HomeVaraha PuranaAdhyaya 27Shloka 39
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Varaha Purana 27.39: Adhyaya 27, Shloka 39

The Slaying of Andhaka and the Manifestation of the Eight Mother-Goddesses from Divine Afflictions

इतरेऽप्यन्धकाः सर्वे चक्रेण परमेष्ठिना । नारायणेन निहतास्तत्र येऽन्ये समुत्थिताः ॥

Sanskrit recitationVaraha Purana 27.39

itare'py andhakāḥ sarve cakreṇa parameṣṭhinā | nārāyaṇena nihatās tatra ye'nye samutthitāḥ ||

അവിടെ മറ്റു എല്ലാ അന്ധകരും പരമേശ്വരനായ നാരായണന്റെ ചക്രത്താൽ നിഹതരായി; യുദ്ധത്തിനായി എഴുന്നേറ്റ മറ്റുള്ളവരും അങ്ങനെ തന്നേ.

itarethe others
itare:
Karta (कर्ता)
TypeNoun
Rootitara (प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Nominative (1st/प्रथमा), Plural (बहुवचन)
apialso
api:
Sambandha (सम्बन्ध/निपात)
TypeIndeclinable
Rootapi (अव्यय)
FormAvyaya (अव्यय), particle (निपात), inclusion/emphasis
andhakāḥAndhakas (demons/people)
andhakāḥ:
Karta (कर्ता)
TypeNoun
Rootandhaka (प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Nominative (1st/प्रथमा), Plural (बहुवचन)
sarveall
sarve:
Visheshana (विशेषण)
TypeAdjective
Rootsarva (प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Nominative (1st/प्रथमा), Plural (बहुवचन); adjective qualifying 'andhakāḥ'
cakreṇaby the discus
cakreṇa:
Karaṇa (करण)
TypeNoun
Rootcakra (प्रातिपदिक)
FormNeuter (नपुंसकलिङ्ग), Instrumental (3rd/तृतीया), Singular (एकवचन)
parameṣṭhināby the Supreme Lord (Parameṣṭhin)
parameṣṭhinā:
Karta (कर्ता)
TypeNoun
Rootparameṣṭhin (प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Instrumental (3rd/तृतीया), Singular (एकवचन)
nārāyaṇenaby Nārāyaṇa
nārāyaṇena:
Karta (कर्ता)
TypeNoun
Rootnārāyaṇa (प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Instrumental (3rd/तृतीया), Singular (एकवचन)
nihatāḥslain
nihatāḥ:
Kriya (क्रिया)
TypeVerb
Rootni-han (धातु)
FormKṛdanta: Past passive participle (क्त), Masculine (पुंलिङ्ग), Nominative (1st/प्रथमा), Plural (बहुवचन); agrees with 'andhakāḥ'
tatrathere
tatra:
Adhikaraṇa (अधिकरण)
TypeIndeclinable
Roottatra (अव्यय)
FormAvyaya (अव्यय), adverb of place (देशवाचक क्रियाविशेषण)
yewho
ye:
Karta (कर्ता)
TypeNoun
Rootyad (सर्वनाम-प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Nominative (1st/प्रथमा), Plural (बहुवचन); relative pronoun
anyeothers
anye:
Karta (कर्ता)
TypeNoun
Rootanya (प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Nominative (1st/प्रथमा), Plural (बहुवचन); appositional to 'ye'
samutthitāḥarisen / risen up
samutthitāḥ:
Karta (कर्ता)
TypeVerb
Rootsam-ut-sthā (धातु)
FormKṛdanta: Past participle (क्त), Masculine (पुंलिङ्ग), Nominative (1st/प्रथमा), Plural (बहुवचन); 'having arisen/risen up'

Narrator (speaker not explicit); default Varāha–Pṛthivī frame not directly visible

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":false}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":false}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":true,"symbolic_interpretation":"Nārāyaṇa’s cakra functions as dharma’s decisive instrument: the Lord’s will cuts through adharma, restoring ṛta (cosmic order).","yajna_varaha_imagery":"Cakra as the wheel of time/ṛta; the ‘supreme lord’ as the yajamāna who completes the sacrifice by removing obstructing forces.","vedantic_connection":"Īśvara as the regulator (niyantṛ) who sublates demonic ego-forces; adharma is transient when confronted by the non-dual sovereign power."}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"ethico-cosmic","core_concept":"Adharma’s aggression ultimately collapses before divine order; power is legitimate when used to protect the cosmos.","practical_application":"Align personal agency with dharma: confront harmful impulses decisively (cakra-like clarity), without hesitation when protection is required."}

Subject Matter: ["Mythic Warfare","Divine Kingship","Cosmic Order (restoration through conflict)"]

Primary Rasa: vīra

Secondary Rasa: raudra

Type: mythic battlefield

Related Themes: Andhaka/demonic host episodes in adjacent war narrative

Visual Art Cues: {"scene_description":"Nārāyaṇa stands radiant, hurling or wielding the Sudarśana cakra as Andhakas fall around him; motion and divine light dominate.","item_prompts":["Nārāyaṇa with four arms (or martial stance)","Sudarśana cakra in flight with fiery rim","fallen Andhakas/demonic warriors","dust, sparks, and aura of protection","bannered battlefield"],"kerala_mural_prompt":"Kerala mural style: dynamic pose, bold outlines; cakra as flaming disc; demons in dramatic recoil; saturated reds/greens with gold accents.","tanjore_prompt":"Tanjore style: iconic Nārāyaṇa with prominent gold halo; raised hand with cakra; stylized fallen foes; heavy ornamentation and embossed details.","mysore_prompt":"Mysore style: elegant martial grace; luminous cakra; controlled drama; detailed jewelry and textiles.","pahari_prompt":"Pahari style: narrative battle vignette; swirling cakra arc; expressive demon faces; mountainous cloud-banks framing the scene."}

Audio Atmosphere: {"recitation_mood":"martial, triumphant","suggested_raga":"Bhairavi","pace":"medium-fast","voice_tone":"firm, energetic, with emphatic stress on ‘cakreṇa’ and ‘nārāyaṇena’"}

C
Classical Literature
V
Vaishnavism
P
Purāṇic Mythology
C
Cosmological Conflict Motifs

FAQs

It reflects a widespread Purāṇic motif: conflicts symbolize the reassertion of cosmic order, often narrated through standardized divine weapon imagery.

No identifiable geographic location is specified; “there” (tatra) is context-dependent within the larger episode.

The narrative frames resistance to destabilizing forces as necessary for preserving order; ethically, it valorizes protection of the world/community.

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