Sukta 9.67
पावमानीर्यो अध्येत्यृषिभिः सम्भृतं रसम् । तस्मै सरस्वती दुहे क्षीरं सर्पिर्मधूदकम् ॥
pāvamānī́r yó adhyéti ṛ́ṣibhiḥ sámbhṛtaṃ rásam | tásmai sárasvatī duhē kṣīráṃ sárpir mádhūdakám ||
यः पावमानीर्यः ऋषिभिः सम्भृतं रसं अधीते, तस्मै सरस्वती क्षीरं सर्पिर्मधूदकं च दुहे—प्रसन्नचेतनापोषकानि।
Whoever studies/recites the Pavamānī (purifying Soma) verses—an essence gathered by the seers—Sarasvatī ‘milks out’ for him milk, ghee, honey, and water (nourishing substances).
The steady recitation and inward listening to the Soma-Pavamāna hymns concentrates the ‘rasa’ (sap/essence) of the seers’ realized consciousness. When that essence is held in the mind-heart, Sarasvatī—power of inspired revelation and right-flowing speech—pours the fourfold nourishment into the sādhaka: (1) kṣīra: pure sustaining clarity, (2) sarpis: luminous discernment/clarified mind, (3) madhu: sweetness of Ananda, (4) udaka: flowing life-energy and wideness. The verse is metahymnic: the mantra itself is a means of inner ‘milking’—drawing sustenance from the supramental river of inspiration.
When a tradition’s realized speech is received with sincerity and repeated with concentration, it becomes a living substance in the practitioner: clarity, illumination, sweetness, and flow arise naturally as inner nourishment.
mantra-recitation reward, Sarasvatī inspiration, nourishment metaphors
The ‘seer’ here is presented collectively—ṛṣis as custodians of a distilled rasa. In Aurobindonian terms, the mantra is a vessel of realized consciousness; the rishi-function is the transmission of living truth-substance rather than mere composition.
She is the river/power of inspiration that carries truth (ṛta) into articulate form, nourishing the sacrificer with luminous substance.
Revelatory speech and discriminating intuition that ‘milks’ higher knowledge into the mind and steadies it as clarified understanding and bliss.
Soma Pavamāna recitation within Soma sacrifice sequences; also used as a phala-śruti style affirmation of recitation’s fruit.
पा॒व॒मा॒नीर्यो अ॒ध्येत्यृषि॑भि॒: सम्भृ॑तं॒ रस॑म् । तस्मै॒ सर॑स्वती दुहे क्षी॒रं स॒र्पिर्मधू॑द॒कम् ॥
पा॒व॒मा॒नीः । यः । अ॒धि॒ऽएति॑ । ऋषि॑ऽभिः॒ । सम्ऽभृ॑तम् । रस॑म् । तस्मै॑ । सर॑स्वती । दु॒हे॒ । क्षी॒रम् । स॒र्पिः । मधु॑ । उ॒द॒कम् ॥
pāvamānīḥ | yaḥ | adhi-eti | ṛṣi-bhiḥ | sam-bhṛtam | rasam | tasmai | sarasvatī | duhe | kṣīram | sarpiḥ | madhu | udakam
48
4 pādas × 12 syllables (Jagatī norm)
Even, expansive cadence suited to ‘flow’ imagery (Sarasvatī/udaka) and metahymnic declaration.
Produces a steady widening and sweetness; supports contemplative absorption and receptivity to inspired speech.
Phalaśruti/recitation benefit; also connects Soma purification hymns with Sarasvatī’s inspiration in ritual speech.
During/around Pavamāna stotra/śastra cycles; in contexts emphasizing purification and pressing/straining symbolism.
Recitation/chanting of Pavamānī verses; internalization of ‘rasa’ as offering and intake.
Mantra-japa as ‘inner soma’: recite before study/meditation to invoke clarity of speech, inspired understanding, and calm sweetness.
sárasvatī: from sáras ‘lake, pool, flow’ + -vatī ‘possessing’ → ‘she who has abundant flow’—outer river, inner stream of inspiration. duhē: 3sg of √duh (दुह्) ‘to milk’—a classic Vedic metaphor: the goddess yields nourishment. kṣīrá: ‘milk’ (nourishing whiteness/clarity). sárpis: ‘ghee’, clarified butter; from √sṛp/√sarp ‘to flow, glide’ (etymologies debated), but Vedic usage is ‘refined essence’. mádhu + udakám: dvandva-like ‘honey-water’ → sweetness merged with flow.
inspiration as a flowing river, refinement (sarpis) as clarified consciousness, sweetness (madhu) as ananda/truth-delight
Sarasvatī’s ‘flow’ represents ṛta entering human speech; the four nourishments are stable forms of that order in the being.
The ‘rasa gathered by seers’ is satya-substance—truth experienced as nourishment, not concept.
Speech as a creative power: revelation ‘milked’ into form becomes sustaining substance for consciousness.
Proto-Vedāntic and Yogic reading (Aurobindo/Kashyap): mantra as vehicle of higher consciousness and Ananda.
River = continuous inspiration; milk/ghee/honey/water = four modes of inner nourishment: clarity, illumination, bliss, and vital flow.
Receive Sarasvatī as the inward current of inspired clarity; contemplate ‘rasa’ rising from mantra-sound into meaning-silence.
viśuddha (speech/clarity) and ājñā (intuition)
slow exhale-led recitation (viloma-free), brief pause after each pāda to ‘taste’ the rasa inwardly
quiet receptivity with luminous sweetness (śānta + mild ānanda)
Chant 9–27 repetitions before study, teaching, or meditation; after chanting, sit 3–5 minutes in silence imagining a cool bright river in the throat and brow, ‘milking’ clarity and sweetness into the heart.
Vedic svara required from śākhā source; apply udatta/anudatta/svarita as marked in a proper pada/saṃhitā svara text (not fully recoverable from the provided plain text).
Keep the natural word-accent clear: pā-va-mā-nīr | yo a-dhye-ti | ṛ-ṣi-bhiḥ | sam-bhṛ-tam | ra-sam || tas-mai | sa-ras-va-tī | du-he | kṣī-ram | sar-pir | ma-dhū-da-kam.
pāvamānīḥ: long ā and ī; final ḥ lightly aspirated, ṛṣibhiḥ: vocalic ṛ, not ‘ri’; bh is aspirated, sambhṛtam: clear nasal ‘m’ before bh; ṛ is vocalic, sarasvatī: three syllables sa-ras-va-tī with long ī, kṣīram: kṣ conjunct crisp; long ī, sarpir: pronounce ‘sar-pir’ (not ‘sar-peer’), madhūdakam: long ū in madhū; dakaṃ/dakam with clear dental d
clear, flowing, ‘river-like’ tone; avoid harshness; let the cadence feel nourishing
Answers come straight from the texts, with the shlokas they draw on. Ask in your own words.
A free sign-in with Google or Apple keeps your chat saved across web and the app.