Sukta 1.13
सुसमिद्धो न आ वह देवाँ अग्ने हविष्मते । होतः पावक यक्षि च ॥
súsamiddho na ā́ vaha devā́ṃ agne havíṣmate | hótaḥ pāvaka yákṣi ca ||
സുസമിദ്ധനായി (നന്നായി ജ്വലിച്ച്), ഹേ അഗ്നേ, ഹവിഷ്മതനുവേണ്ടി ദേവന്മാരെ ഞങ്ങളിലേക്കു കൊണ്ടുവരിക; ഹേ ഹോതൃ, ഹേ പാവക, യജ് (യജ്ഞകർമ്മം) നിർവഹിക്കുകയും അന്തർഗത സ്വീകരണവും നടത്തുകയും ചെയ്യുക.
Agni, well kindled, bring the gods to us for the offerer; O priest, O purifier, perform the sacrifice.
When the inner Fire is fully lit (susamiddhaḥ), it becomes the carrier that brings down the ‘gods’—the awakened powers of consciousness—into the human field. The ‘havis’ is our offered substance: attention, breath, works, emotions. Agni as hotṛ is the discerning priest within who knows what to offer and how; as pāvaka he purifies the movements. ‘Yakṣi’ implies the act of giving and establishing exchange: offering upward and receiving downward as transformed force.
Spiritual progress depends on a steady inner flame: when will is kindled and purified, higher capacities naturally descend and participate in life, turning ordinary actions into a conscious sacrifice.
Agni as Hotar, Summoning the gods, Purification, Ritual as inner process
Kāṇvas articulate the operational steps of the inner yajña: kindling, invoking, bringing down the gods, and purifying the nature.
The seer emphasizes method: first kindle the will, then invoke and host the divine powers—suggesting a disciplined sādhanā rather than a vague devotion.
The messenger and priest who conveys offerings and escorts divine forces to the human sacrifice.
Disciplined will + purifying intelligence that makes life a conscious exchange with the higher Self.
Opening invitation in Agni rites; calling the gods to the yajña
सुस॑मिद्धो न॒ आ व॑ह दे॒वाँ अ॑ग्ने ह॒विष्म॑ते । होत॑: पावक॒ यक्षि॑ च ॥
सुऽस॑मिद्धः । नः॒ । आ । व॒ह॒ । दे॒वान् । अ॒ग्ने॒ । ह॒विष्म॑ते । होत॒रिति॑ । पा॒व॒क॒ । यक्षि॑ । च॒ ॥
su-samiddhaḥ | naḥ | ā | vaha | devān | agne | haviṣmate | hotariti | pāvaka | yakṣi | ca
24
3×8
Invocatory and processional; ‘ā vaha devān’ gives a carrying, forward rhythm.
Stabilizes attention and energizes the sense of inner ritual; supports a feeling of ‘hosting’ higher presence.
Opening of the iṣṭi: Agni is kindled and requested to bring devās to the barhis; Hotar-function emphasized (invocation + offering).
At the commencement of offerings, after Agni is kindled.
Recitation to invite deities and empower the hotṛ function; accompanies oblation.
Use at the start of meditation/puja: ‘kindle the flame, invite higher qualities, consecrate the sitting’.
√idh 'to kindle' → sam-iddha 'kindled together/fully'; √vah 'to carry' (PIE *wegh- cf. English 'way' via different developments; Latin vehō); hotṛ from √hu 'to invoke' (agent noun); pāvaka from √pū 'to purify' (causative/derivative); √yaj 'to worship/sacrifice' (yakṣi: 2sg imperative, class 1).
Rita (right exchange through yajña), Mediation (Agni as link between human and divine)
Agni as hotṛ establishes right order in the interchange of worlds—right invocation, right reception.
True offering is sincerity; when the flame is steady, truth becomes actionable.
Yajña as ongoing creation: the gods are brought to participate in forming a higher life.
Vedic yoga of works (karma as yajña) aligned with Aurobindo’s inner sacrifice.
dawn/evening (kindling times)
unspecified
Kindled fire = awakened will; bringing gods = descent of higher qualities; offering = self-giving of energies.
Kindle steady will and invite higher qualities (peace, light, strength, delight) into the being.
manipura (kindling) and anahata (hosting)
3 rounds: inhale ‘susamiddho na ā vaha’ (kindle/draw), exhale ‘devām̐ agne haviṣmate’ (offer). Then normal breath on ‘hotāḥ pāvaka yakṣi ca’ (consecrate).
active receptivity—quietly dynamic.
Before practice, set a clear intention (havis). Chant 9 times; then silently ‘invite’ one divine quality to fill the mind and one to fill the heart; end with a brief offering of the day’s actions.
Gāyatrī; maintain clear accent peaks, especially on ‘devān’ and ‘hotāḥ/pāvaka’ per recitational tradition.
Keep ‘susamiddho’ smooth (no over-segmentation); give ‘ā vaha devān’ a carrying lift; ‘yakṣi’ ends with firm completion.
susamiddho: double d-dh articulation; avoid ‘susamidho’, devām̐: nasalization before pause, haviṣmate: retroflex ṣ, hotāḥ: long ā; final ḥ, pāvaka: long ā
steady and priestly—clear, resonant, not rushed.
9
Answers come straight from the texts, with the shlokas they draw on. Ask in your own words.
A free sign-in with Google or Apple keeps your chat saved across web and the app.