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Valmiki Ramayana 2.42.22: Ayodhya Kanda, Sarga 42, Shloka 22

द्विचत्वारिंशः सर्गः · दशरथस्य शोक-विलापः तथा कौशल्यागृह-प्रवेशः

Dasaratha’s Lament and Return to Kausalya’s Apartments

Setting: Ayodhyā (entering the city)Re-entry into Ayodhyā after seeing Rāma depart

इत्येवं विलपन् राजा जनौघेनाभिसंवृतः ।

अपस्नात इवारिष्टं प्रविवेश पुरोत्तमम् ॥२२॥

Recitation with translationValmiki Ramayana 2.42.22

ity evaṃ vilapan rājā janaughenābhisaṃvṛtaḥ |

apasnāta ivāriṣṭaṃ praviveśa purottamam ||22||

ഇങ്ങനെ വിലപിച്ചുകൊണ്ടിരുന്ന രാജാവ് ജനക്കൂട്ടം ചുറ്റിപ്പറ്റിയിരിക്കെ, അപസ്നാതനെന്നപോലെ അശുഭലക്ഷണങ്ങളോടെ, വരാനിരിക്കുന്ന അനർത്ഥത്തിന്റെ നിഴലുമായി ശ്രേഷ്ഠനഗരത്തിലേക്ക് പ്രവേശിച്ചു.

इतिthus
इति:
TypeIndeclinable
Rootइति (अव्यय)
Formउक्त्यर्थक-निपातः (quotative particle)
RoleDiscourse marker (उक्तिसूचक)
एवम्in this manner
एवम्:
TypeIndeclinable
Rootएवम् (अव्यय)
Formप्रकारवाचक-अव्ययम् (manner adverb)
RoleKriyā-viśeṣaṇa (क्रियाविशेषण)
विलपन्lamenting
विलपन्:
TypeVerb
Rootवि-लप् (धातु)
Formशतृ-प्रत्ययान्त वर्तमान-कृदन्तः, पुंलिङ्गः, प्रथमा-विभक्तिः, एकवचनम्
RoleKarta (कर्ता)
राजाthe king
राजा:
TypeNoun
Rootराजन् (प्रातिपदिक)
Formपुंलिङ्गः, प्रथमा-विभक्तिः, एकवचनम्
RoleKarta (कर्ता)
जनौघेनby the multitude of people
जनौघेन:
TypeNoun
Rootजन-ओघ (प्रातिपदिक)
Formपुंलिङ्गः, तृतीया-विभक्तिः (Instrumental/3rd), एकवचनम्; तत्पुरुषः (जनानाम् ओघः)
RoleKaraṇa (करण)
CompoundTatpurusha
अभिसंवृतःsurrounded
अभिसंवृतः:
TypeVerb
Rootअभि-सम्-वृत (धातु; √वृत्)
Formक्त-प्रत्ययान्त भूतकृदन्तः (past passive participle), पुंलिङ्गः, प्रथमा-विभक्तिः, एकवचनम्; ‘surrounded’
RoleKarta (कर्ता)
अपस्नातःone who has taken an inauspicious bath
अपस्नातः:
TypeAdjective
Rootअप-स्नात (प्रातिपदिक; √स्ना)
Formपुंलिङ्गः, प्रथमा-विभक्तिः, एकवचनम्; विशेषणम् (one who has taken inauspicious bath)
RoleKarta (कर्ता)
इवlike
इव:
TypeIndeclinable
Rootइव (अव्यय)
Formउपमानार्थक-अव्ययम् (simile marker)
RoleUpamāna (उपमान)
अरिष्टम्an ill-omen/inauspicious state
अरिष्टम्:
TypeNoun
Rootअरिष्ट (प्रातिपदिक)
Formनपुंसकलिङ्गः, द्वितीया-विभक्तिः, एकवचनम्; उपमेयम् (as ominous thing/state)
RoleKarma (कर्म)
प्रविवेशentered
प्रविवेश:
TypeVerb
Rootप्र-विश् (धातु)
Formलिट्-लकारः (Perfect), परस्मैपदम्, प्रथमपुरुषः, एकवचनम्
RoleKriyā (क्रिया)
पुरोत्तमम्the best city
पुरोत्तमम्:
TypeNoun
Rootपुर-उत्तम (प्रातिपदिक)
Formनपुंसकलिङ्गः, द्वितीया-विभक्तिः, एकवचनम्; तत्पुरुषः (पुराणाम् उत्तमम्)
RoleKarma (कर्म)
CompoundTatpurusha
  • इत्येवम् = इति + एवम्
  • जनौघेनाभिसंवृतः = जनौघेन + अभिसंवृतः
  • इवारिष्टम् = इव + अरिष्टम्

Thus the king, who looked like one after the inauspicious (funeral) bath, surroundedby streams of people entered the most beautiful city (Ayodhya) which portended misfortune.

When the ruler+cs heart breaks, the city+cs auspiciousness dims; personal dharma and public dharma interpenetrate.

Duties in tension

  • Public role of king (steadiness, auspiciousness) vs private collapse as father
  • Maintaining civic morale vs expressing truthful grief
Ethical theme
Rājadharma under emotional catastrophe
How it resolves
Grief publicly manifests, foreshadowing downfall

Meditation on impermanence of worldly auspiciousness; cultivate inner steadiness so outer omens do not rule the mind.

Rasa
Karuna (compassion)
Mood
Lamenting, inauspicious, heavy

Themes

  • Itihasa
  • Dharma
  • Satya
  • Kingship
  • Omen
  • Public grief

D
Daśaratha
A
Ayodhyā

FAQs

A ruler’s private unrighteous crisis becomes a public wound: dharma links king and kingdom, so the monarch’s moral and emotional collapse signals disorder for society.

Daśaratha returns into Ayodhyā after the irreversible decision of Rāma’s exile, and the city’s mood mirrors the king’s grief.

The people’s solidarity and concern are emphasized—they gather around the king, reflecting civic loyalty and shared sorrow.

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