Sukta 9.63
वृषणं धीभिरप्तुरं सोममृतस्य धारया । मती विप्राः समस्वरन् ॥
vṛ́ṣaṇaṃ dhībhír aptúraṃ sómam ṛtásya dhā́rayā | matī́ viprā́ḥ sám asvaran ||
ഋതം (സത്യ-ക്രമം) എന്ന ധാരയിൽ ഒഴുകുന്ന, വൃഷണനായ, വേഗത്തിൽ കര്മ്മസിദ്ധി വരുത്തുന്ന സോമനെ പ്രകാശിതമായ ധികളാൽ വിപ്ര ഋഷിമാർ ഒരുമിച്ചു സ്വരസമന്വയത്തോടെ അനുയോജ്യമാക്കുന്നു.
With illumined thoughts the seers harmonize together to the mighty Soma, swift accomplisher, flowing in the stream of ṛta.
Dhī (luminous intelligence) gathers the inner faculties into one accord (sam asvaran). They tune themselves to Soma as the powerful Ananda-force that swiftly accomplishes the work (aptura). When delight flows in ṛta, it becomes a sure current of right movement—joy that organizes the being into truth.
True harmony and effective action arise when thought and aspiration attune to a delight aligned with truth-order; unity of consciousness is born from right joy.
Soma-ritual (inner alchemy), Truth-order (Rita), illumination of mind, collective attunement of seers
Pavamāna stotra line: seer-poets specializing in Soma’s purification as inner yoga of Ananda and ṛta
The rishi-vision emphasizes ‘sam-asvaran’—yogic unification by right vibration. Soma is not only enjoyed; it is the tuning principle that makes the being consonant with ṛta.
Bearer of the truth-stream that nourishes the gods and sustains harmonious cosmic functioning.
Unifying delight that makes thought luminous, action swift, and the whole nature consonant with truth.
Soma filtration chants during Soma-yāga; sung/recited as Pavamāna stotra
वृष॑णं धी॒भिर॒प्तुरं॒ सोम॑मृ॒तस्य॒ धार॑या । म॒ती विप्रा॒: सम॑स्वरन् ॥
वृष॑णम् । धी॒भिः । अ॒प्ऽतुर॑म् । सोम॑म् । ऋ॒तस्य॑ । धार॑या । म॒ती । विप्राः॑ । सम् । अ॒स्व॒र॒न् ॥
vṛṣaṇam | dhībhiḥ | ap-turam | somam | ṛtasya | dhārayā | matī | viprāḥ | sam | asvaran
48
4 × ~12 (Jagatī)
Measured, expansive, ‘processional’ flow—apt for unity and ṛta-stream imagery.
Encourages steady coherence; the cadence helps collect scattered attention into one current.
Soma pressing and purification (pavamāna) chants in Soma-yajña; used as stotra material in Agniṣṭoma/related Soma rites during the Pavitra (filtering) phase
During pressing/clarifying when Soma is made fit for Indra and other gods
Accompanies the flow into vessels and preparation for offering
Group chanting for coherence: use to ‘tune’ a meditation circle into one rhythm and intention.
vṛṣaṇam: from √vṛṣ ‘to be strong, to rain/fertilise’ → power that pours potency; apturam: traditionally linked with ‘swift in deeds’, likely from a formation around √āp ‘to reach, attain’ (āpti) with agentive nuance ‘one who accomplishes attainments’; ṛtasya: from √ṛ ‘to go, fit, rise’ → that which is properly ordered; dhārayā: instrumental of dhārā from √dhṛ ‘to hold, support’ → a sustaining flow; asvaran: aorist 3pl of √svar ‘to sound, shine’ with preverb sam ‘together’ implied by separate particle sam—here indicating harmonised utterance/thought.
Ṛta (cosmic order/truth-law), inspired cognition (dhī), harmonisation of inner speech/thought (sam-asvaran)
Direct: Soma flows ‘by the stream of ṛta’—delight becomes lawful, right, luminous movement.
Attunement (svara) implies truth as correct tone—being aligned to its divine pitch.
Order arises from a right-flowing current; unity is created by consonance with ṛta.
Integral/Vedāntic: ṛta as dynamic truth-consciousness; Soma as Ananda that organizes mind-life-body.
Stream = continuous attention; wind-swiftness = prāṇic readiness; bull = concentrated power; attunement = mantra resonance aligning inner parts.
Inner attunement: bring thoughts, feelings, and breath into one vibration aligned with truth.
Viśuddha (svara/attunement) and Ājñā (illumined dhī)
Even-count breathing (sama-vṛtti) while chanting; feel the ‘dhārā’ as a smooth inner stream
Coherent, harmonized awareness; reduced inner noise; readiness for inspired action.
Before work or study, chant to unify mind and prāṇa; end with a brief silence, sensing one continuous current of attention.
Śākhā-dependent; apply Rigvedic pitch accents as traditionally marked (not fully inferable from plain text here).
Keep ‘ṛtasya dhārayā’ smooth and connected; avoid breaking the flow—let it sound like one stream.
(apturam): pronounce the consonant cluster ‘pt’ cleanly, no extra vowel, (ṛ) in (ṛtasya): short vocalic r, (dhārayā): long ā; clear yā at end, (asvaran): light ‘sv’ cluster, not ‘suh-var’
Even, unbroken, ‘stream-like’ tone; minimal percussive stress.
7
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