Sukta 5.5
शिवस्त्वष्टरिहा गहि विभुः पोष उत त्मना । यज्ञेयज्ञे न उदव ॥
śivás tvaṣṭar ihā́ gahi vibhúḥ póṣa utá tmanā́ | yajñé-yajñe na úd ava ||
يا تڤَشْتَرْ، أقبلْ إلينا مُبارَكًا—واسعَ القدرة في النماء والرزق، وبذاتِك؛ ومن يَجْنَةٍ إلى يَجْنَةٍ ارفعْنا إلى العُلا وارعَنا.
The verse calls Tvaṣṭṛ to come here as auspicious, broad in power of increase, and to raise and foster us in every sacrifice.
Tvaṣṭṛ is the divine Fashioner: the power that shapes forms, organs, capacities, and harmonies. Psychologically, he is the force that refashions our nature—mind, life, and body—so the divine intention can be embodied. “Śivaḥ” indicates his beneficent, harmonious action (not violent change). “Yajñe-yajñe” stresses progressive transformation through repeated offerings: each inner sacrifice refines the instrument, lifting (ud ava) the being upward toward a higher type.
Lasting growth is crafted, not accidental. Through repeated sincere practice, a shaping intelligence reorganizes our habits into a more harmonious and capable life.
divine fashioner, nourishment and increase, upliftment, formation of the vessel
Atri hymns often integrate multiple deities as functions of inner work; invoking Tvaṣṭṛ fits the concern for shaping the human vessel for higher light.
The seer seeks not only illumination but a remade nature—an instrument capable of holding and expressing the divine order.
Divine artisan of forms; shaper of bodies and capacities; ensures harmony in manifestation.
Plastic power (forming force) that reorganizes mental-vital-physical patterns into a higher harmony; supports embodied realization.
Invocatory verse in a multi-deity sequence; suitable where increase, formation, and well-being are sought in rite.
शि॒वस्त्व॑ष्टरि॒हा ग॑हि वि॒भुः पोष॑ उ॒त त्मना॑ । य॒ज्ञेय॑ज्ञे न॒ उद॑व ॥
शि॒वः । त्व॒ष्टः॒ । इ॒ह । आ॒ । ग॒हि॒ । वि॒ऽभुः । पोषे॑ । उ॒त । त्मना॑ । य॒ज्ञेऽय॑ज्ञे । नः॒ । उत् । अ॒व॒ ॥
śivaḥ | tvaṣṭaḥ | iha | ā | gahi | vi-bhuḥ | poṣe | uta | tmanā | yajñe--yajñe | naḥ | ut | ava
44
4 × ~11 (approx.)
Uplifting and constructive; repeated ‘yajñe-yajñe’ gives iterative momentum.
Elicits confidence in gradual transformation; energizes disciplined repetition.
Aprī sequence: calling Tvaṣṭṛ to ensure right formation of offerings and the sacrificer’s growth; inner sense: shaping the seeker’s nature into a fit vessel for higher consciousness
During offerings requesting prosperity and right formation; in personal practice, during phases of habit-change and embodiment work.
Calling Tvaṣṭṛ to preside over the shaping of the offering and the sacrificer’s welfare.
Use when rebuilding life-structure (health routines, speech discipline, ethical habits): invoke the ‘fashioner’ to reshape the instrument gently but firmly.
tvaṣṭṛ from √tvaṣ/√tvakṣ ‘to fashion, make’—the maker of forms; psychologically, the power that shapes right embodiment of truth. póṣa ‘increase, thriving’ from √puṣ ‘to prosper, nourish’. vibhú from vi- + √bhū ‘to be’—widely being/pervading. ut-ava: ut ‘up’ + √av ‘to help, protect’—help with an upward motion (elevation).
right embodiment of truth (form shaped by Ṛta), progressive ascent through repeated yajña, auspicious harmony (śiva)
Right formation is formation according to ṛta—harmonious proportion and truthful function.
The true being (tmanā) shapes from within outward; outer change follows inner truth.
Cosmic craftsmanship: manifestation as shaped order, not random emergence.
Vedic evolutionary psychology: the divine works as an artisan within nature to produce a higher type.
Growth as ‘shaping’: repeated practice forms new grooves; the inner artisan refines the vessel to hold greater force.
Offer a specific pattern to be reshaped (reactivity, speech, diet, fear) and invite the harmonizing artisan-force to re-form it.
Maṇipūra (will/formation of action) with grounding in Mūlādhāra (embodiment).
Slow diaphragmatic breathing with a slight emphasis on exhale (release old forms); optional kumbhaka after exhale for ‘reset’.
From resolve (saṅkalpa) to plastic receptivity where change can be impressed.
Chant 3 times; after each, silently name the quality to be fashioned. End with a minute of stillness, feeling a benevolent ‘hand’ shaping your inner posture.
Accents marked (śivás, tvaṣṭar-ihā́); preserve udātta rise; keep compounds articulated.
Distinctly separate ‘yajñe-yajñe’ with a light pause; make ‘ud ava’ crisp and upward in intonation.
: conjunct ‘tv’ + retroflex ṣṭ; do not soften to ‘tvashtar’ in chanting, : long ī in ihā, : bh voiced aspirate; final ḥ audible, : long ō, : ‘tm’ cluster clean
Warm, constructive, slightly firm; avoid harshness (śiva quality).
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