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Varaha Purana 217.7 — Adhyaya 217, Shloka 7

Eulogy of the Merits (Phalaśruti) of the Dharāṇī–Varāha Dialogue

यशस्वी कीर्त्तिमान्भूत्वा वन्द्यते प्रेत्य चेह च ॥ श्रोतव्यमेतत्सततं चातुर्वर्ण्यैः सुसंयुतैः

yaśasvī kīrtimān bhūtvā vandyate pretya ceha ca || śrotavyam etat satataṃ cāturvarṇyaiḥ susaṃyutaiḥ

യശസ്സും കീർത്തിയും പ്രാപിച്ച് മനുഷ്യൻ ഇഹലോകത്തും പരലോകത്തും വന്ദ്യനാകുന്നു. ചാതുർവർണ്യത്തിൽ സുസംയമമുള്ളവർ ഇത് സദാ ശ്രവിക്കേണ്ടതാണ്.

यशस्वीglorious
यशस्वी:
Karta-samānādhikaraṇa (कर्तृसमानाधिकरण)
TypeAdjective
Rootयशस्विन् (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, एकवचन; गुणवाचक
कीर्तिमान्famed
कीर्तिमान्:
Karta-samānādhikaraṇa (कर्तृसमानाधिकरण)
TypeAdjective
Rootकीर्तिमत् (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, एकवचन
भूत्वाhaving become
भूत्वा:
Pūrvakāla-kriyā (पूर्वकालक्रिया)
TypeVerb
Rootभू (धातु)
Formक्त्वान्त-अव्ययकृदन्त (gerund), ‘having become’
वन्द्यतेis revered / is worshipped
वन्द्यते:
Kriyā (क्रिया)
TypeVerb
Rootवन्द् (धातु)
Formलट्-लकार (Present), कर्मणि-प्रयोग (Passive), प्रथम-पुरुष (3rd person), एकवचन
प्रेत्यafter death
प्रेत्य:
Kāla (काल/temporal)
TypeIndeclinable
Rootप्र + इ (धातु)
Formक्त्वान्त-अव्ययकृदन्त (gerund), ‘having departed (after death)’
and
:
Samuccaya (समुच्चय)
TypeIndeclinable
Rootच (अव्यय)
Formअव्यय; समुच्चय (conjunction)
इहhere (in this world)
इह:
Deśa (देश)
TypeIndeclinable
Rootइह (अव्यय)
Formअव्यय; देशवाचक (adverb of place)
and
:
Samuccaya (समुच्चय)
TypeIndeclinable
Rootच (अव्यय)
Formअव्यय; समुच्चय (conjunction)
श्रोतव्यम्should be heard
श्रोतव्यम्:
Vidhi (विधि/obligation)
TypeAdjective
Rootश्रु (धातु) → श्रोतव्य (कृदन्त-प्रातिपदिक)
Formतव्यत्-प्रत्यय (gerundive/obligative), नपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन; विधेय (predicate)
एतत्this
एतत्:
Karma (कर्म)
TypeNoun
Rootएतद् (सर्वनाम-प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया-विभक्ति, एकवचन
सततम्always, continually
सततम्:
Kriyāviśeṣaṇa (क्रियाविशेषण)
TypeIndeclinable
Rootसतत (प्रातिपदिक/अव्ययीभाववत् प्रयोग)
Formअव्ययवत् क्रियाविशेषण (adverb)
चातुर्वर्ण्यैःby the four varṇas
चातुर्वर्ण्यैः:
Karta (कर्ता; agent group)
TypeNoun
Rootचातुर्वर्ण्य (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया-विभक्ति, बहुवचन; द्विगु-समास (चत्वारः वर्णाः यस्य/ये)
सुसंयुतैःwell-disciplined / well-endowed
सुसंयुतैः:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootसु + सं + युज् (धातु) → संयुत (कृदन्त-प्रातिपदिक)
Formभूतकृदन्त (क्त/PPP), पुंलिङ्ग, तृतीया-विभक्ति, बहुवचन; ‘well-endowed/fully disciplined’

Varāha (default dialogue framework)

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":false,"speaker_role":"instructor"}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":true,"topic":"varnashrama","instruction_summary":"The teaching (phalaśruti) is to be heard continually by those properly established in the four varṇas, implying disciplined receptivity and adherence to social-dharmic order.","karmic_consequence":"Regular hearing yields honor and fame in this world and after death; neglect implies loss of such merit and social-spiritual esteem."}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"śravaṇa (authoritative listening) and dharma-sādhana","core_concept":"Śravaṇa of purāṇic dharma generates both laukika (social honor) and paralaukika (post-mortem) esteem.","practical_application":"Maintain regular listening/recitation within one’s dharmic discipline and community setting (satsaṅga), treating the text as a lived ethical guide."}

Subject Matter: ["Ethics","Social History","Textual Tradition"]

Primary Rasa: Shanta

Secondary Rasa: Veera

Related Themes: Varāha–Bhūmi-saṃvāda phalaśruti cluster (217.7–217.12)

Visual Art Cues: {"scene_description":"Varāha as a dignified teacher concluding a dharma-oriented discourse, with attentive listeners representing the four varṇas in orderly assembly.","item_prompts":["Varāha seated in teaching posture","manuscript/palm-leaf text","four groups of listeners distinguished by attire/implements","calm āśrama or sabhā setting"],"kerala_mural_prompt":"Kerala mural style: Varāha with serene expression, bold outlines, flat warm colors; orderly audience in symmetrical tiers; palm-leaf manuscript emphasized.","tanjore_prompt":"Tanjore style: Varāha as central icon-like teacher with ornate crown and jewelry; gold-leaf halo; four varṇa listeners as smaller figures offering añjali.","mysore_prompt":"Mysore style: refined linework, soft shading; Varāha teaching in a courtly-sabhā; subtle textiles and restrained ornamentation.","pahari_prompt":"Pahari style: hillside āśrama pavilion; Varāha teacher with gentle face; listeners in bright garments; emphasis on narrative clarity and landscape."}

Audio Atmosphere: {"recitation_mood":"Didactic and auspicious (phalaśruti tone)","suggested_raga":"Madhyamāvati","pace":"Medium-slow, clearly articulated","voice_tone":"Steady, authoritative, benedictory"}

P
Purāṇic Literature
A
Ancient Social Categories
S
Sanskrit Philology
P
Phalaśruti

FAQs

It illustrates how Purāṇic texts link listening/recitation with social prestige and posthumous remembrance, reflecting norms of patronage, learning, and public honor in premodern South Asia.

No place-name appears here; the verse is about the social reach of the teaching and its recommended audience.

Regular listening to valued teachings is presented as a disciplined practice associated with personal reputation and social respect.

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