HomeVaraha PuranaAdhyaya 96Shloka 29
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Varaha Purana 96.29 — Adhyaya 96, Shloka 29

The Threefold Power: The Raudrī Observance and the Manifestation of Chāmuṇḍā

तस्या हसुन्त्या वक्रात्तु बद्ध्यो देव्यः वार्णर्ययुः ॥

tasyā hasuntyā vakrāt tu baddhyo devyaḥ vārṇaryayuḥ ||

അവൾ ചിരിക്കുന്ന മുഖത്തിൽ നിന്ന് സന്നദ്ധ/ബന്ധിതമായ ദിവ്യ ദേവീ രൂപങ്ങൾ നാനാവർണ്ണാകൃതികളോടെ പുറപ്പെട്ടു।

tasyāḥof her
tasyāḥ:
Sambandha (सम्बन्ध)
TypeNoun
Roottad (सर्वनाम-प्रातिपदिक)
Formस्त्रीलिङ्ग, षष्ठी, एकवचन
hasantyāḥwhile she was laughing
hasantyāḥ:
Sambandha (सम्बन्ध)
TypeVerb
Roothas (धातु)
Formशतृ (present active participle), स्त्रीलिङ्ग, षष्ठी, एकवचन; (agreeing with tasyāḥ)
vakrātfrom (her) mouth/face
vakrāt:
Apādāna (अपादान)
TypeNoun
Rootvakra (प्रातिपदिक)
Formनपुंसकलिङ्ग/पुंलिङ्ग (context: 'mouth/face'), पञ्चमी (ablative/5th), एकवचन
tuindeed / then
tu:
Sambandha (सम्बन्ध)
TypeIndeclinable
Roottu (अव्यय)
Formअवधारण/विरोधार्थक-अव्यय (particle: 'but/indeed')
baddhyāḥwere formed / were bound
baddhyāḥ:
Karta (कर्ता)
TypeVerb
Rootbandh (धातु)
Formक्त (past passive participle) from √bandh, स्त्रीलिङ्ग, प्रथमा, बहुवचन; (textual form 'baddhyo' normalized)
devyaḥgoddesses / divine ladies
devyaḥ:
Karta (कर्ता)
TypeNoun
Rootdevī (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, बहुवचन
vānarīḥfemale monkeys / vānarīs
vānarīḥ:
Karta (कर्ता)
TypeNoun
Rootvānarī (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, बहुवचन; (text 'vārṇaryayuḥ' emended)
yayuḥwent / came forth
yayuḥ:
Kriyā (क्रिया)
TypeVerb
Rootyā (धातु)
Formलिट् (Perfect), प्रथमपुरुष, बहुवचन; परस्मैपदम्

Narrator

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":false}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":false}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"Śākta metaphysics (one power, many forms)","core_concept":"From one Devī, many devīs emerge—unity expressing itself as functional multiplicity for cosmic protection.","practical_application":"See diverse capacities (skills/energies) as expressions of one centered intention; coordinate them toward dharma."}

Subject Matter: ["Miraculous emanation motif","Manuscript/transmission uncertainty","Iconographic plurality"]

Primary Rasa: adbhuta

Secondary Rasa: vira

Type: mythic assembly/manifestation space

Related Themes: Varāha Purāṇa 96.24 (nāma-stuti of fierce forms)

Visual Art Cues: {"scene_description":"As Devī laughs, streams of radiant feminine forms—arrayed/‘bound’ in ranks—issue from her mouth, each with distinct colors and attributes.","item_prompts":["Devī laughing","multiple smaller goddesses emerging as luminous forms","variegated colors/garments","weapons, garlands, skull-cups or lotuses depending on form","formation like an army or retinue"],"kerala_mural_prompt":"Kerala mural: stylized emanation—rows of smaller devīs flowing from Devī’s mouth as patterned, colorful figures; strong ornamentation and symmetry.","tanjore_prompt":"Tanjore: central Devī with gold aura; emanated devīs as smaller icons with gold highlights; jewel-toned palette, embossed detailing.","mysore_prompt":"Mysore: controlled composition with graceful emanation arcs; each devī delicately differentiated; classical restraint.","pahari_prompt":"Pahari: narrative clarity—emanated devīs in a curving procession; bright textiles; expressive faces; minimal background."}

Audio Atmosphere: {"recitation_mood":"wonder-struck and martial-ready","suggested_raga":"Kalyani","pace":"medium-fast","voice_tone":"expansive, rising emphasis on वक्रात्तु ... देव्यः"}

C
Classical Literature
P
Purāṇic Narrative
T
Textual Criticism
I
Iconography

FAQs

It illustrates a Purāṇic compositional technique: multiplying divine agencies (emanated forms) to narrate large-scale combat and protection.

No geographic location appears.

Collective defense is emphasized: protection is depicted as distributed through multiple supportive forces rather than a single agent alone.

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