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Varaha Purana 91.32: Adhyaya 91, Shloka 32

The Vaiṣṇavī Goddess on Mount Mandara: Emergence of the Maidens, Construction of the Goddess-City, and Nārada’s Visit

दृष्ट्वा कुमार्यः सा देवी तस्मिन्नेव गिरौ शुभा । तपसा निर्ममे देवी पुरं हर्म्यशताकुलम् ॥

Recitation with translationVaraha Purana 91.32

dṛṣṭvā kumāryaḥ sā devī tasminn eva girau śubhā | tapasā nirmame devī puraṃ harmyaśatākulam ||

乙女たちを見た吉祥なる女神は、その同じ山において、タパス(苦行)の力によって、幾百の楼閣に満ちた都城を創り出した。

दृष्ट्वाhaving seen
दृष्ट्वा:
पूर्वक्रिया (Prior action)
TypeVerb
Rootदृश् (धातु)
Formक्त्वान्त-अव्यय (gerund): having seen
कुमार्यःmaidens
कुमार्यः:
कर्म (Karma/Object)
TypeNoun
Rootकुमारी (प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया (Accusative/द्वितीया), बहुवचन
साshe
सा:
कर्ता (Karta/Subject)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, एकवचन
देवीthe goddess
देवी:
कर्ता (Karta/Subject; apposition)
TypeNoun
Rootदेवी (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, एकवचन
तस्मिन्in that
तस्मिन्:
अधिकरण (Adhikarana/Location)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formपुं/नपुंसकलिङ्ग, सप्तमी, एकवचन
एवindeed, just
एव:
निपात (particle)
TypeIndeclinable
Rootएव (अव्यय)
Formअवधारण-अव्यय (emphatic particle: indeed/just)
गिरौon the mountain
गिरौ:
अधिकरण (Adhikarana/Location)
TypeNoun
Rootगिरि (प्रातिपदिक)
Formपुंलिङ्ग, सप्तमी, एकवचन
शुभाauspicious, beautiful
शुभा:
विशेषण (Qualifier)
TypeAdjective
Rootशुभ (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, एकवचन; विशेषणम् (qualifies देवी)
तपसाby austerity
तपसा:
करण (Karana/Instrument)
TypeNoun
Rootतपस् (प्रातिपदिक)
Formनपुंसकलिङ्ग, तृतीया, एकवचन
निर्ममेcreated, fashioned
निर्ममे:
क्रिया (Verb/Action)
TypeVerb
Rootनिर्मा (नि + मा, धातु)
Formलिट्-लकार (Perfect/लिट्), प्रथमपुरुष, एकवचन; आत्मनेपद
देवीthe goddess
देवी:
कर्ता (Karta/Subject)
TypeNoun
Rootदेवी (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, एकवचन; पुनरुक्त-कर्ता (repeated subject for emphasis)
पुरम्a city
पुरम्:
कर्म (Karma/Object)
TypeNoun
Rootपुर (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया, एकवचन
हर्म्यशताकुलम्filled with hundreds of palaces
हर्म्यशताकुलम्:
विशेषण (Qualifier)
TypeAdjective
Rootहर्म्य + शत + आकुल (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया, एकवचन; तत्पुरुषः (हर्म्यशतैः आकुलम् = filled with hundreds of mansions); विशेषणम् (qualifies पुरम्)

Narrator

C
Classical Literature
P
Purāṇic Narrative
S
Sacred Geography (general)
C
Cultural Heritage Imagery

FAQs

It exemplifies a Purāṇic theme in which tapas functions not only as personal discipline but as a cosmogenic or world-shaping force, expressed through built-environment imagery.

A mountain (giri) is mentioned, but no specific toponym is provided in this excerpt.

The verse suggests a philosophical valuation of disciplined effort (tapas) as a source of transformative capacity, framed in mythic terms.

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