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Valmiki Ramayana 2.34.16: Ayodhya Kanda, Sarga 34, Shloka 16

रामदर्शनार्थं दारानयनम्

The Queens Summoned; Rama’s Leave-Taking and Dasaratha’s Collapse

स राजा पुत्रमायान्तं दृष्ट्वा दूरात्कृताञ्जलिम्।उत्पपातासनात्तूर्णमार्त स्त्रीजनसंवृतः।।।।

Sanskrit recitationValmiki Ramayana 2.34.16

sa rājā putram āyāntaṃ dūrāt dṛṣṭvā kṛtāñjalim |

utpapātāsanāt tūrṇam ārtaḥ strījanasaṃvṛtaḥ ||

遠くから、合掌して近づく我が子を見た王は、後宮の女たちに囲まれ、悲嘆に打たれつつも、座より急ぎ立ち上がった。

सःhe
सः:
Karta (कर्ता)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन
राजाthe king
राजा:
Karta (कर्ता)
TypeNoun
Rootराजन् (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन
पुत्रम्son
पुत्रम्:
Karma (कर्म)
TypeNoun
Rootपुत्र (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया, एकवचन
आयान्तम्coming
आयान्तम्:
Visheshana (विशेषण)
TypeVerb
Rootआ + या (धातु)
Formशतृ-प्रत्ययान्त (present active participle), पुंलिङ्ग, द्वितीया, एकवचन; ‘coming’
दृष्ट्वाhaving seen
दृष्ट्वा:
Purvakala (पूर्वकाल-क्रिया)
TypeVerb
Rootदृश् (धातु)
Formक्त्वान्त (absolutive), अव्ययभाव; ‘having seen’
दूरात्from a distance
दूरात्:
Apadana (अपादान)
TypeIndeclinable
Rootदूर (प्रातिपदिक)
Formपञ्चमी-प्रयोगः अव्ययवत् (ablative used adverbially): ‘from afar’
कृताञ्जलिम्with folded hands
कृताञ्जलिम्:
Visheshana (विशेषण)
TypeAdjective
Rootकृत + अञ्जलि (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया, एकवचन; तत्पुरुषः (कृतः अञ्जलिः येन) = ‘with folded hands’
उत्पपातsprang up; rose
उत्पपात:
Kriya (क्रिया)
TypeVerb
Rootउत् + पत् (धातु)
Formलिट्-लकार (perfect), प्रथमपुरुष, एकवचन; परस्मैपद
आसनात्from the seat
आसनात्:
Apadana (अपादान)
TypeNoun
Rootआसन (प्रातिपदिक)
Formनपुंसकलिङ्ग, पञ्चमी, एकवचन
तूर्णम्quickly
तूर्णम्:
Prakara (प्रकार)
TypeIndeclinable
Rootतूर्णम् (अव्यय)
Formरीतिवाचक-अव्यय
आर्तःdistressed
आर्तः:
Visheshana (विशेषण)
TypeAdjective
Rootआर्त (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन
स्त्रीजनसंवृतःsurrounded by women
स्त्रीजनसंवृतः:
Visheshana (विशेषण)
TypeAdjective
Rootस्त्रीजन + संवृत (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन; तत्पुरुषः (स्त्रीजनैः संवृतः)

At the sight of Rama, the lord of men (king Dasaratha), tortured with grief, immediately ran towards him but before he could reach him, fell unconscious on the floor.

D
Daśaratha
R
Rama
P
palace women (strījana)

FAQs

The verse foregrounds maryādā (propriety) and mutual respect: Rama approaches with folded hands, and the father-king responds instinctively, revealing the sacredness of familial and royal bonds even amid crisis.

Rama approaches Daśaratha in the palace; Daśaratha sees him from a distance and rises quickly, overwhelmed.

Rama’s humility and reverence toward his father; Daśaratha’s deep parental attachment.

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