The Disruption of Dakṣa’s Sacrifice, the Hari–Hara Conflict, and the Establishment of Rudra’s Sacrificial Share
तत्रैकं मुकुटोद्बद्धं मूर्द्धन्यं जटजालकम् । एकं प्रध्मापयच्छङ्खमन्यड्डुमरुकं शुभम् ॥ २१.५४ ॥
tatraikaṁ mukuṭodbaddhaṁ mūrddhanyaṁ jaṭajālakam | ekaṁ pradhmāpayacchaṅkham anyaḍ ḍumarukaṁ śubham || 21.54 ||
هناك كانت هيئةٌ لها ضفائر الجَطَا مجتمعةً ومربوطةً، تعلوها تيجانٌ على قمة الرأس؛ وهيئةٌ تنفخ في الصدفة؛ وأخرى تحمل طبل الدَّمَرو (ḍamaru) المبارك.
Varāha (default, speaker not explicit in the excerpt)
It preserves a compact iconographic catalogue (mukuṭa/jaṭā, śaṅkha, ḍamaru) useful for correlating Purāṇic narrative description with the history of South Asian religious art and ritual performance, especially the depiction of divine or semi-divine figures with identifying attributes.
No specific geographic location is named in this verse fragment; it functions as descriptive narration rather than sacred-geography (tīrtha) identification.
The verse does not present a direct ethical injunction; its primary function is descriptive, foregrounding culturally significant attributes (ornamentation and ritual instruments) that signal identity and auspiciousness within the narrative.
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