
Rishi: Atharvanic tradition (house-consecration hymn; r̥ṣi attribution varies by anukramaṇī)
Devata: Gṛha/Śālā and the consecrated house-timbers (with Ṛta/Virāj as sacral power)
Chandas: Triṣṭubh-like cadence (domestic benedictive style; exact metrical classification varies by pada division)
AV 3.12 は家屋奉献(安宅)の讃歌であり、ṛta(宇宙秩序)と光輝ある秩序(virāj)によって儀礼的に「造り上げられた」ものとして、śālā(広間/住まい)を安定し、慈しみ深く、繁栄する生活空間として据える。柱と棟木(棟の梁)が堅固に立ち、家を悩ます者や敵を退け、「百の秋」すなわち長寿を、富と無傷の子孫とともに確保するよう祝福する。
Mantra 1
शालानिर्माणम्। इ॒हैव ध्रु॒वां नि मि॑नोमि॒ शालां॒ क्षेमे॑ तिष्ठाति घृ॒तमु॒क्षमा॑णा । तां त्वा॑ शाले॒ सर्व॑वीराः सु॒वीरा॒ अरि॑ष्टवीरा॒ उप॒ सं च॑रेम
ここに、まさにここに、われは堅固なる広間(śālā)を据え置く。安穏のうちに彼女が立ち、酥油(ghṛta)に潤されんことを。おお広間よ、われらは汝に近づき、汝の内を行き来せん——あらゆる勇子を備え、善き勇子を備え、害に損なわれぬ子らを備えて。
Mantra 2
इ॒हैव ध्रु॒वा प्रति॑ तिष्ठ शा॒लेऽश्वा॑वती॒ गोम॑ती सू॒नृता॑वती । ऊर्ज॑स्वती घृ॒तव॑ती॒ पय॑स्व॒त्युच्छ्र॑यस्व मह॒ते सौभ॑गाय
ここに、まさにここに、堅く立て、おお広間よ——馬に富み、牛に富み、温和なる真実の言葉(sūnṛtā)に富め。力と養いに富み、酥油(ghṛta)に富み、乳に富め。大いなる幸運のために高くそびえ立て。
Mantra 3
ध॒रु॒ण्य॒ऽसि शाले बृ॒हच्छ॑न्दाः॒ पूति॑धान्या । आ त्वा॑ व॒त्सो ग॑मे॒दा कु॑मा॒र आ धे॒नवः॑ सा॒यमा॒स्पन्द॑मानाः
汝は担い支える者、おお広間よ。汝は広き韻律をもち、清められた穀粒に富む。汝のもとへ子牛が来たれ、若き子が来たれ。夕べには乳牛らが汝のもとへ来たれ——家へ帰るとき、震えず、恐れず。
Mantra 4
इ॒मां शालां॑ सवि॒ता वा॒युरिन्द्रो॒ बृह॒स्पति॒र्नि मि॑नोतु प्रजा॒नन्। उ॒क्षन्तू॒द्ना म॒रुतो॑ घृ॒तेन॒ भगो॑ नो॒ राजा॒ नि कृ॒षिं त॑नोतु
この広間を、サヴィタル(Savitar)、ヴァーユ(Vāyu)、インドラ(Indra)、ブリハスパティ(Bṛhaspati)—子孫を知る者たち—が、しかと据え定めよ。マルット(Maruts)は水とギー(ghṛta)とをもってこれに灌ぎそそげ。われらの王バガ(Bhaga)は、われらのために田の耕作を広げ、増益をもたらせ。
Mantra 5
मान॑स्य पत्नि शरणा स्योना दे॒वी दे॒वेभि॒र्निमिता॒स्यग्रे॑ । तृणं॒ वसा॑ना सु॒मना॑ अस॒स्त्वमथा॒स्मभ्यं॑ स॒हवी॑रं र॒यिं दाः॑
マーナサ(Mānasa)の貴婦よ、避難処にして安らぎの座よ。女神よ、神々によって初めに測られ、築き定められたものよ。草(tṛṇa)を衣としてまとい、善意に満ち、害なき者よ。さればわれらに、勇士(子)を伴う財(rāyí)を授けたまえ。
Mantra 6
ऋ॒तेन॑ स्थूणा॒मधि॑ रोह वंशो॒ग्रो वि॒राज॒न्नप॑ वृङ्क्ष्व॒ शत्रू॑न्। मा ते॑ रिषन्नुपस॒त्तारो॑ गृ॒हाणां॑ शाले श॒तं जी॑वेम श॒रदः॒ सर्व॑वीराः
ṛta(宇宙の正序)によって柱の上に登れ。おお棟木よ、輝き現れて、敵どもを断ち切り、払い捨てよ。家を取り囲む者どもが汝を害さぬように。広間において、われらはすべての勇士を伴い、百の秋を生きよ。
Mantra 7
एमां कु॑मा॒रस्तरु॑ण॒ आ व॒त्सो जग॑ता स॒ह। एमां प॑रि॒स्रुतः॑ कु॒म्भ आ द॒ध्नः क॒लशै॑रगुः
この家へ、若き少年が来た。子牛も、動くものすべてと共に来た。この家へ、あふれる壺が来た。凝乳も、瓶々を従えて来た。
Mantra 8
पू॒र्णं ना॑रि॒ प्र भ॑र कु॒म्भमे॒तं घृ॒तस्य॒ धारा॑म॒मृते॑न॒ संभृ॑ताम्। इ॒मां पा॒तॄन॒मृते॑ना॒ सम॑ङ्ग्धीष्टापू॒र्तम॒भि र॑क्षात्येनाम्
女よ、この満ち満ちた壺を運び出せ—その酥油の流れは、amṛta(不死の甘露)によって正しく集められたもの。amṛtaによって守護者たちに塗り油せよ。祭祀と施与の功徳(iṣṭāpūrta)が彼女を周囲から守護する。
Mantra 9
इ॒मा आपः॒ प्र भ॑राम्यय॒क्ष्मा य॑क्ष्म॒नाश॑नीः । गृ॒हानुप॒ प्र सी॑दाम्य॒मृते॑न स॒हाग्निना॑
この水をわたしは捧げ持ち来たる——yakṣma(病魔)なきもの、yakṣmaを滅するもの。家々に近づき、そこに坐す。甘露(amṛta)とともに、またアグニ(Agni)とともに。
The hymn begins by ‘placing’ the hall here and now as dhruvā—firm and safe—envisioned as glistening/bedewed with ghṛta and fit for unharmed, heroic offspring to dwell and move within.
May the house be a refuge and kindly goddess, granting wealth with heroes; may its timbers stand under ṛta and radiance, and may all hostile forces be expelled from the dwelling.
The ridge-beam, mounted ‘by ṛta’ upon the pillars and shining with virāj, is commanded to sever enemies—turning the very architecture into an active apotropaic agent.
The blessing culminates in the classic domestic seal: ‘may we live a hundred autumns’ in the hall, surrounded by all our heroes (healthy progeny/retainers), unharmed by besetters.
ihaiva dhruvāṃ ni minomi śālām
devebhir nimitā asi agre
śataṃ jīvema śaradaḥ sarvavīrāḥ
Paustika (House-consecration/Prosperity) with Apotropaic (Protective) elements
Firm establishment of a newly built or newly occupied house; removal of hostility and occult/visible threats; bestowal of prosperity, safety, and long life with thriving progeny.
Householders, builders/ritual specialists (Atharvanic priest), and families performing gṛhapratiṣṭhā or first-entry rites for a new dwelling.
The dwelling is invoked as a living, goddess-like refuge—measured out by the gods—while its structural members (posts and ridge-beam) are treated as sacral supports of order. Ṛta provides right placement and stability; Virāj supplies radiance, expansion, and auspicious sovereignty within the household space.
To enthrone the hall as a tutelary power, bind cosmic order (ṛta) into the building’s frame, and ensure that the completed structure becomes a protected, prosperous, long-enduring seat of family life.
At the setting of the main timbers (especially ridge-beam) and/or at first entry into the finished hall; preferably in the bright fortnight and daylight hours.
Ghṛta (ghee) used to ‘bedew’/anoint the hall and sanctify the timbers
Warm and clarify ghṛta; keep it in a clean vessel. Lay fresh grass in the hall/at thresholds; during recitation, lightly anoint or symbolically touch key structural points (posts, ridge-beam, threshold) while voicing the protective commands.
It is used to consecrate a newly built or newly occupied house/hall, making it stable, safe, and prosperous, while driving away enemies and harmful ‘besetters’ of the home.
The hymn treats the main timbers as sacral supports: once installed under ṛta (right order) and virāj (radiant power), the structure itself becomes a protector that ‘cuts off’ hostility.
The core rite relies on domestic substances—especially ghee and fresh grass—plus the house-timbers being installed. The ‘amulet’ effect is chiefly the consecrated architecture and the spoken blessing.
Answers come straight from the texts, with the shlokas they draw on. Ask in your own words.
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