Sukta 3.4
आ भारती भारतीभिः सजोषा इळा देवैर्मनुष्येभिरग्निः । सरस्वती सारस्वतेभिरर्वाक्तिस्रो देवीर्बर्हिरेदं सदन्तु ॥
ā bhā́ratī bhā́ratībhiḥ sajóṣā iḷā́ deváir manuṣyébhir agníḥ | sárasvatī sārasvatébhiḥ arvā́k tisró devī́r bárhir idáṃ sádantu ||
バーハラティー(Bhāratī)はバーハラティーたち(Bhāratīs)と和合してここに来たれ。イラー(Iḷā)はアグニ(Agni)を通して、神々と人々とともに来たれ。サラスヴァティー(Sarasvatī)はサラスヴァタたち(Sarasvatas)とともに近づき来たれ。この三柱の女神が、この聖なる敷草(barhis)に、われらの内に坐しますように。
Agniṣṭoma / Soma-yajña and general Agni-yajña: invitation of deities to the barhis (āsana) in the opening/invocation sequence; also applicable as an inner ‘āhvāna’ (calling) before offering.
ṛta (harmonious order implied by sajóṣāḥ), vā́c / inspired speech (as divine power), descent of the divine into the human instrument
Right speech and right inspiration are expressions of ṛta; the goddesses establish the truthful articulation of inner experience.
When these powers ‘sit’ within, speech becomes a channel of satya rather than opinion or impulse.
Creation through the Word: inspired speech as formative power shaping inner and outer life.
Vedic mantra-yoga: vāc as śakti; Aurobindonian psychology of revelation (Iḷā) and inspiration (Sarasvatī) guided by the psychic fire (Agni).
River = flowing consciousness and inspired intelligence; fire = will that mediates; grass-seat = calm wide receptivity (inner ground).
Invite the three powers into the inner seat: harmony of speech, intuitive light, and flowing clarity; then sit in silent receptivity.
Viśuddha (speech truth), ājñā (intuition), and anāhata (harmonizing sincerity) supported by maṇipūra (Agni-will).
3 rounds: inhale ‘ā…’ (invitation), exhale softly ‘sadantu’ (let them be seated). Keep breath smooth and unforced.
Receptive, luminous, quietly inspired.
Prepare the ‘barhis’ by relaxing the body and widening attention. Offer speech inwardly to truth; then speak/chant only after a moment of inner listening.
Tri-svara; the repeated initial ‘ā’ should carry a gentle udātta lift where marked; keep invocatory consistency across the three calls (Bhāratī, Iḷā, Sarasvatī).
Maintain clear separation of the three invocations; give a small breath-reset before ‘tisro devīr’. End with a settling cadence on ‘sadantu’.
bhāratī: long ā; dental t, iḷā: retroflex ḷ; avoid turning into plain ‘la’, sarasvatī: keep ‘sv’ cluster clean, arvāk: final k unaspirated; do not add extra vowel, tisro: crisp tr cluster
Soft, inviting, resonant in the throat and heart; prioritize clarity over volume.
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