Nārada’s Account of a Former Birth and a Hymn to Nārāyaṇa
ततो ध्यातं मयैकान्ते किमनेन करोम्यहम् । द्वन्द्वेन सर्वमेतद्धि न्यस्त्वा पुत्रेषु याम्यहम् । तपसे धृतसङ्कल्पः सरः सारस्वतं द्रुतम् ॥ ३.५ ॥
tato dhyātaṃ mayaikānte kimanena karomy aham | dvandvena sarvam etaddhi nyastvā putreṣu yāmy aham | tapase dhṛtasaṅkalpaḥ saraḥ sārasvataṃ drutam || 3.5 ||
それから私は独り静かに思惟した。「これらをどうしてよいだろうか。まことに一切は対立の二つ(ドヴァンドヴァ)に結ばれている。子らに託して、私は去ろう。」苦行(タパス)を行う決意を固め、彼は速やかにサーラスヴァタの湖へ赴いた。
Varāha (default dialogue framework; speaker not explicit in the fragment)
It preserves a Purāṇic narrative motif of withdrawal from household obligations—after delegating responsibilities to heirs—followed by movement toward a named tīrtha-like landscape (here, the Sārasvata lake), reflecting the text’s linkage of ethical life-stages with sacred geography.
The verse names “Sārasvata saraḥ” (Sārasvata lake), a toponym associated in Sanskrit literature with the Sarasvatī cultural-geographic sphere; precise modern identification varies across scholarly proposals due to the broad and shifting use of “Sārasvata/Sarasvatī” in sources.
The passage foregrounds detachment from dvandvas (pairs of opposites) and the ethical transition toward disciplined austerity (tapas) after responsibly transferring worldly duties—an articulation of renunciation framed as deliberate and accountable.
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