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Varaha Purana 198.8: Adhyaya 198, Shloka 8

Description of the Torments within the Cycle of Rebirth: Hymn to Yama and the Introduction to Citragupta’s Administration

कालवृद्धिकरं स्तोत्रं क्षिप्रं तत्र उदीरयन् ॥ येन प्रीतो महातेजा यमः परमधार्मिकः ॥

Sanskrit recitationVaraha Purana 198.8

kāla-vṛddhi-karaṃ stotraṃ kṣipraṃ tatra udīrayan | yena prīto mahā-tejā yamaḥ parama-dhārmikaḥ ||

അവിടെ ആയുസ്സ് വർധിപ്പിക്കുന്ന സ്തോത്രം വേഗത്തിൽ ഉച്ചരിക്കുമ്പോൾ, അതിനാൽ മഹാതേജസ്സും പരമധാർമ്മികനുമായ യമൻ പ്രസന്നനാകുന്നു.

kāla-vṛddhi-karamcausing increase of time (longevity)
kāla-vṛddhi-karam:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootkāla (प्रातिपदिक) + vṛddhi (प्रातिपदिक) + kara (प्रातिपदिक)
Formतत्पुरुष-समास (उपपद: ‘kālasya vṛddhiṃ karoti’); नपुंसकलिङ्ग, द्वितीया/प्रथमा, एकवचन; विशेषणम् (qualifies stotram)
stotramhymn
stotram:
Karma (कर्म)
TypeNoun
Rootstotra (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया/प्रथमा, एकवचन
kṣipramquickly
kṣipram:
Kriyāviśeṣaṇa (क्रियाविशेषण)
TypeIndeclinable
Rootkṣipra (प्रातिपदिक)
Formअव्ययीभाववत् क्रियाविशेषण-प्रयोग (adverbial accusative neuter used as indeclinable): शीघ्रम्
tatrathere
tatra:
Adhikaraṇa (अधिकरण)
TypeIndeclinable
Roottatra (अव्यय)
Formदेशवाचक-अव्यय (locative adverb)
udīrayanreciting/uttering
udīrayan:
Karta (कर्ता)
TypeVerb
Rootudīrayant (कृदन्त; √ud-īr (धातु) causative/denominative sense)
Formवर्तमानकृदन्त (present active participle), पुंलिङ्ग, प्रथमा, एकवचन; परस्मैपदी-भाव; ‘reciting/uttering’
yenaby which
yena:
Karaṇa (करण)
TypeNoun
Rootyad (सर्वनाम-प्रातिपदिक)
Formतृतीया, एकवचन; सम्बन्धे/करणे (by which)
prītaḥpleased
prītaḥ:
Karta-samānādhikaraṇa (कर्तृ-समानााधिकरण)
TypeAdjective
Rootprīta (कृदन्त; √prī (धातु))
Formभूतकृदन्त (past participle), पुंलिङ्ग, प्रथमा, एकवचन; विशेषणम् (qualifies yamaḥ)
mahā-tejāḥof great splendor
mahā-tejāḥ:
Karta-samānādhikaraṇa (कर्तृ-समानााधिकरण)
TypeAdjective
Rootmahā (प्रातिपदिक) + tejas (प्रातिपदिक)
Formकर्मधारय-समास; पुंलिङ्ग, प्रथमा, एकवचन; विशेषणम् (qualifies yamaḥ)
yamaḥYama
yamaḥ:
Karta (कर्ता)
TypeNoun
Rootyama (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन
parama-dhārmikaḥsupremely righteous
parama-dhārmikaḥ:
Karta-samānādhikaraṇa (कर्तृ-समानााधिकरण)
TypeAdjective
Rootparama (प्रातिपदिक) + dhārmika (प्रातिपदिक)
Formकर्मधारय-समास; पुंलिङ्ग, प्रथमा, एकवचन; विशेषणम् (qualifies yamaḥ)

Varāha (default dialogue framework; speaker not explicitly marked in verse)

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":false,"speaker_role":"instructor"}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":true,"topic":"shraddha","instruction_summary":"Recite promptly at the prescribed place a kāla-vṛddhi-kara stotra that pleases Yama, the supremely dhārmic lord.","karmic_consequence":"Proper recitation is said to extend allotted time (āyus) and secure Yama’s favor; omission implies forfeiture of āyus-increase and lack of that protective favor."}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":true,"symbolic_interpretation":"Yama’s pleasure through stotra underscores ṛta/dharma as cosmic regulation of time (kāla) and death; hymn becomes a dharmic ‘lever’ within the moral-time order.","yajna_varaha_imagery":"None (not Yajña-Varāha anatomy, but ritual speech as a time-regulating sacrificial analogue).","vedantic_connection":"Kāla as a governing principle within īśvara’s order; aligning speech (vāk) with dharma harmonizes one’s prārabdha within the permitted scope (traditional phala-śruti framing)."}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"dharma and kāla","core_concept":"Time and death are not random but governed by dharma; reverent ritual speech can reorient one’s life-course within that order.","practical_application":"Maintain regular stotra-recitation with ethical living; treat āyus as dharma-supported, not merely biological."}

Subject Matter: ["Ethics","Ritual Culture"]

Primary Rasa: śānta

Secondary Rasa: bhayānaka

Type: ritual-site

Related Themes: Varāha Purāṇa 198.9–12 (explicit Yama epithets in the stotra)

Visual Art Cues: {"scene_description":"Instruction to recite a time-increasing hymn at a sacred spot; Yama, radiant and dharmic, becomes pleased by the recitation.","item_prompts":["reciter (ṛṣi/householder) with joined palms","subtle depiction of Yama with aura","script/scroll of stotra","hourglass/kalasha motif for kāla","dharmic balance scale motif (optional)"],"kerala_mural_prompt":"Kerala mural: devotee reciting before a stylized Yama figure (dark-green/blue tones, restrained fierceness), warm halo, temple-like setting, emphasis on dharma.","tanjore_prompt":"Tanjore: Yama enthroned with gold halo, devotee at lower corner reciting from palm-leaf, ornate frame, symbolic sun-like radiance.","mysore_prompt":"Mysore: elegant Yama iconography with staff/noose hinted, devotee reciting, soft background, focus on calm propitiation rather than terror.","pahari_prompt":"Pahari: narrative vignette—devotee at a tīrtha platform reciting, Yama appearing in the sky with gentle authority, cool mountain palette."}

Audio Atmosphere: {"recitation_mood":"solemn, protective","suggested_raga":"Bhairav","pace":"medium-slow","voice_tone":"grave, steady, reverential toward Yama"}

C
Classical Literature
P
Purāṇic Studies
R
Ritual Studies
S
Sanskrit Philology

FAQs

It preserves a ritual-literary idea that sanctioned recitation can affect lifespan (kāla), reflecting broader South Asian intersections of ethics, ritual performance, and cosmological time.

No specific place-name is given; “tatra” (“there”) refers to a context implied by the surrounding narrative.

It encourages disciplined recitation as a culturally authorized practice aligned with dharma, here associated with Yama’s approval.

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