Sukta 10.34
अन्ये जायां परि मृशन्त्यस्य यस्यागृधद्वेदने वाज्यक्षः । पिता माता भ्रातर एनमाहुर्न जानीमो नयता बद्धमेतम् ॥
ánye jāyā́m pári mṛśanty asya yásyā́gṛdhad védane vājí akṣáḥ | pitā́ mātā́ bhrā́tara enam āhur ná jānīmo náyata baddhám etám ||
अन्ये जायां परि मृशन्त्यस्य यस्यागृधद्वेदने वाज्याक्षः। पिता माता भ्रातर एनमाहुर्न जानीमो नयता बद्धमेतम्॥
Others handle and take about his wife—his whom the eager dice has seized for winning. Father, mother, brothers say: ‘We do not know him; lead him away, bound.’
When the being is ‘seized’ by the winning-instinct (vājy akṣaḥ), it forfeits its rightful intimacy with life and joy: the wife (jāyā) is ‘touched by others’—meaning the delight and energy that should belong to the soul’s true direction is commandeered by external forces, habits, and opportunistic impulses. Even the foundational supports (father, mother, brothers = mind, life, body and their allied faculties; also social kinship) disown the addict-self: the personality becomes unrecognizable. ‘Bound’ indicates karmic compulsion: past formations now drag the will.
Compulsion alienates identity: what is most intimate becomes vulnerable to appropriation, and one’s own faculties disavow the distorted self. Freedom begins when bondage is seen as bondage.
dishonor and dispossession, family rejection, bondage imagery
A seer-poet using social imagery to map inner states; the hymn functions as a psychological case-study.
He articulates the moment when the addicted personality is no longer ‘owned’ by its own higher kin—an invitation to recover the true lineage through inner sacrifice.
A power that promises victory but delivers dispossession; it redistributes one’s energies to alien claimants.
Appropriation: the sweet ‘win’ that steals intimacy, trust, and selfhood.
Social-ethical admonition; illustrates consequences: loss of kin-recognition and binding (external and internal).
अ॒न्ये जा॒यां परि॑ मृशन्त्यस्य॒ यस्यागृ॑ध॒द्वेद॑ने वा॒ज्य१॒॑क्षः । पि॒ता मा॒ता भ्रात॑र एनमाहु॒र्न जा॑नीमो॒ नय॑ता ब॒द्धमे॒तम् ॥
अ॒न्ये । जा॒याम् । परि॑ । मृ॒श॒न्ति॒ । अ॒स्य॒ । यस्य॑ । अगृ॑धत् । वेद॑ने । वा॒जी । अ॒क्षः । पि॒ता । मा॒ता । भ्रात॑रः । ए॒न॒म् । आ॒हुः॒ । न । जा॒नी॒मः॒ । नय॑त । ब॒द्धम् । ए॒तम् ॥
anye | jāyām | pari | mṛśanti | asya | yasya | agṛdhat | vedane | vājī | akṣaḥ | pitā | mātā | bhrātaraḥ | enam | āhuḥ | na | jānīmaḥ | nayata | baddham | etam
44
4 × ~11
Public, declarative rhythm—like a verdict pronounced by the ‘kin’.
Creates moral lucidity and a sense of consequence; supports resolve to cut bonds.
Social-ethical admonition; illustrates consequences: loss of kin-recognition and binding (external and internal).
Instructional recitation; social counsel; personal vow-making.
Recited as warning before games/ventures; used to strengthen restraint (niyama).
Mindful reflection before high-risk behaviors; family-systems healing: recognizing how addiction displaces intimacy.
√gṛdh ‘greed’ (agṛdhad) marks possession by craving. védana ‘winning/acquisition’ (from √vid ‘find/know’ with specialized sense ‘obtaining’) becomes the false ‘knowledge’ that captures the gambler. vājí (from vāja) is ironized: force meant for victory in ṛta is diverted into compulsive contest.
greed as possession (gṛdh), false vāja (force diverted), loss of identity (kin say ‘we do not know him’)
Dispossession and social rupture are signs of falling out of ṛta (right relation).
‘We do not know him’—loss of true identity; satya is the recovery of the real self.
Misuse of force leads to fragmentation and loss of rightful ‘ownership’ of energies.
Integral-psychological reading: false victory vs. true conquest (Indra’s victory over Vṛtra).
Bandhana is the natural image of habit-energy coagulating into constraint.
Observe how craving ‘seizes’ and how it displaces intimacy and self-respect; reclaim the ‘wife’ as rightful delight aligned with the soul.
svādhiṣṭhāna (desire/attachment)
Exhale-lengthening (e.g., 4 in / 8 out) to weaken grasping.
From fear and shame to quiet determination.
Make a clear inner statement: ‘This is not my true self.’ Then perform one act of repair (apology, restitution, or boundary) to re-enter ṛta.
Standard Ṛgvedic accents; keep compound clarity (vājy akṣaḥ).
Mark the contrastive emphasis: anyé … (others) / yásya … (whose) / pitā mātā … (kin) / ná jānīmaḥ … (disowning).
anye: clear palatal ny, pari mṛśanti: ṛ is vocalic r; no extra vowel, agṛdhat: hard gṛ cluster; short a- prefix, vājy akṣaḥ: avoid inserting y between ā and j; akṣaḥ with retroflex kṣ, baddham: double ddh, aspirated
Firm and unornamented, like a testimony.
Answers come straight from the texts, with the shlokas they draw on. Ask in your own words.
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