Sukta 1.151
आ वामृताय केशिनीरनूषत मित्र यत्र वरुण गातुमर्चथः । अव त्मना सृजतं पिन्वतं धियो युवं विप्रस्य मन्मनामिरज्यथः ॥
ā́ vām ṛtā́ya keśinī́r anūṣata mitra yátra váruṇa gātúm árcathaḥ | áva tmanā́ sṛjátaṃ pínvataṃ dhíyo yuváṃ víprasya mánmanām irajyathaḥ ||
ഋതം (സത്യധർമ്മം) നിമിത്തം നിങ്ങളുടെ അടുക്കലേക്ക് കേശിനീ—പ്രകാശമുള്ള കേശങ്ങളുള്ള പ്രചോദനശക്തികൾ—ഗാനം ചൊല്ലി, ഹേ മിത്ര; അവിടെ, ഹേ വരുണ, നിങ്ങൾ പഥത്തെ സ്തുതിയോടെ അംഗീകരിക്കുന്നു. നിങ്ങളുടെ സ്വസ്വരൂപത്താൽ ഞങ്ങളുടെ ധിയഃ (ചിന്ത/ബുദ്ധി)യെ വിടുവിക്കുകയും പോഷിപ്പിക്കുകയും ചെയ്യുക; നിങ്ങൾ ഇരുവരും വിപ്ര (ഋഷി)യുടെ മനസ്സിലെ ആന്തരിക രൂപീകരണങ്ങളായ മൻമയിൽ ആനന്ദിക്കുന്നു.
The inspired powers with bright manes sing to Mitra and Varuṇa for ṛta (the true law). Where they praise the path, the gods are asked to release and strengthen the thinker’s thoughts and to delight in the seer’s inner mental formations.
The “bright-maned” inspirers are uplifted movements of intuition/illumination in the seeker. Mitra (harmony, glad clarity) and Varuṇa (vastness, truth-guarding purity) are invoked to reveal the gātu (the inner passage/way) of ṛta—right ordering of consciousness. The prayer asks them to ‘let loose’ (sṛjatam) obstructed thought-movements and then ‘increase’ (pinvatam) the dhīḥ—visionary intelligence—so the vipra’s manmanāḥ (formed intentions/mental creations) become pleasing to the gods and aligned with truth.
When consciousness aligns with truth and harmony, higher inspiration naturally descends; the mind is freed from inner constraint and becomes a luminous instrument rather than a self-driven fabricator.
Rita-guidance, Invocation of Mitra-Varuṇa, Illumination of the path, Strengthening of inspired thought
Māmateya seer-line (a family stream of inspired poets) associated with hymns emphasizing ṛta, right speech, and the ethical-spiritual governance of Mitra–Varuṇa.
The Māmateya voice typically seeks inner rectitude: speech and thought made ‘true’ by contact with the guardians of ṛta, so inspiration becomes a disciplined illumination rather than mere poetic excitement.
Guardians of ṛta and satya: Mitra stabilizes harmony, contracts, and luminous accord; Varuṇa enforces vast law, purity, and the binding of falsehood.
A twin action in sādhanā: Mitra brings clarity, goodwill, and right relation; Varuṇa brings wideness, truth-compulsion, and release from inner crookedness—together they open the true path and regulate the mind’s formations.
General āhavana invocation in Soma-related praise; suitable for Mitra-Varuṇa stotras seeking ṛta-guidance and purification (not uniquely tied to one named śrauta act in the provided data).
आ वा॑मृ॒ताय॑ के॒शिनी॑रनूषत॒ मित्र॒ यत्र॒ वरु॑ण गा॒तुमर्च॑थः । अव॒ त्मना॑ सृ॒जतं॒ पिन्व॑तं॒ धियो॑ यु॒वं विप्र॑स्य॒ मन्म॑नामिरज्यथः ॥
आ । वा॒म् । ऋ॒ताय॑ । के॒शिनीः॑ । अ॒नू॒ष॒त॒ । मित्र॑ । यत्र॑ । वरु॑ण । गा॒तुम् । अर्च॑थः । अव॑ । त्मना॑ । सृ॒जत॑म् । पिन्व॑तम् । धियः॑ । यु॒वम् । विप्र॑स्य । मन्म॑नाम् । इ॒र॒ज्य॒थः॒ ॥
ā | vām | ṛtāya | keśinīḥ | anūṣata | mitra | yatra | varuṇa | gātum | arcathaḥ | ava | tmanā | sṛjatam | pinvatam | dhiyaḥ | yuvam | viprasya | manmanām | irajyathaḥ
48
4 pādas × 12 syllables (Jagatī cadence)
Long, flowing, processional; suited to describing a ‘path’ (gātu) and sustained inner regulation.
Encourages steadiness and wideness of breath; supports a meditative ‘opening’ feel rather than sharp intensity.
General āhavana invocation in Soma-related praise; suitable for Mitra-Varuṇa stotras seeking ṛta-guidance and purification (not uniquely tied to one named śrauta act in the provided data).
General Mitra–Varuṇa invocations in soma/agnistoma contexts; also as a truth-and-order hymn within recitation sequences.
Invocatory praise and request for inner rightness; supports correct performance (ṛta) of chant and offering.
Use before meditation or ethical resolve: ‘open the path of truth; release and strengthen my seeing-thought’.
ṛtá from √ar/ṛ (to fit, to move in proper order) → ‘right order, truth in action’; gātú from √gā (to go) → ‘path/passage’, psychologically the opened way in consciousness; dhī from √dhī (to think, perceive, meditate) → ‘inspired intelligence’; sṛj- from √sṛj (to let go, send forth, create) → ‘release/emit’; pinv- from √piv/pin (to swell, make abound) → ‘quicken, intensify’; viprá from vi-√pr (to stir, vibrate, be inspired) → ‘the inspired, trembling-with-vision seer’; manmanā́ from man- (mind) with iterative nuance → ‘mind-formations, crafted intentions’; keśinī́ ‘hair-maned’ (keśa ‘hair, ray’) often imagery for radiant streams (rays/inspirations) rather than literal hair.
Ṛta (cosmic order / truth-law), dhī (inspired intelligence), inner formation of mantra (manmanā)
Direct: the hymn explicitly seeks the gātu of ṛta and the regulation of dhī.
Truth as a lived alignment—thought and word must become ‘true’ in structure (manmanāḥ).
Cosmos sustained by right relation and truthful articulation; the path is opened by higher law, not by ego-effort alone.
Proto-Vedāntic/Integral (Aurobindonian) reading: deities as powers of consciousness governing psychological transformation.
Light = intuition; path = progressive opening in consciousness; sky-vastness = wideness and purity that compels truth.
Open the ‘path of ṛta’—sit in wideness; invite harmony (Mitra) and truth-compulsion (Varuṇa) to reorganize thought.
ājñā (clarity of seeing) and viśuddha (truthful expression)
Nādi-śodhana (gentle alternate-nostril) for balance; then slow exhale while mentally repeating key phrase ‘ṛtāya… gātum’.
Widened, quiet, luminous discrimination (dhī) with ethical clarity.
Begin with a resolve of truthfulness; watch thoughts arise, then ‘release’ rigidity (sṛj-) and ‘increase’ the luminous thread (pinv-) by returning to a single truthful intention.
Mixed udatta/anudatta/svarita per Ṛgvedic accent; preserve udātta on key invocatory particles (ā, yúvam) and deity names (mítra, váruṇa) as marked in padapāṭha tradition.
Keep the opening ‘ā vā́m’ clearly lifted; do not flatten ‘mítra’/‘váruṇa’; maintain a gentle fall on enclitics and a clean rise-fall on svarita syllables.
ṛ in ṛtāya: brief vocalic ‘ri’ (not ‘ru’), keśinīḥ: ‘ke-shi-neeḥ’ with long ī, final visarga lightly aspirated, gātum: long ā; dental t, dhiyo: ‘dhi-yo’ (dh as aspirated dental), manmanām: double ‘man’—keep both nasals clear
Clear, steady, slightly expansive; avoid force—aim for ‘law-like’ calm authority.
Answers come straight from the texts, with the shlokas they draw on. Ask in your own words.
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