The Rite of Śrāvaṇa Bright-Fortnight Dvādaśī (Dāmodara Worship) and the Exemplum of King Nṛga
तत्रापश्यन्त ते सुप्तं हेमरत्नविभूषितम् । नृगं राजानमत्युग्रं श्रिया परमया युतम् ॥ ४७.१२ ॥
tatrāpaśyanta te suptaṃ hemaratnavibhūṣitam | nṛgaṃ rājānam atiyugraṃ śriyā paramayā yutam || 47.12 ||
അവിടെ അവർ ഉറങ്ങിക്കിടന്ന നൃഗരാജാവിനെ കണ്ടു—സ്വർണ്ണവും രത്നങ്ങളും ധരിച്ച്, അത്യന്തം പ്രചണ്ഡനും പരമശ്രീയാൽ യുക്തനുമായിരുന്നു।
Varāha (default narrative frame; speaker not explicit in fragment)
It reflects Purāṇic narrative technique: describing a king through markers of sovereignty (ornaments, splendor, and perceived power) as a prelude to ethical or didactic developments in the surrounding episode.
No specific geographic location is named in this verse; it is a situational marker (“there”) dependent on the immediately preceding narrative context.
Implicitly, the verse sets up a contrast often used in Purāṇic exempla: external prosperity and royal magnificence may precede moral testing or consequences explored in adjacent verses.
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