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Varaha Purana 211.59: Adhyaya 211, Shloka 59

Methods for the Removal of Sin and the Eulogy of Prabodhinī Ekādaśī/Dvādaśī

तस्योपरि न्यसेन्मत्स्यस्वरूपं तु जनार्दनम् ॥ निष्कमात्रसुवर्णेन घटितं तु वरानने

Sanskrit recitationVaraha Purana 211.59

tasyopari nyasen matsya-svarūpaṁ tu janārdanam || niṣkamātra-suvarṇena ghaṭitaṁ tu varānane

അതിന്റെ മീതെ മത്സ്യസ്വരൂപനായ ജനാർദനനെ സ്ഥാപിക്കണം। ഹേ വരാനനേ, അത് നിഷ്കമാത്ര സ്വർണ്ണത്തിൽ നിർമ്മിതമായിരിക്കണം।

तस्यof that (pot/it)
तस्य:
Sambandha (सम्बन्ध)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formपुं/नपुंसक, षष्ठी (Genitive/सम्बन्ध), एकवचन
उपरिon top/above
उपरि:
Adhikaraṇa (अधिकरणम्)
TypeIndeclinable
Rootउपरि (अव्यय)
Formअव्यय (adverb/postposition), देशवाचक (locative sense)
न्यसेत्should place
न्यसेत्:
Kriyā (क्रिया)
TypeVerb
Rootनि+अस् (धातु)
Formविधिलिङ् (Optative/विधि), परस्मैपद, प्रथमपुरुष, एकवचन; √अस् (to place/throw) with उपसर्ग नि
मत्स्यस्वरूपम्the fish-form
मत्स्यस्वरूपम्:
Karma (कर्म)
TypeNoun
Rootमत्स्य+स्वरूप (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (Accusative/कर्म), एकवचन; षष्ठी-तत्पुरुषः: मत्स्यस्य स्वरूपम्
तुindeed/but
तु:
Sambandha (सम्बन्ध/particle)
TypeIndeclinable
Rootतु (अव्यय)
Formनिपात (particle), विरोध/विशेषार्थक
जनार्दनम्Janārdana (Vishnu)
जनार्दनम्:
Karma (कर्म)
TypeNoun
Rootजनार्दन (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (Accusative/कर्म), एकवचन
निष्कमात्रसुवर्णेनwith gold of niṣka-measure
निष्कमात्रसुवर्णेन:
Karaṇa (करणम्)
TypeNoun
Rootनिष्कमात्र+सुवर्ण (प्रातिपदिक)
Formनपुंसकलिङ्ग, तृतीया (Instrumental/करण), एकवचन; तत्पुरुषः: निष्कमात्रं सुवर्णम् (gold of the measure of a niṣka)
घटितम्fashioned/made
घटितम्:
Karma (कर्म)
TypeVerb
Rootघट् (धातु)
Formक्त-प्रत्ययान्त कृदन्त (Past Passive Participle), नपुंसकलिङ्ग, द्वितीया, एकवचन; √घट् (to fashion/construct)
तुindeed
तु:
Sambandha (सम्बन्ध/particle)
TypeIndeclinable
Rootतु (अव्यय)
Formनिपात (particle)
वराननेO fair-faced one
वरानने:
Sambodhana (सम्बोधन)
TypeNoun
Rootवरानना (प्रातिपदिक)
Formस्त्रीलिङ्ग, सम्बोधन (Vocative/सम्बोधन), एकवचन

Varāha (default dialogue framework)

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":true,"speaker_role":"instructor","bhu_devi_state":"attentive/curious (addressed as varānane)","key_question":"None (instruction continues; implicit: how to install the icon properly)."}

Mathura Mandala: {"is_mathura_related":false,"krishna_connection":"Indirect: Matsya as Viṣṇu form within avatāra continuum later including Kṛṣṇa."}

Dharma Shastra: {"has_dharma_rule":true,"topic":"dana","instruction_summary":"Install a Matsya-form Janārdana image atop the kumbha, fashioned in gold of niṣka-measure, as prescribed for proper iconographic offering.","karmic_consequence":"Following iconographic measure and purity of material supports rite-completion and merit; improper measure/material is treated as defective worship (hīna-pūjā)."}

Vrata Mahatmya: {"has_vrata":true,"vrata_name":"Daśāvatāra-pūjā (Matsya-pratiṣṭhā within kumbha-arcana)","tithi_month":"Not specified here.","promised_fruit":"Auspiciousness, protection, and puṇya through correct avatāra-arcana."}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"saguṇa-bhakti theology","core_concept":"The transcendent is approached through a carefully formed, measured icon; form (ākāra) becomes a disciplined doorway to devotion.","practical_application":"Use proportion, purity, and intentional placement in worship; let craftsmanship serve contemplation rather than display."}

Subject Matter: ["Iconography","Ritual Observance","Material Culture"]

Primary Rasa: śānta

Secondary Rasa: adbhuta

Type: ritual-space (altar installation)

Related Themes: Varāha Purāṇa 211.65 (kumbha and upacāra); Varāha Purāṇa 211.67 (abhiṣeka and adornment)

Visual Art Cues: {"scene_description":"A golden Matsya-form Janārdana icon being placed atop a decorated water-pot on an altar, with the teacher addressing the goddess.","item_prompts":["gold Matsya icon","kumbha top placement","measuring reference (niṣka) implied","attendant hands placing icon","simple altar ornaments"],"kerala_mural_prompt":"Kerala mural: stylized golden Matsya with ornate fins, placed on kumbha; warm ochres and greens; teacher-figure presence implied by gesture.","tanjore_prompt":"Tanjore: raised gold relief for Matsya icon, heavy gilding on kumbha rim, jewel accents, symmetrical devotional framing.","mysore_prompt":"Mysore: elegant gold tones with fine shading, restrained ornamentation, focus on icon placement gesture.","pahari_prompt":"Pahari: narrative moment of installation, delicate figures, cool background, bright gold highlight on Matsya."}

Audio Atmosphere: {"recitation_mood":"precise, reverential instruction","suggested_raga":"Bhairav (measured gravity)","pace":"medium","voice_tone":"firm, clear, gently exhortative"}

C
Classical Literature
V
Vaiṣṇavism
P
Purāṇic Iconography
C
Cultural Heritage

FAQs

It is a direct witness to Purāṇic iconographic practice—specifying form (Matsya) and material (gold)—useful for art history and ritual studies.

No location is mentioned; the instruction is portable and not tied to a single pilgrimage site.

The verse emphasizes careful, respectful representation of the deity—an ethic of craftsmanship and ritual propriety.

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