
Rishi: Traditionally Atharvanic/Angirasa attribution for this counter-hatred material (to be confirmed against the AVŚ anukramaṇī for 2.22)
Devata: Candra (Moon), as wielder of haras (burning potency)
Chandas: Anuṣṭubh-type cadence (to be confirmed by full hymn metrical scan)
この六詩節から成るアタルヴァヴェーダの呪歌は、haras と tejas――灼熱し光り輝く威力――を担う月神チャンドラ(Candra)を呼び、敵意を反転させて加害者へ返すことを求める。詩は繰り返し、それを「われらを憎む者」への正当な報復として位置づけ、敵の光輝・力・有効な行為能力を奪うよう祈願する。その力は月的で移しうる力として構想され、反向の投射(prati-hara)によって敵対の意図や呪詛を無力化し、罰するために向けられる。
Mantra 1
शत्रुनाशनम्। चन्द्र॒ यत् ते॒ तप॒स्तेन॒ तं प्रति॑ तप॒ यो॒३स्मान् द्वेष्टि॒ यं व॒यं द्वि॒ष्मः
(敵を滅する。)月よ、汝に属するタパス(tapas)の熱力をもって——その力で報いとして、その者を灼き尽くせ。われらを憎む者、われらもまた憎むその者を。
Mantra 2
चन्द्र॒ यत् ते॒ हर॒स्तेन॒ तं प्रति॑ हर॒ यो॒३स्मान् द्वेष्टि॒ यं व॒यं द्वि॒ष्मः
月よ、汝のその灼熱の力をもって——その力で報いとして、われらを憎む者、われらもまた憎むその者を押し返せ。
Mantra 3
चन्द्र॒ यत् ते॒ऽर्चिस्तेन॒ तं प्रत्य॑र्च॒ यो॒३स्मान् द्वेष्टि॒ यं व॒यं द्वि॒ष्मः
おお月よ、汝のその光焔(arciṣ)をもって、彼に返して照らせ――われらを憎む者、またわれらが憎むその者に。
Mantra 4
चन्द्र॒ यत् ते॒ शो॒चिस्तेन॒ तं प्रति॑ शोच॒ यो॒३स्मान् द्वेष्टि॒ यं व॒यं द्वि॒ष्मः
月よ、汝が燃え立つ光焔をもって、その憎みて我らに敵する者――我らもまた憎むその者を、返し焼き焦がせ。
Mantra 5
चन्द्र॒ यत् ते॒ तेज॒स्तेन॒ तम॑ते॒जसं॑ कृणु॒ यो॒३स्मान् द्वेष्टि॒ यं व॒यं द्वि॒ष्मः
月よ、汝が有するその光輝をもって、我らを憎む者――我らもまた憎むその者を、光なき者となせ。
Direct address to Candra, immediately identifying the Moon’s own haras/tejas as the operative instrument.
“With your burning force/splendour, return the attack; make the hater who hates us powerless and devoid of tejas.”
Efficacy is asserted through the logic of transfer: lunar potency is treated as a real, movable substance that can be aimed back and can strip the enemy’s radiance.
A sealing cadence reiterates the target formula—“he who hates us, whom we hate”—fixing the rite’s direction and completing the reversal.
yo ’smān dveṣṭi yaṃ vayaṃ dviṣmaḥ
tam atejasaṃ kṛṇu
Abhicarika (counter-sorcery / retaliatory apotropaic)
Reversal of malice and/or hostile sorcery onto the aggressor; depletion of the enemy’s tejas so that their capacity to harm collapses.
Householders and ritual specialists (Atharvan priests) facing sustained enmity, slander, persecution, or suspected magical aggression.
Candra is invoked not merely as a luminary but as a reservoir of haras (burning, searing potency) and tejas (radiant power) that can be transferred, intensified, or withdrawn from persons. In Atharvavedic idiom, lunar force can “seize,” “return,” and “make splendourless,” functioning as a cosmic weapon for apotropaic retaliation.
To harness lunar haras/tejas as a morally framed retaliatory force that returns hatred and renders the hater powerless and “without splendour.”
Night-time; ideally during bright fortnight (śukla pakṣa) with the moon visible; perform when hostility is active or before entering a contested encounter.
Clean water (for boundary sprinkling) as a practical carrier of the invoked lunar protection; the main ‘substance’ in the text is conceptual—haras/tejas of Candra.
Keep water in a clean vessel; after recitation, sprinkle in the four directions and at the threshold/perimeter while maintaining the intention of reversal and protection.
It asks Candra to use his burning force (haras) and radiance (tejas) to turn back hostility onto the aggressor and to make the enemy ‘without tejas,’ i.e., ineffective and unable to harm.
In Atharvavedic terms it is retaliatory-apotropaic: it protects by reversal (prati-hara). The hymn’s language targets “the one who hates us,” framing the act as requital rather than unprovoked aggression.
The verses themselves emphasize lunar haras/tejas rather than naming specific plants. In practice, simple supports like clean water for sprinkling or a white thread/cloth may be used, but they are ancillary to the recitation and intention.
Answers come straight from the texts, with the shlokas they draw on. Ask in your own words.
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