The Disruption of Dakṣa’s Sacrifice, the Hari-Hara Conflict, and the Establishment of Rudra’s Sacrificial Share
Pūrva Bhāga · Narrative Continuation (Deva–gati / Return to Abodes)
रुद्रोऽपि प्रययौ भूतैः समं कैलासपर्वतम् । देवाś्चापि यथास्थानं स्वं स्वं जग्मुर्मुदान्विताः । ब्रह्माऽपि दक्षसहितः प्राजापत्यं पुरं ययौ ॥ २१.८५ ॥
rudro 'pi prayayau bhūtaiḥ samaṃ kailāsaparvatam | devāś cāpi yathāsthānaṃ svaṃ svaṃ jagmur mudānvitāḥ | brahmā 'pi dakṣasahitaḥ prājāpatyaṃ puraṃ yayau || 21.85 ||
rudro.api prayayau bhUtaiH samaM kailAsaparvatam | devAshchApi yathAsthAnaM svaM svaM jagmurmudAnvitAH | brahmA.api dakShasahitaH prAjApatyaM puraM yayau || 21.85 ||
พระรุทระก็เสด็จไปยังเขาไกรลาสพร้อมหมู่ภูตะ เหล่าเทพทั้งหลายก็ยินดีแล้วกลับไปยังที่อยู่ของตนตามลำดับ ส่วนพระพรหมาพร้อมท้าวทักษะก็เสด็จไปยังนครปราชาปัตยะ
Varāha
Harmony is shown by each being returning ‘yathāsthānam’—to its proper station—after dharmic completion.
After completing major duties, return to disciplined routine; keep roles clear to preserve collective harmony.
Varāha Purāṇa 21.21.82-84 (marriage and Kailāsa grant); Varāha Purāṇa 22.22.1 (sets up ensuing conflict/anger)
It exemplifies a common Purāṇic narrative closure motif: after a major event, divine figures return to their designated realms, reflecting an ordered cosmic geography and administrative hierarchy in Sanskrit mythic literature.
Mount Kailāsa (कैलास) is named; in scholarship it is associated with the trans-Himalayan Kailash region (near present-day Tibet), functioning in Purāṇic texts as a paradigmatic sacred mountain and abode of Rudra.
Rather than a direct injunction, the verse conveys a philosophical theme of cosmic order (yathāsthānam): beings return to appropriate stations, implying the value of role-appropriate conduct and harmony within an ordered world.
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