Description of Jambūdvīpa: its regions, mountains, measurements, and cosmic structure
Pūrva Bhāga · Cosmography and Sacred Geography (Meru-varṇana)
नैकरत्नसमावासे मणितोरणमन्दिरे । मेरोः सर्वेषु पार्श्वेषु समन्तात् परिमण्डले ॥ ७५.७६ ॥
naikaratnasamāvāse maṇitoraṇamandire | meroḥ sarveṣu pārśveṣu samantāt parimaṇḍale || 75.76 ||
naikaratnasamAvAse maNitoraNamandire | meroH sarveShu pArshveShu samantAt parimaNDale || 75.76 ||
नानारत्नसमृद्धे निवासस्थाने मणितोरणविभूषिते मन्दिरे, मेरोः सर्वेषु पार्श्वेषु समन्तात् परिमण्डले विस्तीर्णे।
Varāha
Curious
The cosmos is an ordered sacred geography, not random space; divine presence is encoded as structure and symmetry.
Contemplate the world as a dhārmic maṇḍala—cultivate inner steadiness (Meru-like) amid surrounding multiplicity.
Meru encircled by jeweled habitations functions as the Purāṇic axis-mundi: a ritualized cosmos where divine realms are arranged concentrically, suggesting the world as a consecrated maṇḍala rather than mere terrain.
The ‘maṇi-toraṇa-mandira’ and ‘parimaṇḍala’ evoke a yajña-maṇḍapa with gateways and circumambient enclosure; Meru stands like a central yūpa/axis around which realms are ordered.
Cosmic order (ṛta/dharma) is presented as a structured manifestation (vyavahāra) around a single stabilizing principle; Meru symbolizes the unshaken support (adhiṣṭhāna) around which names-and-forms are arranged.
Varāha Purāṇa 75 (Meru/cosmography sequence)
It reflects a standard Purāṇic cosmographic idiom in which Mount Meru is framed as a central axis surrounded by idealized, gem-like architecture—useful for studying how early Sanskrit texts map sacred space through poetic material culture.
Mount Meru (Meru) is identified; in scholarship it is generally treated as a mythic-cosmological axis mundi rather than a single empirically fixed mountain, though it is sometimes compared (non-identically) with Himalayan or Central Asian highland imaginaries.
No direct ethical injunction is stated in this fragment; its primary function is descriptive, contributing to a broader Purāṇic worldview where ordered space and cultural heritage imagery (mandiras, toraṇas) symbolize cosmic harmony.
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