HomeVaraha PuranaAdhyaya 6Shloka 22
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Varaha Purana 6.22: Adhyaya 6, Shloka 22

The Puṇḍarīkākṣapāraka Hymn and Puṣkara Tīrtha: The Account of King Vasu’s Release from Sin

स कदाचिद् भवान् वीर तुरगैः परिवारितः । अरण्यमागतो हन्तुं श्वापदानि विशेषतः ॥ ६.२२ ॥

Sanskrit recitationVaraha Purana 6.22

sa kadācid bhavān vīra turagaiḥ parivāritaḥ | araṇyam āgato hantuṁ śvāpādāni viśeṣataḥ || 6.22 ||

ある時、勇者よ、馬に囲まれて、あなたは森へ赴き、野獣を討とうとした—とりわけ他を食らう猛獣を。

सःhe
सः:
Karta (कर्ता/Subject)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formसर्वनाम, पुंलिङ्ग, प्रथमा-विभक्ति, एकवचन
कदाचित्once/sometime
कदाचित्:
Kala-adhikarana (कालाधिकरण)
TypeIndeclinable
Rootकदाचित् (अव्यय)
Formअव्यय; कालवाचक क्रियाविशेषण (adverb of time)
भवान्you (honorific)
भवान्:
Karta (कर्ता/Subject)
TypeNoun
Rootभवत् (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, एकवचन; आदरार्थे द्वितीय-पुरुष-प्रयोगः (honorific ‘you’)
वीरO hero
वीर:
Sambodhana (सम्बोधन)
TypeNoun
Rootवीर (प्रातिपदिक)
Formपुंलिङ्ग, सम्बोधन (Vocative), एकवचन
तुरगैःby horses
तुरगैः:
Karana (करण/Instrument)
TypeNoun
Rootतुरग (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया-विभक्ति (3rd/Instrumental), बहुवचन
परिवारितःsurrounded
परिवारितः:
Visheshana (विशेषण of भवान्)
TypeAdjective
Rootपरि-√वृ (धातु)
Formक्त-प्रत्ययान्त (past passive participle), पुंलिङ्ग, प्रथमा, एकवचन; ‘परितः आवृतः’
अरण्यम्to the forest
अरण्यम्:
Karma (कर्म/Object of motion)
TypeNoun
Rootअरण्य (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया-विभक्ति (2nd/Accusative), एकवचन
आगतःcame/arrived
आगतः:
Kriya (क्रिया)
TypeVerb
Rootआ-√गम् (धातु)
Formक्त-प्रत्ययान्त (past active participle), पुंलिङ्ग, प्रथमा, एकवचन; गत्यर्थक क्रियापद-प्रयोगः
हन्तुम्to kill
हन्तुम्:
Prayojana (प्रयोजन/Purpose)
TypeVerb
Root√हन् (धातु)
Formतुमुन्-प्रत्ययान्त (infinitive), ‘to kill’
श्वापदानिwild beasts/predators
श्वापदानि:
Karma (कर्म/Object)
TypeNoun
Rootश्वापद (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया-विभक्ति, बहुवचन; समासः (श्वन् + पद) ‘wild beasts’
विशेषतःespecially
विशेषतः:
Kriya-visheshana (क्रियाविशेषण)
TypeIndeclinable
Rootविशेषतः (अव्यय)
Formअव्यय; प्रकारवाचक क्रियाविशेषण (adverb of manner)

Varāha

C
Classical Literature
P
Purāṇic Narrative
V
Vaishnavism
E
Environmental Motifs

FAQs

It preserves a common Purāṇic narrative motif: a royal or heroic figure entering the forest with an entourage, reflecting courtly life, forest-frontier relations, and the literary framing of kingship and protection.

No specific named location is given here; the setting is generically described as araṇya (“forest”), a standard term in Sanskrit literature for wilderness/woodland beyond settled space.

The verse situates violence (hunting) within a claimed protective purpose—targeting śvāpadas (dangerous/predatory animals)—which can be read as a restrained, duty-based framing rather than indiscriminate harm.

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