HomeVaraha PuranaAdhyaya 22Shloka 16
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Varaha Purana 22.16: Adhyaya 22, Shloka 16

Gaurī’s Rebirth, Umā’s Austerities, Rudra’s Test, and the Himalayan Wedding

एवमुक्ता तदा कन्या चिन्तयामास पार्वती । पितृभावेन शैलेन्द्रं भर्तृभावेन शङ्करम् । स्पृशामि तपसा पूता कथं विप्रं स्पृशाम्यहम् ॥ २२.१६ ॥

Sanskrit recitationVaraha Purana 22.16

evamuktā tadā kanyā cintayāmāsa pārvatī | pitṛbhāvena śailendraṃ bhartṛbhāvena śaṅkaram | spṛśāmi tapasā pūtā kathaṃ vipraṃ spṛśāmy aham || 22.16 ||

एवमुक्ता तदा कन्या पार्वती चिन्तयामास—पितृभावेन शैलेन्द्रं, भर्तृभावेन शङ्करम्; तपसा पूता अहं तौ स्पृशामि, कथं विप्रं स्पृशाम्यहम्?

evamthus
evam:
Sambandha (सम्बन्ध/क्रियाविशेषण)
TypeIndeclinable
Rootevam (अव्यय)
FormAvyaya; manner-adverb (प्रकारवाचक अव्यय)
uktāhaving been spoken to / addressed
uktā:
Karta (कर्ता)
TypeAdjective
Rootvac (वच् धातु) + kta (क्त)
FormKridanta (past passive participle/कर्मणि भूतकृदन्त); Feminine (स्त्रीलिङ्ग), Nominative (प्रथमा), Singular (एकवचन)
tadāthen
tadā:
Adhikarana (अधिकरण/कालाधिकरण)
TypeIndeclinable
Roottadā (अव्यय)
FormAvyaya; time-adverb (कालवाचक अव्यय)
kanyāthe maiden
kanyā:
Karta (कर्ता)
TypeNoun
Rootkanyā (प्रातिपदिक)
FormFeminine (स्त्रीलिङ्ग), Nominative (प्रथमा), Singular (एकवचन)
cintayāmāsathought / reflected
cintayāmāsa:
Kriya (क्रिया)
TypeVerb
Rootcint (चिन्त् धातु)
FormPerfect (लिट्), Parasmaipada (परस्मैपद), 3rd person (प्रथमपुरुष), Singular (एकवचन)
pārvatīPārvatī
pārvatī:
Karta (कर्ता)
TypeNoun
Rootpārvatī (प्रातिपदिक)
FormFeminine (स्त्रीलिङ्ग), Nominative (प्रथमा), Singular (एकवचन); proper noun
pitṛbhāvenawith a fatherly attitude
pitṛbhāvena:
Karana (करण)
TypeNoun
Rootpitṛ-bhāva (पितृ + भाव प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Instrumental (तृतीया), Singular (एकवचन); tatpuruṣa: 'fatherly-feeling/state' (पितुः भावः)
śailendramthe mountain-lord (Himālaya)
śailendram:
Karma (कर्म)
TypeNoun
Rootśaila-indra (शैल + इन्द्र प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Accusative (द्वितीया), Singular (एकवचन); tatpuruṣa: 'lord of the mountain' (शैलस्य इन्द्रः)
bhartṛbhāvenawith a husbandly attitude
bhartṛbhāvena:
Karana (करण)
TypeNoun
Rootbhartṛ-bhāva (भर्तृ + भाव प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Instrumental (तृतीया), Singular (एकवचन); tatpuruṣa: 'husbandly-feeling/state' (भर्तुः भावः)
śaṅkaramŚaṅkara (Śiva)
śaṅkaram:
Karma (कर्म)
TypeNoun
Rootśaṅkara (प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Accusative (द्वितीया), Singular (एकवचन); proper noun
spṛśāmiI touch
spṛśāmi:
Kriya (क्रिया)
TypeVerb
Rootspṛś (स्पृश् धातु)
FormPresent (लट्), Parasmaipada (परस्मैपद), 1st person (उत्तमपुरुष), Singular (एकवचन)
tapasāby austerity
tapasā:
Karana (करण)
TypeNoun
Roottapas (तपस् प्रातिपदिक)
FormNeuter (नपुंसकलिङ्ग), Instrumental (तृतीया), Singular (एकवचन)
pūtāpurified
pūtā:
Karta (कर्ता)
TypeAdjective
Rootpū (पू धातु) + kta (क्त)
FormKridanta (past passive participle/कर्मणि भूतकृदन्त); Feminine (स्त्रीलिङ्ग), Nominative (प्रथमा), Singular (एकवचन)
kathamhow
katham:
Sambandha (सम्बन्ध/प्रश्न)
TypeIndeclinable
Rootkatham (अव्यय)
FormAvyaya; interrogative adverb (प्रश्नवाचक अव्यय)
viprama brāhmaṇa
vipram:
Karma (कर्म)
TypeNoun
Rootvipra (प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Accusative (द्वितीया), Singular (एकवचन)
spṛśāmido I touch
spṛśāmi:
Kriya (क्रिया)
TypeVerb
Rootspṛś (स्पृश् धातु)
FormPresent (लट्), Parasmaipada (परस्मैपद), 1st person (उत्तमपुरुष), Singular (एकवचन)
ahamI
aham:
Karta (कर्ता)
TypeNoun
Rootasmad (अस्मद् सर्वनाम)
FormPronoun (सर्वनाम); Nominative (प्रथमा), Singular (एकवचन)

Pārvatī (narrative voice; internal reflection)

C
Classical Literature
P
Purāṇic Narratives
Ś
Śaiva Traditions
D
Dharma and Ritual Culture

FAQs

It documents Purāṇic-era narrative framing of ritual purity and social etiquette (especially regarding contact), illustrating how tapas (austerity) is presented as a means of purification within classical Sanskrit literature.

Śailendra (“lord of mountains”) is a common epithet for Himālaya in Sanskrit texts; while not a precise toponym here, it points to the Himalayan cultural-geographic imagination central to Pārvatī’s origin narratives.

The verse foregrounds careful discernment about social and ritual boundaries—highlighting how intention/relationship (father/husband) and perceived purity can shape notions of appropriate conduct in the narrative world.

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