The Origin of Rudra, the Disruption of Dakṣa’s Sacrifice, and the Establishment of Paśupati
Pūrva Bhāga · Śaiva-stuti / Bhairava-namaskāra (Hymnic Invocations)
विकरालोर्ध्वकेशाय भैरवाय नमो नमः । अग्निज्वालाकरालाय शशिमौलिकृते नमः ॥ ३३.२० ॥
vikarālordhvakeśāya bhairavāya namo namaḥ | agnijvālākarālāya śaśimaulikṛte namaḥ || 33.20 ||
vikarAlodrdhvakeshAya bhairavAya namo namaH | agnijvAlAkarAlAya shashimaulikRRite namaH || 33.20 ||
വികരാളരൂപവും ഊർദ്ധ്വകേശവുമുള്ള ഭൈരവനു വീണ്ടും വീണ്ടും നമസ്കാരം. അഗ്നിജ്വാലകളാൽ ഭീകരനായവനു, ശശിയെ മൗലിയായി ധരിച്ചവനു നമസ്കാരം।
Varāha
The same deity is terrible as fire (agni-jvālā) yet crowned with the cooling moon (śaśi-mauli): unity of opposites—destruction and grace, heat and coolness.
Meditate on balancing inner ‘fire’ (discipline, tapas) with ‘moon’ (calm, compassion) in sādhanā and daily conduct.
Varāha Purāṇa 33.33 (stuti continuation)
It illustrates a common Purāṇic literary practice: embedding concise hymnic salutations (stuti/namaskāra) that preserve iconographic descriptors used across medieval Sanskrit devotional and ritual traditions.
No geographic location is named in this verse; it functions as an iconographic and devotional description rather than a tīrtha (sacred place) reference.
The verse primarily conveys a philosophical instruction of reverential acknowledgment (namaskāra) toward a described archetypal figure; it does not present an explicit moral injunction in this fragment.
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