अयोध्याकाण्डे त्रयोदशः सर्गः | Kaikeyi Presses the Boons; Dasaratha’s Lament and Collapse
Spoken by King DaśarathaSetting: AyodhyaPlaces named: Daṇḍaka (Daṇḍakāraṇya)Impending departure toward Daṇḍakāraṇya
कथमिन्दीवरश्यामं दीर्घबाहुं महाबलम् ।
अभिराममहं रामं प्रेषयिष्यामि दण्डकान् ॥१०॥
kathamindīvaraśyāmaṃ dīrghabāhuṃ mahābalam |
abhirāmamahaṃ rāmaṃ preṣayiṣyāmi daṇḍakān ||10||
どうして私は、青蓮のごとき肌をもち、長い腕と大いなる力を備え、その在りよう自体が麗しいラーマを、ダンダカの森へ遣わすことができようか。
Rama with a charming personality has a complexion like the blue lotus. He has long arms (with immense strength). How can I banish him to Dandaka forest?
Virtue and beauty do not exempt one from dharma’s hard demands; love must learn to release.
Guṇa-smaraṇa (remembering Rama’s auspicious qualities) as a stabilizing practice amid grief.
The beloved form (rūpa-mādhurya) is contemplated even as it is subjected to change; attachment to form meets the demand of dharma.
Implicit contrast of the ‘beautiful embodied’ with the harsh world of experience—echoing the Upaniṣadic push from rūpa to tattva (from appearance to truth).
Rāmāyaṇa: frequent epithets of Rama—indīvara-śyāma, dīrgha-bāhu, mahā-bala (across Bāla/Ayodhyā/Āraṇya); Rāmacaritamānasa: Ayodhyā-kāṇḍa laments describing Rama’s beauty and exile (parallel mood)
Classical kāvya convention of lotus-complexion praise
Ayodhyākāṇḍa: Kaushalya’s continuing lamentation sequence (2.13)
Anuṣṭup (śloka)
Grieving
Madhyama-laya, soft ascent on indīvara-śyāmam, descent on daṇḍakān to underline dread
Dharma is tied to fitness and fairness: it is ethically painful to punish or exile one who is exemplary and undeserving of hardship.
Daśaratha pleads internally/verbally, describing Rāma’s virtues and questioning how he could possibly carry out the exile.
Rāma’s ideal princely excellence—strength, beauty, and noble presence—supporting his role as dharmic heir.
Answers come straight from the texts, with the shlokas they draw on. Ask in your own words.
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