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साम्बपुराण
The Ancient Text of Surya Worship and Solar Devotion
The Samba Purana is a unique sacred text centered on the worship of Surya, the Sun god. Narrating the story of Samba's curse and cure through solar devotion, it encompasses the establishment of Mitravana, the arrival of Maga priests, temple architecture, tantric mantras, healing rituals, and the path to liberation through Saura Yoga.
Start ReadingThe Samba Purana, also known as the Sambapurana, is an Upa-Purana devoted to the glorification and worship of Surya, the Sun god. It tells the story of Samba, son of Krishna, who was cursed with leprosy and healed through devoted solar worship at Mitravana. The text uniquely documents the arrival of Maga (Zoroastrian-influenced) priests from Shakadvipa, the construction of Surya temples and idols, elaborate tantric rituals, mantric sciences, yogic practices, and the path of Saura liberation. It is an invaluable source for understanding the solar worship tradition of ancient India.
The Samba Purana is structured into 84 Adhyayas (chapters), encompassing mythology, cosmology, temple architecture, ritual procedures, tantric practices, and yogic philosophy.
84 chapters of sacred teaching
Verses read one by one
This edition of the Samba Purana on Vedapath includes:
The Samba Purana is composed of 84 Adhyayas.
Each Adhyaya covers mythology, cosmology, temple architecture, rituals, tantric mantras, yoga, or healing through Surya worship.

Le chapitre s'ouvre sur un Mangalacharanam (invocation de bon augure) par Suta, louant le Seigneur B
Samba Purana Adhyaya 0 presents the auspicious invocation and the table of contents for the entire text, setting the stage for the discourse on Surya worship and the Saura tradition.

Dans le premier chapitre du Samba Purana, Suta relate un dialogue philosophique profond entre le roi
Samba Purana Adhyaya 1 opens with King Brihadbala’s inquiry into the supreme deity, leading to a discourse on the glory and supremacy of Surya as the ultimate cosmic principle.

Dans ce chapitre, le roi Brihadbala s'enquiert du centre principal du culte du Soleil. Le sage Vashi
Samba Purana Adhyaya 2 narrates how Samba, son of Krishna, was cursed with leprosy and how the sacred site of Mitravana was established for Surya worship and healing.

Dans ce chapitre, le roi Vrihadbala interroge le sage Vashistha sur la façon dont Mitravana peut êtr
Samba Purana Adhyaya 3 describes the twelve manifestations of the Sun god and traces the sacred origins of Mitravana as a center of solar devotion.

Le roi Vrihadbala interroge le sage Vasishtha sur la raison pour laquelle Surya, la divinité primord
Samba Purana Adhyaya 4 reveals the secret of Surya’s penance through Mitra’s discourse to Narada, explaining the solar deity’s austerities and cosmic role.

Après avoir reçu une terrible malédiction de son père, Krishna, un Samba innocent implore la miséric
Samba Purana Adhyaya 5 recounts Samba’s heartfelt plea for healing and Narada’s revelation of Suryaloka, the divine abode of the Sun god.

Dans le chapitre 6 du Samba Purana, Samba s'enquiert de l'omniprésence, des formes et de la suite di
Samba Purana Adhyaya 6 expounds the cosmological framework, establishing Surya’s omnipresence and describing the emanation of solar rays and planetary bodies.

Dans ce chapitre, le sage Narada instruit Samba sur le rôle cosmique suprême d'Aditya (Surya). Narad
Samba Purana Adhyaya 7 establishes the supremacy of Surya over all deities and explains the cosmic cycle of time governed by the Sun’s movements.

Dans ce chapitre, le sage Narada transmet à Samba une connaissance profonde concernant les douze man
Samba Purana Adhyaya 8 enumerates the twelve Adityas, explains the etymology of Surya’s many names, and affirms his supreme universality across all realms.

Dans ce chapitre, Samba exprime une profonde dévotion envers Surya après avoir entendu le discours d
Samba Purana Adhyaya 9 traces the genealogy of Surya’s consorts Rajni and Nikshubha and their progeny in the solar lineage.

Narada raconte l'histoire de Surya et de ses épouses, Samjna et Chhaya. Incapable de supporter la ch
Samba Purana Adhyaya 10 narrates the progeny of Surya, the tale of Chhaya’s illusion, and the famous trimming of the Sun’s radiance by Vishvakarma.

Dans ce chapitre, Samba demande au sage Narada d'expliquer en détail l'amincissement du corps de Sur
Samba Purana Adhyaya 11 describes how Vishvakarma pared down Surya’s overwhelming radiance, shaping the excess into divine weapons and ornaments.

Dans ce chapitre, Samba s'enquiert de l'hymne spécifique chanté par Brahma et les Devas lorsque Sury
Samba Purana Adhyaya 12 presents the hymn of praise (stuti) offered to Surya during the process of his divine shaping by Vishwakarma.

Dans ce chapitre, Samba demande à Narada de raconter d'autres récits divins de Surya. Narada relate
Samba Purana Adhyaya 13 reveals the origin of Surya and extols his supreme glory as the source of all light, life, and cosmic order.

Dans le chapitre 14, Samba demande comment la forme de Surya a été façonnée. Narada raconte une époq
Samba Purana Adhyaya 14 continues the account of Vishvakarma trimming Surya’s radiance and the divine instruments fashioned from the solar effulgence.

Dans ce chapitre, Narada décrit l'origine et le placement des dix-huit principaux serviteurs (Anucha
Samba Purana Adhyaya 15 enumerates the eighteen divine attendants of Surya and narrates the story of Dindi, a devoted worshipper of the Sun.

Narada raconte à Samba l'hymne profond chanté par Dindi (Virupaksha/Shiva) au Dieu Soleil, Surya. Da
Samba Purana Adhyaya 16 presents Dindi’s hymn to Surya and describes the glory of Avimukta Kshetra as a sacred site of solar worship.

Le sage Narada décrit le ciel cosmique (Vyoma) et ses habitants divins. Il énumère les trente-trois
Samba Purana Adhyaya 17 describes the celestial space (Vyoma), the Devas who inhabit it, and the structure of the planetary system governed by Surya.

Dans ce chapitre, le sage Narada élucide la grande structure cosmologique de l'univers, en se concen
Samba Purana Adhyaya 18 presents the cosmological geography centered on Mount Meru, the axis of the universe, and its relation to solar worship.

Narada explique la géographie cosmique et le mouvement apparent du Soleil autour du mont Meru. Il dé
Samba Purana Adhyaya 19 describes the orbit of the Sun through the heavens and the divine cities of the Lokapalas (guardians of the directions).

Dans ce chapitre, le sage Narada fournit une description cosmologique et structurelle détaillée du c
Samba Purana Adhyaya 20 details the magnificent architecture of Surya’s celestial chariot and the divine retinue that accompanies the Sun god.

Dans ce chapitre, Samba interroge le sage Narada sur la mécanique astronomique et spirituelle de la
Samba Purana Adhyaya 21 explains the lunar cycle and its sixteen kalas, connecting them to the sacred journey to Mitravana for solar worship.

Dans ce chapitre, Samba s'enquiert de la croissance et du déclin de la Lune (Soma). Le sage Narada e
Samba Purana Adhyaya 22 explains the phenomenon of the Moon’s waxing and waning and affirms Surya’s supremacy over all celestial bodies.

Samba demande au sage Narada d'éclaircir un doute de longue date concernant les éclipses solaires :
Samba Purana Adhyaya 23 explains eclipses through the illusion of Rahu and the mythological connection to the nectar of Soma.

Dans ce chapitre pivot, Samba, profondément affligé par la lèpre et ne trouvant aucun soulagement da
Samba Purana Adhyaya 24 narrates Samba’s fervent prayer to Surya and the miraculous cure of his leprosy through divine solar grace.

Dans ce chapitre, le sage Vasishtha raconte comment un Samba émacié louait continuellement le Dieu S
Samba Purana Adhyaya 25 presents the Stavaraja, the king of hymns revealed by Surya himself, extolling the Sun’s supreme nature.

Samba découvre une idole divine en bois de Surya flottant dans la rivière Chandrabhaga et l'installe
Samba Purana Adhyaya 26 describes the Maganayanam, the bringing of the Maga priests from Shakadvipa to establish proper Surya worship rituals.

Dans ce chapitre, Vashistha explique la grandeur des dévots de Surya. Il élabore sur le double chemi
Samba Purana Adhyaya 27 explains the significance of the Maga and Yajaka priests and describes the three forms of Surya in ritual worship.

Ce chapitre détaille le chemin vers la libération à travers le Saura Yoga. Il commence par souligner
Samba Purana Adhyaya 28 teaches the path of Saura Yoga, meditation on Surya, and describes the supreme spiritual state attained through solar devotion.

Dans l'Adhyaya 29 du Samba Purana, le sage Vashistha explique les directives pour la construction de
Samba Purana Adhyaya 29 prescribes detailed rules for the construction of Surya idols and the architectural principles for Surya temples.

Dans ce chapitre, le sage Vasishtha détaille les injonctions pour la construction d'images sacrées (
Samba Purana Adhyaya 30 specifies the rules for selecting wood and materials for crafting Surya images, as part of the Pratima Vidhi tradition.

Dans ce chapitre du Samba Purana, le sage Vashistha détaille les directives iconographiques précises
Samba Purana Adhyaya 31 details the Pratima Lakshanam: the canonical characteristics, proportions, and iconographic standards for Surya idols.

Ce chapitre détaille les rituels élaborés pour la consécration (Adhivasana) et l'installation (Prati
Samba Purana Adhyaya 32 describes the Adhivasana ritual and the sacred ceremony for installing the Surya idol in a temple.

Dans ce chapitre, le sage Narada détaille le rituel sacré du Dhvajaropana (hissage du drapeau) au so
Samba Purana Adhyaya 33 prescribes the Dhvajaropana Vidhi, the ritual of hoisting the sacred flag at a Surya temple as part of worship ceremonies.

Après un an d'installation du dieu Soleil à Mitravana, Samba interroge Narada sur les procédures du
Samba Purana Adhyaya 34 describes the annual Ratha Yatra procession for Surya and the Graha Shanti Vidhi for planetary pacification.

Dans ce chapitre, le sage Vasishtha détaille les rituels élaborés pour le Ratha Yatra (festival du c
Samba Purana Adhyaya 35 details the rituals of the Ratha Yatra, purification ceremonies, and the Dhupa Vidhi (incense offering) for Surya worship.

Dans le chapitre 36 du Samba Purana, le sage Vasistha explique les procédures complexes pour mener l
Samba Purana Adhyaya 36 prescribes the Homa Vidhana, the detailed procedure of fire oblations (homa) dedicated to Surya for spiritual merit.

Dans ce chapitre, Vasistha relate le dialogue entre Samba et le sage Narada concernant les recompens
Samba Purana Adhyaya 37 enumerates the spiritual fruits of sun worship, including the merits of devotion, rituals, and various offerings to Surya.

Dans ce chapitre, le roi Brihadbala s'enquiert de l'initiation sacrée (Diksha) que Samba a reçue du
Samba Purana Adhyaya 38 describes the Saura Diksha (solar initiation) and the Mandala Vidhana, the ritual construction and use of sacred diagrams in Surya worship.

Dans ce chapitre, Vasistha élabore sur la connexion ésotérique entre l'alphabet sanskrit (Varnas) et
Samba Purana Adhyaya 39 explores the mysticism of the Sanskrit alphabet and reveals the Saura Mahamantra, the great solar mantra for spiritual attainment.

Dans ce chapitre, le sage Vasishtha élucide le culte rituel complexe (Puja) de diverses divinités se
Samba Purana Adhyaya 40 describes the worship of attendant deities in the cardinal directions and extols the glory of the Saura Shastra tradition.

Ce chapitre détaille le homa (rituel du feu) complexe et le bali (offrandes) dédiés aux Dikpalas (di
Samba Purana Adhyaya 41 prescribes ritual offerings to the Dikpalas (guardians of directions) and affirms the supreme glory of Surya worship.

Samba, accompagné des prêtres Maga, arrive au sacré Tapovana sur les rives de l'océan salé. Divers ê
Samba Purana Adhyaya 42 narrates the arrival at Mitravana, Surya’s boons granted to the ascetics, and teachings on cosmic time cycles.

Vasistha décrit un bois sacré sur le rivage de l'océan où les dieux, les sages et les êtres célestes
Samba Purana Adhyaya 43 describes the sacred establishment of the Surya idol at Mundira, a significant event in the solar worship tradition.

Le chapitre commence par le sage Vasishtha glorifiant Surya. Samba s'enquiert ensuite de l'Achara (c
Samba Purana Adhyaya 44 prescribes the Sadachara Varnana, rules of righteous conduct and daily observances for devoted worshippers of Surya.

Dans ce chapitre, Samba s'enquiert du mérite de donner des parapluies et des sandales. Narada racont
Samba Purana Adhyaya 45 explains the origin and spiritual merit of donating umbrellas and sandals as acts of charity connected to Surya worship.

Dans ce chapitre, Samba s'enquiert des règles du Saptami Vrata. Le sage Narada détaille les sept typ
Samba Purana Adhyaya 46 describes the rites and rewards of the Saptami Vrata and enumerates the twelve forms of Surya worshipped through the year.

Dans le chapitre 47 du Samba Purana, le sage Narada explique l'importance suprême et la méthodologie
Samba Purana Adhyaya 47 prescribes the Japa Yajna Vidhi, the procedure and rules for the chanting sacrifice dedicated to Surya.

Ce chapitre détaille les gestes de la main spécifiques (Mudras) utilisés dans le culte rituel de Sur
Samba Purana Adhyaya 48 describes the characteristics and formation of sacred mudras (ritual hand gestures) used in Surya worship.

Dans ce chapitre du Samba Purana, le sage Narada expose les rituels quotidiens essentiels (Ahnika) e
Samba Purana Adhyaya 49 prescribes daily solar rituals and the Shaucha Vidhi, purification rites for maintaining spiritual cleanliness in Surya devotion.

Dans l'Adhyaya 50 du Samba Purana, le récit passe aux dimensions ésotériques et rituelles de l'adora
Samba Purana Adhyaya 50 details the combined rituals of mantras, mudras, and nyasa (ritual placement) in the practice of sun worship.

L'Adhyaya 51 du Samba Purana propose un exposé très détaillé sur le culte ritualiste (Puja Vidhi) de
Samba Purana Adhyaya 51 describes the ritualistic worship of Khakholka Surya, a specific form of the Sun god, and his cosmic manifestations.

Le chapitre 52 du Samba Purana expose les procédures ésotériques pour la construction d'un Mandala S
Samba Purana Adhyaya 52 details the construction of the Surya Mandala (sacred solar diagram) and the Saura Diksha initiation ceremony.

Dans l'Adhyaya 53 du Samba Purana, le sage Narada détaille le culte rituel systématique (Puja) du Di
Samba Purana Adhyaya 53 prescribes the ritual worship procedures and various offerings to be made to Surya for spiritual benefit.

Ce chapitre détaille le rituel ésotérique Ashtapushpika ou rituel des huit fleurs dédié au Dieu Sole
Samba Purana Adhyaya 54 describes the Ashtapushpika Vidhi, the ritual of the eight flowers combined with seed mantras for invoking Surya’s blessings.

Le chapitre 55 du Samba Purana détaille les rituels hautement spécialisés et ésotériques du culte Sa
Samba Purana Adhyaya 55 continues with advanced mandala construction, the Diksha Vidhi, and the esoteric process of creating sacred mantras.

L'Adhyaya 56 du Samba Purana explore les dimensions ésotériques et tantriques du culte de Saura, se
Samba Purana Adhyaya 56 reveals the esoteric heart-lotus meditation and the powerful Bija mantras associated with Surya worship.

Ce chapitre explore la science ésotérique du son et l'origine de l'alphabet sanskrit (Varnamala) en
Samba Purana Adhyaya 57 teaches Tattva-Jnana (knowledge of cosmic principles) and traces the origin of Bija mantras from primordial sound.

Ce chapitre détaille la construction ésotérique d'un mantra sacré de quarante syllabes, en se concen
Samba Purana Adhyaya 58 presents the Jnanottara teaching on the generation of Bija (seed syllables) and Svara (tonal elements) in mantric science.

L'Adhyaya 59 du Samba Purana conclut le sixième Patala, se concentrant sur la construction ésotériqu
Samba Purana Adhyaya 59 describes the Mantra Vidhana (mantra procedures) and their connection to the principles of cosmic creation.

Ce chapitre explore le lien profond entre le temps cosmique et la science ésotérique des mantras dan
Samba Purana Adhyaya 60 explains the Kala Chakra (wheel of time) and the mantric manifestation of Surya through sacred syllables.

Ce chapitre explore les dimensions ésotériques et tantriques du culte Saura. Il détaille méticuleuse
Samba Purana Adhyaya 61 teaches esoteric mantras, the Nyasa Vidhi (ritual placement of mantras on the body), and ritual vratas for spiritual advancement.

L'Adhyaya 62 du Samba Purana décrit des traitements rituels spécialisés pour les pratiquants (sadhak
Samba Purana Adhyaya 62 prescribes rituals for curing diseases and removing obstacles through the power of Surya mantras and worship.

L'Adhyaya 63 du Samba Purana détaille les rituels ésotériques et féroces de l'Abhicara (magie destru
Samba Purana Adhyaya 63 describes the Abhicara Vidhi, rituals of destructive magic and their controlled use within the tantric Surya tradition.

L'Adhyaya 64 du Samba Purana décrit des procédures tantriques et mantriques ésotériques pour guérir
Samba Purana Adhyaya 64 describes the Kilana ritual and the mantric methods for eradicating diseases through solar tantric practice.

Ce chapitre décrit le Vrata (vœu) rigoureux et les rituels de guérison (Chikitsa) à entreprendre par
Samba Purana Adhyaya 65 prescribes healing rituals and the vrata (sacred vow) to be observed by the Mantrin, the practitioner of sacred mantras.

Le chapitre 66 du Samba Purana expose des rituels tantriques et mantriques avancés (Sadhana) pour de
Samba Purana Adhyaya 66 teaches mantra sadhana (spiritual practice through mantras) and the tantric vratas required for mantric mastery.

Ce chapitre propose un exposé détaillé sur le Mantra Sadhana, décrivant les rituels, les vœux et les
Samba Purana Adhyaya 67 continues the teaching on mantra sadhana and nyasa vidhi, culminating in the attainment of siddhi (spiritual powers).

Ce chapitre décrit le chemin spirituel systématique pour atteindre la demeure suprême, appelée Shiva
Samba Purana Adhyaya 68 describes the path of yoga within the Saura tradition and the initiation required for attaining supreme liberation.

Ce chapitre explore la science ésotérique des Bija Mantras (syllabes germes) et du Japa (chant) fais
Samba Purana Adhyaya 69 expounds the science of Bija mantras and sacred syllables, revealing their cosmic correspondences and spiritual power.

Le 70ème chapitre du Samba Purana explore les pratiques ésotériques du Bija Mantra et du Nyasa (plac
Samba Purana Adhyaya 70 details the ritual of Bija mantra nyasa, the systematic placement of seed syllables on the body for spiritual empowerment.

Dans l'Adhyaya 71 du Samba Purana, le texte passe aux dimensions ésotériques et rituelles du culte S
Samba Purana Adhyaya 71 prescribes the Varna-Nyasa Vidhi, the mystic placement of syllables (varnas) on the body as part of tantric solar worship.

Ce chapitre décrit le rituel ésotérique du Nyasa (le placement des mantras sur le corps) et la formu
Samba Purana Adhyaya 72 describes the mantra nyasa vidhi and reveals the syllabic forms through which Surya is invoked in esoteric practice.

Le chapitre 73 du Samba Purana explore les dimensions ésotériques du culte Saura, détaillant les div
Samba Purana Adhyaya 73 describes the mystic matrices (yonis) and the mantric syllables that form the foundation of advanced Saura tantric practice.

Dans ce chapitre, l'accent est mis sur les pratiques ésotériques du Saura Dharma, plus précisément s
Samba Purana Adhyaya 74 describes the fourfold initiation ceremony and the ritual purification required for advancing in Saura spiritual practice.

L'Adhyaya 75 du Samba Purana détaille les rituels d'initiation profonds (Diksha) et les sacrements s
Samba Purana Adhyaya 75 prescribes the Diksha Vidhi (initiation procedure) and the spiritual sacraments that mark the disciple’s progress.

L'Adhyaya 76 du Samba Purana détaille les rituels ésotériques de Samskara (initiation) visant à coup
Samba Purana Adhyaya 76 details the initiation ritual and the consecration ceremony that formally admits the disciple into the Saura tradition.

Ce chapitre détaille la voie du Sannyasa (renoncement) dans la tradition Saura. Il décrit les rituel
Samba Purana Adhyaya 77 describes the path of Sannyasa, renunciation of worldly life, within the framework of the Saura spiritual tradition.

Dans ce chapitre, le Samba Purana détaille les rituels spécifiques pour un pratiquant cherchant à se
Samba Purana Adhyaya 78 describes the ritual of withdrawal and Nyasa-Nivartana, the systematic reversal of mantric placements at the conclusion of practice.

L'Adhyaya 79 du Samba Purana détaille le processus yogique ésotérique pour atteindre la libération i
Samba Purana Adhyaya 79 teaches the yogic method of Sadyomukti (immediate liberation) through piercing the Brahmarandhra, the crown aperture.

Ce chapitre détaille les aspects hautement ésotériques et tantriques du culte de Surya. Il commence
Samba Purana Adhyaya 80 describes advanced tantric rituals, mantra application techniques, and ascetic practices within the solar worship tradition.

Ce chapitre passe des mantras ésotériques à la philosophie profonde de l'adoration intérieure (Manas
Samba Purana Adhyaya 81 teaches the practice of internal worship (antarayaga) and the eight flowers of devotion offered to Surya in the heart.

L'Adhyaya 82 du Samba Purana élucide la synthèse profonde du Yoga, du Jnana (connaissance) et du Kar
Samba Purana Adhyaya 82 synthesizes the paths of yoga and jnana (knowledge), teaching the mastery of senses as the foundation for solar realization.

Samba interroge le sage Narada sur les causes karmiques des afflictions graves comme la lèpre. Narad
Samba Purana Adhyaya 83 concludes with the causes and cures of diseases through the power of Surya worship, mantras, and solar healing rituals.
The first chapter serves as an introduction and index, invoking Lord Surya as the healer of diseases like leprosy and outlining the Purana's contents, including Samba's curse, the Maga priests, and detailed Sun worship rituals.
The narrator, Suta, is addressing the assembled Rishis (sages), introducing them to the sacred and disease-curing Samba Purana.
The chapter mentions Samba being cursed by his father (Krishna) due to Narada's instigation, his subsequent redemption, and the establishment of a Sun temple and city.
King Brihadbala asks about the eternal Supreme Brahman, the ultimate deity to worship for liberation across all life stages, and the origin of the universe.
Sage Vashistha describes Surya as the visible Supreme Deity (Pratyaksha Devata), the creator, sustainer, and destroyer of the universe, and the ultimate destination for yogis.
The text explains that enlightened beings like Shuka, Vyasa, and the Valakhilyas entered the solar orb (Surya Mandala) through yoga, achieving ultimate liberation.
Krishna cursed Samba because his unparalleled physical beauty caused Krishna's intoxicated wives to become infatuated and agitated. This situation was orchestrated by Sage Narada, whom Samba had previously disrespected.
Krishna cursed his wives, except Rukmini, Satyabhama, and Jambavati, to lose their heavenly realms and be abducted by thieves after his death, as a consequence of their intoxication and loss of modesty.
To cure his leprosy, Samba worshipped the Sun God and established a permanent center for Surya worship called Sambapura, located on the picturesque banks of the Chandrabhaga river.
It is called Mitravana because Mitra, the twelfth manifestation of the Sun God (Surya), performed severe penance there to bless his devotees, making it his primordial abode before Samba rebuilt it.
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