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Varaha Purana 158.9: Adhyaya 158, Shloka 9

The Manifestation and Sanctifying Power of the Mathurā Tīrtha

घृतपूर्णेन पात्रेण समग्रेण च वाससा ॥ केशवस्याग्रतो दत्त्वा दीपकं तु वसुन्धरे ॥

Sanskrit recitationVaraha Purana 158.9

ghṛtapūrṇena pātreṇa samagreṇa ca vāsasā || keśavasyāgrato dattvā dīpakaṃ tu vasundhare ||

ഹേ വസുന്ധരേ! നെയ്യ് നിറഞ്ഞ പാത്രവും അഖണ്ഡ വസ്ത്രവും സഹിതം കേശവന്റെ മുമ്പിൽ ദീപം അർപ്പിച്ച്—

घृतपूर्णेनwith (a vessel) filled with ghee
घृतपूर्णेन:
Karaṇa (करणम्)
TypeAdjective
Rootघृत-पूर्ण (प्रातिपदिक; घृत + पूर्ण)
Formनपुंसकलिङ्गे तृतीया (करण/Instrumental, 3rd), एकवचन; विशेषणम् (qualifier)
पात्रेणwith a vessel
पात्रेण:
Karaṇa (करणम्)
TypeNoun
Rootपात्र (प्रातिपदिक)
Formनपुंसकलिङ्गे तृतीया (Instrumental, 3rd), एकवचन
समग्रेणcomplete/whole
समग्रेण:
Karaṇa (करणम्)
TypeAdjective
Rootसमग्र (प्रातिपदिक)
Formनपुंसकलिङ्गे तृतीया (Instrumental, 3rd), एकवचन; विशेषणम्
and
:
Sambandha (सम्बन्धः)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयबोधक-अव्यय (conjunction)
वाससाwith a cloth/garment
वाससा:
Karaṇa (करणम्)
TypeNoun
Rootवासस् (प्रातिपदिक)
Formनपुंसकलिङ्गे तृतीया (Instrumental, 3rd), एकवचन
केशवस्यof Keśava (Viṣṇu)
केशवस्य:
Sambandha (सम्बन्धः)
TypeNoun
Rootकेशव (प्रातिपदिक)
Formपुंलिङ्गे षष्ठी (Genitive, 6th), एकवचन
अग्रतःin front (of)
अग्रतः:
Adhikaraṇa (अधिकरणम्)
TypeIndeclinable
Rootअग्रतः (अव्यय)
Formदेशवाचक-अव्यय (adverb of place)
दत्त्वाhaving offered/given
दत्त्वा:
Kriyāviśeṣaṇa (क्रियाविशेषणम्)
TypeVerb
Rootदा (धातु) + त्वा (क्त्वा-प्रत्यय)
Formक्त्वान्त-अव्ययकृदन्त (gerund/absolutive), ‘having given’
दीपकम्a lamp
दीपकम्:
Karma (कर्म)
TypeNoun
Rootदीपक (प्रातिपदिक)
Formपुंलिङ्गे द्वितीया (Accusative, 2nd), एकवचन
तुindeed/but
तु:
Sambandha (सम्बन्धः)
TypeIndeclinable
Rootतु (अव्यय)
Formअवधारण/विरोधसूचक-अव्यय (particle: but/indeed)
वसुन्धरेO Vasundharā (Earth)
वसुन्धरे:
Sambodhana (सम्बोधनम्)
TypeNoun
Rootवसुन्धरा (प्रातिपदिक)
Formस्त्रीलिङ्गे सम्बोधन (Vocative, 8th), एकवचन

Varāha

Varaha Avatara Context: {"is_varaha_focus":true,"earth_interaction":"Addresses Vasundharā while prescribing/commending dīpa-dāna before Keśava with ghee vessel and intact cloth"}

Bhu Devi Dialogue: {"is_dialogue":true,"speaker_role":"instructor","bhu_devi_state":"practical/ritual-curious (receiving concrete upacāra details)","key_question":"What offerings (materials and manner) should be placed before Keśava to generate auspicious merit?"}

Mathura Mandala: {"is_mathura_related":true,"specific_site":"Keśava shrine (implied Mathurā context from surrounding verses)","parikrama_context":"None (focus shifts from movement to offering)","krishna_connection":"Keśava explicitly; aligns with Kṛṣṇa/Viṣṇu temple worship and lamp-offering traditions"}

Dharma Shastra: {"has_dharma_rule":true,"topic":"dana","instruction_summary":"Offer a lamp (dīpa) before Keśava along with a full ghee vessel and an unbroken garment as a meritorious act of dāna/upacāra.","karmic_consequence":"Following: accrues puṇya, dispels inner/outer darkness, supports auspicious destiny; Breaking/withholding (or offering impure/defective items): diminished fruit and continued tamas/inauspiciousness"}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":true,"symbolic_interpretation":"Lamp-offering externalizes inner illumination: jñāna as light; ghee as refined essence (sāra) feeding the flame of devotion.","yajna_varaha_imagery":"Dīpa as miniature agni; ghṛta as āhuti; intact cloth as śuddhi/saṃskāra—temple worship mirrors yajña in domestic scale.","vedantic_connection":"Light as metaphor for consciousness (cit) removing avidyā; offering the ‘essence’ (ghṛta) signifies surrender of one’s finest tendencies to Īśvara."}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"devotional ethics of offering","core_concept":"Right offering (śuddha, complete, respectful) trains the mind toward clarity and generosity; outer light supports inner light.","practical_application":"Perform dīpa-dāna with clean materials and steady intention; pair with truthfulness and restraint so the ‘lamp’ remains lit in conduct."}

Subject Matter: ["Heritage Sites","Ethics"]

Primary Rasa: bhakti

Secondary Rasa: śānta

Type: temple/arcana space

Related Themes: Follows 158.6–158.8 pilgrimage acts; adds arcana/dāna as the next limb of Mathurā practice

Visual Art Cues: {"scene_description":"Before Keśava’s image, a devotee places a lit lamp, a brimming ghee vessel, and an intact cloth offering; the sanctum glows.","item_prompts":["Keśava mūrti/altar","oil/ghee lamp flame","ghṛta-filled vessel (pātra)","folded unbroken cloth (vāsas)","soft sanctum illumination"],"kerala_mural_prompt":"Kerala mural: warm lamp-lit sanctum, Keśava icon frontal, devotee offering dīpa with ghṛta vessel and cloth, rich earthy tones and clear contours.","tanjore_prompt":"Tanjore: Keśava with gold-leaf arch, prominent flame with gilded highlights, ornate ghee vessel, cloth rendered with patterned borders.","mysore_prompt":"Mysore: elegant temple interior, realistic lamp glow, detailed metal vessel, subdued devotional palette.","pahari_prompt":"Pahari: intimate shrine scene, delicate flame, simplified altar, expressive devotee posture, cool-warm contrast around the lamp."}

Audio Atmosphere: {"recitation_mood":"warm, ritualistic","suggested_raga":"Yaman","pace":"medium-slow","voice_tone":"soft, instructive, steady"}

C
Classical Literature
V
Vaishnavism
R
Ritual Studies
M
Material Culture

FAQs

It documents a standardized offering set (lamp, ghee, cloth), useful for reconstructing Purāṇic-era devotional material culture and temple practice.

Mathurā is the contextual setting of the passage; Keśava is the deity invoked in that locale.

It encourages intentional giving and careful preparation (wholeness, completeness of offerings), framing generosity as disciplined practice.

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