Sukta 7.6
प्र सम्राजो असुरस्य प्रशस्तिं पुंसः कृष्टीनामनुमाद्यस्य । इन्द्रस्येव प्र तवसस्कृतानि वन्दे दारुं वन्दमानो विवक्मि ॥
prá samrā́jo ásurasya práśastiṃ puṃsáḥ kṛṣṭīnā́m anumā́dyasya | índrasyeva prá tavásas kṛtā́ni vánde dā́ruṃ vándamāno vivakmi ||
प्र सम्राजो असुरस्य प्रशस्तिं पुंसः कृष्टीनामनुमाद्यस्य । इन्द्रस्येव प्र तवसस्कृतानि वन्दे दारुं वन्दमानो विवक्मि ॥
The poet proclaims praise of the sovereign asura-power, the delight of the peoples; like Indra’s mighty deeds he speaks of the strong one’s works. He bows to the sacred wood and speaks in adoration.
The hymn opens the next movement: Agni is hailed as samrāj—inner sovereign power, ‘asura’ in the older sense of lordly might. The rishi brings forward that praise which awakens joy and consent in the human collectivity (kṛṣṭīnāṃ). Agni’s works are like Indra’s—illumined victories—because the will-flame and the illumining mind cooperate in the conquest of darkness. ‘I bow to the wood’ (dāru) is not mere ritual: it is reverence to the substance (body-nature) that can house the fire; the yogin honors the material basis as a fit vessel for divine ignition.
Spiritual sovereignty begins when the divine will is enthroned within the substance of life; then deeds become mighty and luminous, and even matter is approached with reverence as a participant in transformation.
hymnic proclamation, kindling symbolism, sovereignty of Agni, deeds of the strong
Vasiṣṭha’s Agni hymns frequently begin with enthronement language (king, lord) to establish inner governance before asking boons.
The seer emphasizes the sanctity of embodiment (‘dāru’) as the field of yajña—spirit must ignite and rule in life, not escape it.
Sovereign organizer of the sacrifice; establishes rulership of ṛta in the human and between worlds.
Centralizing will that governs impulses; transforms substance into a conscious instrument; empowers deeds like Indra’s victories of light.
Kindling/establishing Agni; opening praise before offerings
प्र स॒म्राजो॒ असु॑रस्य॒ प्रश॑स्तिं पुं॒सः कृ॑ष्टी॒नाम॑नु॒माद्य॑स्य । इन्द्र॑स्येव॒ प्र त॒वस॑स्कृ॒तानि॒ वन्दे॑ दा॒रुं वन्द॑मानो विवक्मि ॥
प्र । स॒म्ऽराजः॑ । असु॑रस्य । प्रऽश॑स्तिम् । पुं॒सः । कृ॒ष्टी॒नाम् । अ॒नु॒ऽमाद्य॑स्य । इन्द्र॑स्यऽइव । प्र । त॒वसः॑ । कृ॒तानि॑ । वन्दे॑ । दा॒रुम् । वन्द॑मानः । वि॒व॒क्मि॒ ॥
pra | sam-rājaḥ | asurasya | pra-śastim | puṃsaḥ | kṛṣṭīnām | anu-mādyasya | indrasya-iva | pra | tavasaḥ | kṛtāni | vande | dārum | vandamānaḥ | vivakmi
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4 × ~11
Proclamatory and regal; strong openings (‘pra’) create a forward heralding tone.
Instills dignity and inner authority; helpful for centering and invoking governance over the nature.
Opening of a hymn-sequence: adoration with fuel (dāru) suggests kindling/feeding Agni in Śrauta fire service.
At the start of Agni worship or before major actions needing inner sovereignty
Reverential salutation to kindling wood; recitation as Agni is awakened
A ‘centering mantra’ before work: bow inwardly to the body as vessel, kindle will in the heart, and proceed under inner kingship.
samrāj ‘complete ruler’ (sam + rāj) indicates integrative sovereignty. asura retains older sense of ‘lordly power’ (not later ‘anti-god’). dāru ‘wood’ is ritually concrete (fuel) and psychologically the ‘substance’ offered to awaken fire—matter given to consciousness. √mad in anumā́dya suggests inspired gladness rather than sensory intoxication.
sovereign being-power (asura in archaic sense), inspired delight (anumādya), speech as invocation (vivakmi)
Agni as samrāj implies rulership of ṛta—right order enthroned in the being.
Praise (praśasti) is speech aligned to satya, calling forth the true power.
Spirit entering substance: the wood becomes flame; matter becomes conscious instrument.
Integral transformation perspective: divinization of life-substance through Agni.
early morning or ritual commencement
Wood = embodied nature; Fire = awakened will; Praise = mantric vibration that kindles the process.
Enthrone a steady will in the heart; then extend it through the body, honoring the body as ‘wood’ that can hold the flame without burning out.
Anāhata (heart-sovereignty)
Slow inhale: ‘pra’—bring forward; slow exhale: ‘vande’—bow and soften; repeat to balance authority and humility.
Regal steadiness with devotional receptivity.
When will becomes harsh, remember ‘vande dāruṃ’: respect limits of the instrument; build strength by steady kindling, not strain.
Rigvedic accents; keep repeated ‘pra’ openings with clear lift; avoid monotone proclamation.
Mark a respectful pause around ‘vande dāruṃ’; it is the devotional pivot of the verse.
‘samrājo’ with long ā, and conjunct ‘mr’ clean, ‘asurasya’ older sense—pronounce clearly, not rushed, ‘vande dāruṃ’ keep retroflex ḍ in dāru? (actually dental d): pronounce ‘dāru’ with dental d, long ā
Noble, steady, with a softer devotional color at ‘vande’.
Answers come straight from the texts, with the shlokas they draw on. Ask in your own words.
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