भरतस्य धर्मप्रतिज्ञा तथा रामनिवर्तनयात्रा
Bharata’s Vow of Dharma and the Expedition to Recall Rama
Setting: Ayodhyā (royal assembly hall implied)
आसनानि यथान्यायमार्याणां विशतां तदा ।
वस्त्राङ्गरागप्रभया द्योतिता सा सभोत्तमा ॥२॥
āsanāni yathānyāyam āryāṇāṁ viśatāṁ tadā |
vastrāṅgarāga-prabhayā dyotitā sā sabhottamā ||2||
तदा आर्याः यथान्यायं यथाक्रमं च आसनानि विशन्ति स्म। वस्त्राङ्गरागप्रभया द्योतिता सा सभोत्तमा॥
When the seats were occupied by the honourable members according to their rank, that august assembly looked splendid with the brilliance of their apparels and fragrance of unguents.
Proper order (nyāya) in public deliberation creates a stable ground for dharmic decision-making.
Mindfulness of order and cleanliness—outer discipline supporting inner steadiness before difficult choices.
Outer order and splendor as a transient manifestation (māyā-like) contrasted with the impending renunciatory crisis of the narrative.
Implicit contrast between external brilliance and inner truth recalls Upaniṣadic critique of mere externals (e.g., preference for knowledge over ritual display).
Vālmīki Rāmāyaṇa 2.82 (court assembly convened before Bharata’s mission)
Vedic sabhā/samiti imagery (royal assembly as ordered space)
Ayodhyākāṇḍa: descriptions of Ayodhyā’s palace life and courtly order earlier in the kāṇḍa
Anuṣṭup
Narrative
Madhyama (middle register)
Dharma here appears as maryādā—social order and propriety—shown by seating people according to rightful rank and established custom, reflecting disciplined civic life.
The royal assembly is being convened; respected members enter and take their seats, and the hall is described as radiant and ceremonially proper.
Collective virtue: decorum and respect for order (ācāra), expressed through orderly conduct in a public institution.
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