The Threefold Division by the Guṇas, the Deities’ Attainment of Worship, and the Opening of the Durjaya Episode
Pūrva Bhāga · Cosmogonic Narratives (Deva-yajña and Nārāyaṇa as Puruṣa)
वृद्धायामथ सृष्टौ तु सर्वे देवाः पुरातनम् । नारायणाख्यं पुरुषं यजन्तो विविधैर्मखैः ॥ १०.२ ॥
vṛddhāyām atha sṛṣṭau tu sarve devāḥ purātanam | nārāyaṇākhyaṁ puruṣaṁ yajanto vividhair makhaiḥ || 10.2 ||
vRRiddhAyAmatha sRRiShTau tu sarve devAH purAtanam | nArAyaNAkhyaM puruShaM yajanto vividhairmakhaiH || 10.2 ||
वृद्धायां सृष्टौ तु सर्वे देवाः पुरातनं नारायणाख्यं पुरुषं विविधैर्मखैः यजन्ति स्म।
Varāha
All sacrificial culture ultimately addresses the primordial Nārāyaṇa (Puruṣa) as the supreme object of worship.
Perform ritual and devotion with the understanding that the inner recipient is Viṣṇu/Nārāyaṇa, not merely the visible deities or outcomes.
The verse frames Nārāyaṇa as the primordial Puruṣa who is the true recipient and ground of yajña; it sets up the Purāṇic move where ritual efficacy is rooted in Viṣṇu as the inner self of sacrifice (yajñātmā).
Puruṣa-Nārāyaṇa as the ontological source of creation and the immanent Lord of ritual action; yajña becomes a mode of approaching Brahman/Īśvara rather than a merely transactional rite.
Nārāyaṇa named as primordial Puruṣa; implicit Vaiṣṇava theology that later culminates in avatāras, but no explicit Kṛṣṇa/Mathurā cue here.
Varāha Purāṇa: surrounding narrative of devas’ long yajña leading to the Lord’s pratyakṣa-darśana (10.10.4ff)
It reflects a Purāṇic synthesis in which cosmic history is narrated alongside ritual culture, presenting the gods’ sacrificial activity as a marker of world-order in expanded/renewed creation.
No geographic location is named in this verse; the focus is cosmological (creation’s expansion) and ritual (the gods’ worship).
Rather than a direct moral injunction, the verse foregrounds a philosophical model of maintaining order through disciplined, communal rites and acknowledgment of a primordial cosmic principle (puruṣa).
Answers come straight from the texts, with the shlokas they draw on. Ask in your own words.
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