant, then sit silently noticing micro-shifts: tension releases, mental rigidity loosens, a new space appears—this is the beginning of the ‘mountain’ yielding.
Rigvedic accenting; emphasize the repeated ‘cit’ (even) without over-stressing; keep the cadence weighty and controlled.
Padapāṭha segmentation: girayaḥ | cit | ni | jihate | parśānāsaḥ | manyamānāḥ | parvatāḥ | cit | ni | yemire.
girayaḥ: soft g; final ḥ light, jihate: j voiced; h clearly aspirated, parśānāsaḥ: ś palatal; long ā; final ḥ, manyamānāḥ: ny cluster; long ā; final ḥ, parvatāḥ: rv cluster clear; long ā; final ḥ, yemire: ye- mi- re distinct, not ‘yemre’
Grave, forceful, steady—like a pressure that does not waver.
11
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