Sukta 9.67
पवमानः सो अद्य नः पवित्रेण विचर्षणिः । यः पोता स पुनातु नः ॥
pávamānaḥ sá adyá naḥ pavítreṇa ví-carṣaṇiḥ | yáḥ pótā sá punātu naḥ ||
لِيُطَهِّرْنا اليومَ ذلك البَفامانا بالمِصفاة—هو الواسعُ الفعل؛ هو الكاهنُ المُطهِّرُ في الباطن، فليُنقِّنا.
May Soma in his flowing, clarified state (Pavamāna) today purify us by the strainer; he who works widely, who is the purifying priest, may cleanse us.
The bliss-consciousness (Soma) as it “flows” through the inner disciplines (pavitra, the sieve of discernment) clarifies the mind-life and becomes the inmost officiant (potā) who separates truth from mixture. The seeker prays that this wide-working force (vicarṣaṇiḥ) cleanse the whole being—thought, emotion, impulse—so the inner sacrifice can proceed without obscuration.
Transformation requires a conscious filtering: when delight is purified by discernment and offered inwardly, it becomes a priestly power that continually refines the personality, making it transparent to truth.
cleansing prayer, inner priest, Soma as purifier, R̥ta through purification
Pavamāna Soma mandala (RV 9): hymns of purification and ascent of Soma; often linked to specialized Soma-seer lineages rather than a single stable gotra per hymn.
The seer-voice here is archetypal: the inner sacrificer seeking catharsis (śuddhi) so Ananda can become a stable, guiding priest within consciousness.
Soma is the clarifying current in the sacrifice, pressed and filtered to become fit for the gods; cosmically, he mediates between earth-life and the luminous worlds by delight.
Ananda that purifies—bliss that, when clarified, dissolves depression, restlessness, and obscurity, and makes the mind receptive to illumination.
Soma Pavitra rites / Pavamāna chanting during Soma pressing and filtration
पव॑मान॒: सो अ॒द्य न॑: प॒वित्रे॑ण॒ विच॑र्षणिः । यः पो॒ता स पु॑नातु नः ॥
पव॑मानः । सः । अ॒द्य । नः॒ । प॒वित्रे॑ण । विऽच॑र्षणिः । यः । पो॒ता । सः । पु॒ना॒तु॒ । नः॒ ॥
pavamānaḥ | saḥ | adya | naḥ | pavitreṇa | vi-carṣaṇiḥ | yaḥ | potā | saḥ | punātu | naḥ
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4 pādas × ~12 syllables (probable)
Even, forward-flowing cadence suitable to the image of ‘flowing’ purification.
Supports a sense of continuous inner cleansing; the rhythm encourages steady attention and a feeling of being ‘washed’ by a current of clarity.
Explicit purification petition; aligns with the Potṛ function in Soma sacrifice and with the act of filtration (pavitra). Suitable as a climactic purification request within Pavamāna sequences.
During Soma pressing (savana) and especially filtration/clarification passages
Chanted as Soma is strained; invokes purification of sacrificers alongside Soma’s own clarification
Use as a daily ‘inner purification’ invocation before meditation or japa: offering the day’s mind and emotions to be filtered into clarity.
punātu optative/imperative from √pū ‘purify’. pavitra- instrument of √pū. vi-carṣaṇi- (often epithet of gods) from carṣaṇi ‘men/peoples’ or √car ‘move, act’; sense: ‘active widely, operative through the human field’. potā is Potṛ, a Soma-ritual priest responsible for purification; here Soma himself is identified as the true ‘inner Potṛ’—the power that purifies consciousness.
purification of the human instrument, divine priesthood within (Potṛ as inner function), present realization (adya) as immediate sādhanā
Purification aligns the being to Ṛta: what is mixed becomes ordered and true.
The ‘strained’ Soma symbolizes Satya extracted from the mixture of appearances.
Refinement/selection: creation advances by separating light from obscurity within consciousness.
Proto-Vedāntic/Integral (Aurobindo’s psychological reading of Soma as Ananda; Kashyap’s inner yajña emphasis).
A stream of delight passing through discernment, cleansing the nerves and mind of turbulence and dullness.
Let a ‘stream of clear delight’ descend and pass through the mind as a filter, releasing agitation and dullness.
Ājñā (discernment) and Anāhata (purified delight)
Gentle nāḍī-śodhana or slow exhale-focused breathing while repeating ‘punātu naḥ’ mentally.
Śuddha-sattva: quiet clarity with subtle joy.
Before meditation, observe thoughts as offerings; allow only what is true and luminous to pass the ‘pavitra’; let Soma-Ananda become the inner priest that rejects inner falsehood without struggle.
Vedic accents follow the Śākala tradition; apply udātta/anudātta/svarita as marked in samhita (requires pada-based svara notation from a recitation source for precision).
Keep udātta syllables slightly raised; avoid stress-like force—use pitch, not volume.
Maintain retroflex clarity in ‘ṇ’ of punātu (pu-nā-tu)., ‘vicarṣaṇiḥ’: articulate ‘ṣa’ clearly; light aspiration not needed., Hold long vowels: ‘pavitreṇa’ (e), ‘punātu’ (ā).
Clear, flowing, unforced; imagine the sound as a stream passing through a filter.
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