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साम्बपुराण
The Ancient Text of Surya Worship and Solar Devotion
The Samba Purana is a unique sacred text centered on the worship of Surya, the Sun god. Narrating the story of Samba's curse and cure through solar devotion, it encompasses the establishment of Mitravana, the arrival of Maga priests, temple architecture, tantric mantras, healing rituals, and the path to liberation through Saura Yoga.
Start ReadingThe Samba Purana, also known as the Sambapurana, is an Upa-Purana devoted to the glorification and worship of Surya, the Sun god. It tells the story of Samba, son of Krishna, who was cursed with leprosy and healed through devoted solar worship at Mitravana. The text uniquely documents the arrival of Maga (Zoroastrian-influenced) priests from Shakadvipa, the construction of Surya temples and idols, elaborate tantric rituals, mantric sciences, yogic practices, and the path of Saura liberation. It is an invaluable source for understanding the solar worship tradition of ancient India.
The Samba Purana is structured into 84 Adhyayas (chapters), encompassing mythology, cosmology, temple architecture, ritual procedures, tantric practices, and yogic philosophy.
84 chapters of sacred teaching
Verses read one by one
This edition of the Samba Purana on Vedapath includes:
The Samba Purana is composed of 84 Adhyayas.
Each Adhyaya covers mythology, cosmology, temple architecture, rituals, tantric mantras, yoga, or healing through Surya worship.

Bab ini dibuka dengan Mangalacharanam (doa pembuka yang menguntungkan) oleh Suta, yang memuji Dewa B
Samba Purana Adhyaya 0 presents the auspicious invocation and the table of contents for the entire text, setting the stage for the discourse on Surya worship and the Saura tradition.

Dalam bab pembuka Samba Purana, Suta menceritakan dialog filosofis yang mendalam antara Raja Brihadb
Samba Purana Adhyaya 1 opens with King Brihadbala’s inquiry into the supreme deity, leading to a discourse on the glory and supremacy of Surya as the ultimate cosmic principle.

Dalam bab ini, Raja Brihadbala bertanya tentang pusat utama pemujaan Matahari. Resi Vashistha mengun
Samba Purana Adhyaya 2 narrates how Samba, son of Krishna, was cursed with leprosy and how the sacred site of Mitravana was established for Surya worship and healing.

Dalam bab ini, Raja Vrihadbala bertanya kepada Resi Vashistha tentang Mitravana. Vashistha menjelask
Samba Purana Adhyaya 3 describes the twelve manifestations of the Sun god and traces the sacred origins of Mitravana as a center of solar devotion.

Raja Vrihadbala bertanya kepada Resi Vasishtha mengapa Surya melakukan pertapaan. Vasishtha mencerit
Samba Purana Adhyaya 4 reveals the secret of Surya’s penance through Mitra’s discourse to Narada, explaining the solar deity’s austerities and cosmic role.

Setelah menerima kutukan mengerikan dari ayahnya, Krishna, Samba yang tidak bersalah memohon belas k
Samba Purana Adhyaya 5 recounts Samba’s heartfelt plea for healing and Narada’s revelation of Suryaloka, the divine abode of the Sun god.

Dalam Bab 6 Samba Purana, Samba bertanya tentang kemahahadiran, wujud, dan pengiring ilahi Surya. Na
Samba Purana Adhyaya 6 expounds the cosmological framework, establishing Surya’s omnipresence and describing the emanation of solar rays and planetary bodies.

Dalam bab ini, Resi Narada menginstruksikan Samba tentang peran kosmik tertinggi Aditya (Surya). Nar
Samba Purana Adhyaya 7 establishes the supremacy of Surya over all deities and explains the cosmic cycle of time governed by the Sun’s movements.

Dalam bab ini, Resi Narada memberikan pengetahuan mendalam kepada Samba mengenai dua belas manifesta
Samba Purana Adhyaya 8 enumerates the twelve Adityas, explains the etymology of Surya’s many names, and affirms his supreme universality across all realms.

Dalam bab ini, Samba menyatakan pengabdian yang mendalam kepada Surya setelah mendengar wacana Narad
Samba Purana Adhyaya 9 traces the genealogy of Surya’s consorts Rajni and Nikshubha and their progeny in the solar lineage.

Narada menceritakan kisah Surya dan istri-istrinya, Samjna dan Chhaya. Karena tidak tahan dengan pan
Samba Purana Adhyaya 10 narrates the progeny of Surya, the tale of Chhaya’s illusion, and the famous trimming of the Sun’s radiance by Vishvakarma.

Dalam bab ini, Samba meminta resi Narada untuk menjelaskan tentang pemotongan pancaran tubuh Surya.
Samba Purana Adhyaya 11 describes how Vishvakarma pared down Surya’s overwhelming radiance, shaping the excess into divine weapons and ornaments.

Dalam bab ini, Samba bertanya tentang himne khusus yang dinyanyikan oleh Brahma dan para Dewa saat S
Samba Purana Adhyaya 12 presents the hymn of praise (stuti) offered to Surya during the process of his divine shaping by Vishwakarma.

Dalam bab ini, Samba meminta Narada untuk menceritakan lebih banyak kisah ilahi tentang Surya. Brahm
Samba Purana Adhyaya 13 reveals the origin of Surya and extols his supreme glory as the source of all light, life, and cosmic order.

Dalam Bab 14, Samba bertanya bagaimana wujud Surya dibentuk. Narada menceritakan masa ketika alam se
Samba Purana Adhyaya 14 continues the account of Vishvakarma trimming Surya’s radiance and the divine instruments fashioned from the solar effulgence.

Dalam bab ini, Narada menjelaskan asal-usul dan penempatan delapan belas pengikut utama Surya (Anuch
Samba Purana Adhyaya 15 enumerates the eighteen divine attendants of Surya and narrates the story of Dindi, a devoted worshipper of the Sun.

Narada menceritakan kepada Samba tentang himne mendalam yang dinyanyikan oleh Dindi (Siwa) kepada De
Samba Purana Adhyaya 16 presents Dindi’s hymn to Surya and describes the glory of Avimukta Kshetra as a sacred site of solar worship.

Resi Narada mendeskripsikan langit kosmik (Vyoma) dan penghuni dewanya. Ia menyebutkan tiga puluh ti
Samba Purana Adhyaya 17 describes the celestial space (Vyoma), the Devas who inhabit it, and the structure of the planetary system governed by Surya.

Dalam bab ini, Resi Narada menjelaskan struktur kosmologis alam semesta yang agung, dengan fokus pad
Samba Purana Adhyaya 18 presents the cosmological geography centered on Mount Meru, the axis of the universe, and its relation to solar worship.

Narada menjelaskan geografi kosmik dan pergerakan semu Matahari di sekitar Gunung Meru. Ia menggamba
Samba Purana Adhyaya 19 describes the orbit of the Sun through the heavens and the divine cities of the Lokapalas (guardians of the directions).

Dalam bab ini, Resi Narada memberikan deskripsi kosmologis dan struktural yang mendalam tentang kere
Samba Purana Adhyaya 20 details the magnificent architecture of Surya’s celestial chariot and the divine retinue that accompanies the Sun god.

Dalam bab ini, Samba bertanya kepada Resi Narada tentang mekanisme astronomi dan spiritual dari fase
Samba Purana Adhyaya 21 explains the lunar cycle and its sixteen kalas, connecting them to the sacred journey to Mitravana for solar worship.

Dalam bab ini, Samba bertanya tentang fase bulan yang membesar dan mengecil. Resi Narada menjelaskan
Samba Purana Adhyaya 22 explains the phenomenon of the Moon’s waxing and waning and affirms Surya’s supremacy over all celestial bodies.

Samba meminta Resi Narada untuk mengklarifikasi keraguan lama mengenai gerhana matahari: bagaimana R
Samba Purana Adhyaya 23 explains eclipses through the illusion of Rahu and the mythological connection to the nectar of Soma.

Dalam bab penting ini, Samba, yang sangat menderita kusta dan tidak menemukan kesembuhan dari obat-o
Samba Purana Adhyaya 24 narrates Samba’s fervent prayer to Surya and the miraculous cure of his leprosy through divine solar grace.

Dalam bab ini, Resi Vasishtha menceritakan bagaimana Samba yang kurus kering terus-menerus memuji De
Samba Purana Adhyaya 25 presents the Stavaraja, the king of hymns revealed by Surya himself, extolling the Sun’s supreme nature.

Samba menemukan arca kayu Dewa Surya di sungai Chandrabhaga dan memasangnya di Mitravana. Surya meng
Samba Purana Adhyaya 26 describes the Maganayanam, the bringing of the Maga priests from Shakadvipa to establish proper Surya worship rituals.

Dalam bab ini, Vashistha menjelaskan keagungan para pemuja Surya. Ia menguraikan jalur ganda Karma d
Samba Purana Adhyaya 27 explains the significance of the Maga and Yajaka priests and describes the three forms of Surya in ritual worship.

Bab ini merinci jalan menuju pembebasan melalui Saura Yoga. Menekankan sifat tubuh fisik yang fana,
Samba Purana Adhyaya 28 teaches the path of Saura Yoga, meditation on Surya, and describes the supreme spiritual state attained through solar devotion.

Dalam Adhyaya 29 Samba Purana, Resi Vashistha menjelaskan pedoman pembuatan arca Surya dan pembangun
Samba Purana Adhyaya 29 prescribes detailed rules for the construction of Surya idols and the architectural principles for Surya temples.

Dalam bab ini, Resi Vasishtha menguraikan perintah terperinci untuk membangun citra suci (Pratima Vi
Samba Purana Adhyaya 30 specifies the rules for selecting wood and materials for crafting Surya images, as part of the Pratima Vidhi tradition.

Dalam bab Samba Purana ini, Resi Vashistha merinci pedoman ikonografi (Pratima Lakshanam) untuk memb
Samba Purana Adhyaya 31 details the Pratima Lakshanam: the canonical characteristics, proportions, and iconographic standards for Surya idols.

Bab ini merinci ritual rumit untuk penyucian (Adhivasana) dan pemasangan (Pratishtha) patung Dewa Ma
Samba Purana Adhyaya 32 describes the Adhivasana ritual and the sacred ceremony for installing the Surya idol in a temple.

Dalam bab ini, Resi Narada merinci ritual suci Dhvajaropana (pengibaran bendera) di atas kuil, yang
Samba Purana Adhyaya 33 prescribes the Dhvajaropana Vidhi, the ritual of hoisting the sacred flag at a Surya temple as part of worship ceremonies.

Setelah satu tahun pemasangan dewa Matahari di Mitravana, Samba bertanya kepada Narada tentang prose
Samba Purana Adhyaya 34 describes the annual Ratha Yatra procession for Surya and the Graha Shanti Vidhi for planetary pacification.

Dalam bab ini, Resi Vasishtha merinci ritual rumit untuk Ratha Yatra (festival kereta) Surya dan pem
Samba Purana Adhyaya 35 details the rituals of the Ratha Yatra, purification ceremonies, and the Dhupa Vidhi (incense offering) for Surya worship.

Dalam Bab 36 Samba Purana, Resi Vasistha menjelaskan prosedur rumit untuk melakukan persembahan api
Samba Purana Adhyaya 36 prescribes the Homa Vidhana, the detailed procedure of fire oblations (homa) dedicated to Surya for spiritual merit.

Dalam bab ini, Vasistha menceritakan dialog antara Samba dan resi Narada mengenai pahala (Phala) yan
Samba Purana Adhyaya 37 enumerates the spiritual fruits of sun worship, including the merits of devotion, rituals, and various offerings to Surya.

Dalam bab ini, Raja Brihadbala bertanya tentang inisiasi suci (Diksha) yang diterima Samba dari Dewa
Samba Purana Adhyaya 38 describes the Saura Diksha (solar initiation) and the Mandala Vidhana, the ritual construction and use of sacred diagrams in Surya worship.

Dalam bab ini, Vasistha menguraikan hubungan esoteris antara alfabet Sanskerta (Varna) dan wujud kos
Samba Purana Adhyaya 39 explores the mysticism of the Sanskrit alphabet and reveals the Saura Mahamantra, the great solar mantra for spiritual attainment.

Dalam bab ini, Resi Vasishtha menjelaskan pemujaan ritual (Puja) yang rumit terhadap berbagai dewa p
Samba Purana Adhyaya 40 describes the worship of attendant deities in the cardinal directions and extols the glory of the Saura Shastra tradition.

Bab ini merinci ritual homa dan bali yang didedikasikan untuk para Dikpala (dewa penjuru mata angin)
Samba Purana Adhyaya 41 prescribes ritual offerings to the Dikpalas (guardians of directions) and affirms the supreme glory of Surya worship.

Samba, didampingi oleh para pendeta Maga, tiba di Tapovana suci di tepi samudra garam. Narada memuji
Samba Purana Adhyaya 42 narrates the arrival at Mitravana, Surya’s boons granted to the ascetics, and teachings on cosmic time cycles.

Vasistha menggambarkan sebuah hutan suci di tepi samudra tempat para dewa, resi, dan makhluk surgawi
Samba Purana Adhyaya 43 describes the sacred establishment of the Surya idol at Mundira, a significant event in the solar worship tradition.

Bab ini dimulai dengan Resi Vasishtha yang memuliakan Surya. Samba kemudian bertanya tentang Achara
Samba Purana Adhyaya 44 prescribes the Sadachara Varnana, rules of righteous conduct and daily observances for devoted worshippers of Surya.

Dalam bab ini, Samba bertanya tentang pahala mendonasikan payung dan sandal. Narada menceritakan leg
Samba Purana Adhyaya 45 explains the origin and spiritual merit of donating umbrellas and sandals as acts of charity connected to Surya worship.

Dalam bab ini, Samba menanyakan tentang aturan Saptami Vrata. Resi Narada merinci tujuh jenis sumpah
Samba Purana Adhyaya 46 describes the rites and rewards of the Saptami Vrata and enumerates the twelve forms of Surya worshipped through the year.

Dalam Bab 47 Samba Purana, Resi Narada menjelaskan pentingnya dan metodologi terperinci dari Japa-Ya
Samba Purana Adhyaya 47 prescribes the Japa Yajna Vidhi, the procedure and rules for the chanting sacrifice dedicated to Surya.

Bab ini merinci gerakan tangan tertentu (Mudra) yang digunakan dalam pemujaan ritual Surya. Dimulai
Samba Purana Adhyaya 48 describes the characteristics and formation of sacred mudras (ritual hand gestures) used in Surya worship.

Dalam bab Samba Purana ini, Resi Narada menguraikan ritual harian (Ahnika) dan ritus pemurnian (Shau
Samba Purana Adhyaya 49 prescribes daily solar rituals and the Shaucha Vidhi, purification rites for maintaining spiritual cleanliness in Surya devotion.

Dalam Adhyaya 50 dari Samba Purana, narasi beralih ke dimensi esoteris dan ritualistik pemujaan Mata
Samba Purana Adhyaya 50 details the combined rituals of mantras, mudras, and nyasa (ritual placement) in the practice of sun worship.

Adhyaya 51 dari Samba Purana memberikan penjelasan rinci tentang pemujaan ritual (Puja Vidhi) kepada
Samba Purana Adhyaya 51 describes the ritualistic worship of Khakholka Surya, a specific form of the Sun god, and his cosmic manifestations.

Bab 52 dari Samba Purana menguraikan prosedur esoteris untuk membangun Mandala Saura yang suci dan m
Samba Purana Adhyaya 52 details the construction of the Surya Mandala (sacred solar diagram) and the Saura Diksha initiation ceremony.

Dalam Adhyaya 53 dari Samba Purana, Resi Narada merinci ritual pemujaan sistematis (Puja) terhadap D
Samba Purana Adhyaya 53 prescribes the ritual worship procedures and various offerings to be made to Surya for spiritual benefit.

Bab ini merinci ritual esoteris Ashtapushpika atau ritual delapan bunga yang didedikasikan untuk Dew
Samba Purana Adhyaya 54 describes the Ashtapushpika Vidhi, the ritual of the eight flowers combined with seed mantras for invoking Surya’s blessings.

Bab 55 dari Samba Purana merinci ritual pemujaan Saura yang sangat khusus dan esoteris. Bab ini dimu
Samba Purana Adhyaya 55 continues with advanced mandala construction, the Diksha Vidhi, and the esoteric process of creating sacred mantras.

Adhyaya 56 dari Samba Purana mendalami dimensi esoteris dan Tantra dari pemujaan Saura, dengan fokus
Samba Purana Adhyaya 56 reveals the esoteric heart-lotus meditation and the powerful Bija mantras associated with Surya worship.

Bab ini mendalami ilmu esoteris tentang suara dan asal-usul alfabet Sanskerta (Varnamala) sebagai ma
Samba Purana Adhyaya 57 teaches Tattva-Jnana (knowledge of cosmic principles) and traces the origin of Bija mantras from primordial sound.

Bab ini merinci konstruksi esoteris dari mantra suci empat puluh suku kata, yang berfokus pada pemba
Samba Purana Adhyaya 58 presents the Jnanottara teaching on the generation of Bija (seed syllables) and Svara (tonal elements) in mantric science.

Adhyaya 59 dari Samba Purana mengakhiri Patala keenam, berfokus pada konstruksi esoteris mantra Saur
Samba Purana Adhyaya 59 describes the Mantra Vidhana (mantra procedures) and their connection to the principles of cosmic creation.

Bab ini mengeksplorasi hubungan mendalam antara waktu kosmik dan sains mantra esoteris dalam pemujaa
Samba Purana Adhyaya 60 explains the Kala Chakra (wheel of time) and the mantric manifestation of Surya through sacred syllables.

Bab ini mendalami dimensi esoteris dan tantra dari pemujaan Saura. Bab ini merinci konstruksi foneti
Samba Purana Adhyaya 61 teaches esoteric mantras, the Nyasa Vidhi (ritual placement of mantras on the body), and ritual vratas for spiritual advancement.

Adhyaya 62 dari Samba Purana menguraikan perawatan ritual khusus bagi para praktisi (sadhaka) yang m
Samba Purana Adhyaya 62 prescribes rituals for curing diseases and removing obstacles through the power of Surya mantras and worship.

Adhyaya 63 dari Samba Purana merinci ritual esoteris dan sengit dari Abhicara (sihir penghancur), ya
Samba Purana Adhyaya 63 describes the Abhicara Vidhi, rituals of destructive magic and their controlled use within the tantric Surya tradition.

Adhyaya 64 dari Samba Purana menguraikan prosedur Tantra dan Mantra esoteris untuk menyembuhkan peny
Samba Purana Adhyaya 64 describes the Kilana ritual and the mantric methods for eradicating diseases through solar tantric practice.

Bab ini menguraikan Vrata (sumpah) yang ketat dan ritual penyembuhan (Chikitsa) yang harus dilakukan
Samba Purana Adhyaya 65 prescribes healing rituals and the vrata (sacred vow) to be observed by the Mantrin, the practitioner of sacred mantras.

Bab 66 dari Samba Purana menguraikan ritual Tantra dan Mantra tingkat lanjut (Sadhana) untuk pencapa
Samba Purana Adhyaya 66 teaches mantra sadhana (spiritual practice through mantras) and the tantric vratas required for mantric mastery.

Bab ini memberikan penjelasan rinci tentang Mantra Sadhana, menguraikan ritual, sumpah, dan praktik
Samba Purana Adhyaya 67 continues the teaching on mantra sadhana and nyasa vidhi, culminating in the attainment of siddhi (spiritual powers).

Bab ini menguraikan jalur spiritual sistematis untuk mencapai kediaman tertinggi, Shivaloka. Ini mer
Samba Purana Adhyaya 68 describes the path of yoga within the Saura tradition and the initiation required for attaining supreme liberation.

Bab ini mengeksplorasi ilmu esoteris tentang Bija Mantra (suku kata benih) dan Japa (perapalan) yang
Samba Purana Adhyaya 69 expounds the science of Bija mantras and sacred syllables, revealing their cosmic correspondences and spiritual power.

Bab ke-70 dari Samba Purana mendalami praktik esoteris Bija Mantra dan Nyasa (penempatan ritual suku
Samba Purana Adhyaya 70 details the ritual of Bija mantra nyasa, the systematic placement of seed syllables on the body for spiritual empowerment.

Dalam Adhyaya 71 Samba Purana, teks beralih ke dimensi esoteris dan ritualistik pemujaan Saura, khus
Samba Purana Adhyaya 71 prescribes the Varna-Nyasa Vidhi, the mystic placement of syllables (varnas) on the body as part of tantric solar worship.

Bab ini menguraikan ritual esoteris Nyasa (penempatan mantra pada tubuh) dan perumusan suku kata ben
Samba Purana Adhyaya 72 describes the mantra nyasa vidhi and reveals the syllabic forms through which Surya is invoked in esoteric practice.

Bab 73 dari Samba Purana menggali dimensi esoteris pemujaan Saura, merinci berbagai Yoni atau matrik
Samba Purana Adhyaya 73 describes the mystic matrices (yonis) and the mantric syllables that form the foundation of advanced Saura tantric practice.

Bab ini berfokus pada praktik esoteris Saura Dharma, khususnya inisiasi empat kali lipat (Diksha) da
Samba Purana Adhyaya 74 describes the fourfold initiation ceremony and the ritual purification required for advancing in Saura spiritual practice.

Adhyaya 75 dari Samba Purana merinci ritual inisiasi (Diksha) yang mendalam dan sakramen spiritual (
Samba Purana Adhyaya 75 prescribes the Diksha Vidhi (initiation procedure) and the spiritual sacraments that mark the disciple’s progress.

Adhyaya 76 dari Samba Purana merinci ritual Samskara (inisiasi) esoteris yang bertujuan untuk memutu
Samba Purana Adhyaya 76 details the initiation ritual and the consecration ceremony that formally admits the disciple into the Saura tradition.

Bab ini merinci jalan Sannyasa (penyangkalan diri) dalam tradisi Saura. Ini menguraikan ritual khusu
Samba Purana Adhyaya 77 describes the path of Sannyasa, renunciation of worldly life, within the framework of the Saura spiritual tradition.

Dalam bab ini, Samba Purana merinci ritual khusus bagi seorang praktisi yang mencari penarikan diri
Samba Purana Adhyaya 78 describes the ritual of withdrawal and Nyasa-Nivartana, the systematic reversal of mantric placements at the conclusion of practice.

Adhyaya 79 dari Samba Purana merinci proses yoga esoteris untuk mencapai pembebasan seketika (Sadyom
Samba Purana Adhyaya 79 teaches the yogic method of Sadyomukti (immediate liberation) through piercing the Brahmarandhra, the crown aperture.

Bab ini merinci aspek-aspek esoteris dan Tantra yang sangat mendalam dari pemujaan Surya. Dimulai de
Samba Purana Adhyaya 80 describes advanced tantric rituals, mantra application techniques, and ascetic practices within the solar worship tradition.

Bab ini beralih dari mantra esoteris ke filosofi mendalam tentang pemujaan internal (Manasa Puja). B
Samba Purana Adhyaya 81 teaches the practice of internal worship (antarayaga) and the eight flowers of devotion offered to Surya in the heart.

Adhyaya 82 dari Samba Purana menjelaskan sintesis mendalam antara Yoga, Jnana (pengetahuan), dan Kar
Samba Purana Adhyaya 82 synthesizes the paths of yoga and jnana (knowledge), teaching the mastery of senses as the foundation for solar realization.

Samba bertanya kepada Resi Narada tentang penyebab karma di balik penyakit kusta. Narada menjelaskan
Samba Purana Adhyaya 83 concludes with the causes and cures of diseases through the power of Surya worship, mantras, and solar healing rituals.
The first chapter serves as an introduction and index, invoking Lord Surya as the healer of diseases like leprosy and outlining the Purana's contents, including Samba's curse, the Maga priests, and detailed Sun worship rituals.
The narrator, Suta, is addressing the assembled Rishis (sages), introducing them to the sacred and disease-curing Samba Purana.
The chapter mentions Samba being cursed by his father (Krishna) due to Narada's instigation, his subsequent redemption, and the establishment of a Sun temple and city.
King Brihadbala asks about the eternal Supreme Brahman, the ultimate deity to worship for liberation across all life stages, and the origin of the universe.
Sage Vashistha describes Surya as the visible Supreme Deity (Pratyaksha Devata), the creator, sustainer, and destroyer of the universe, and the ultimate destination for yogis.
The text explains that enlightened beings like Shuka, Vyasa, and the Valakhilyas entered the solar orb (Surya Mandala) through yoga, achieving ultimate liberation.
Krishna cursed Samba because his unparalleled physical beauty caused Krishna's intoxicated wives to become infatuated and agitated. This situation was orchestrated by Sage Narada, whom Samba had previously disrespected.
Krishna cursed his wives, except Rukmini, Satyabhama, and Jambavati, to lose their heavenly realms and be abducted by thieves after his death, as a consequence of their intoxication and loss of modesty.
To cure his leprosy, Samba worshipped the Sun God and established a permanent center for Surya worship called Sambapura, located on the picturesque banks of the Chandrabhaga river.
It is called Mitravana because Mitra, the twelfth manifestation of the Sun God (Surya), performed severe penance there to bless his devotees, making it his primordial abode before Samba rebuilt it.
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