The Sanctity of the Kṛṣṇagaṅgā Pilgrimage-Ford and the Account of the Brahmin Vasu’s Daughter
यं यं पश्यति चार्वङ्गी यस्तां चैव प्रपश्यति ॥ स स चित्र इव न्यस्तो विचेता जायते नरः ॥
yaṃ yaṃ paśyati cārvāṅgī yas tāṃ caiva prapaśyati | sa sa citra iva nyasto vicetā jāyate naraḥ ||
സുന്ദരാംഗിയായ അവൾ ആരെയാരെയോ നോക്കുന്നു, അവളെ ആരൊക്കെയോ നോക്കുന്നു—ആ പുരുഷൻ ചിത്രമെന്നപോലെ സ്ഥാപിച്ചതു പോലെ സ്തബ്ധനായി, ചിത്തസ്ഥൈര്യം നഷ്ടപ്പെടുന്നു.
Varāha (default for this fragmentary excerpt)
It illustrates a common Sanskrit literary trope: the arresting power of beauty described through simile (becoming ‘like a painting’), relevant to the history of kāvya-style expression within Purāṇic prose-verse narrative.
No location is specified; the focus is on interpersonal encounter and literary effect.
No explicit moral directive is given; the verse functions as narrative-poetic description.
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