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Varaha Purana 207.21: Adhyaya 207, Shloka 21

Section on the ‘Person’ who Entices Beings within the Cycle of Rebirth

न गच्छन्ति तु तं देशं पापिष्ठं तमसावृतम् ॥ यातनास्थानसंपूर्णं हाहाकारभयाकुलम् ॥

Sanskrit recitationVaraha Purana 207.21

na gacchanti tu taṃ deśaṃ pāpiṣṭhaṃ tamasāvṛtam || yātanāsthānasaṃpūrṇaṃ hāhākārabhayākulam ||

അവർ ആ ദേശത്തിലേക്കു പോകുകയില്ല; അതി പാപമയവും തമസ്സാൽ മൂടപ്പെട്ടതുമായ, യാതനാസ്ഥാനങ്ങളാൽ നിറഞ്ഞതും ഹാഹാകാരഭയങ്ങളാൽ വ്യാകുലവുമായ ആ പ്രദേശത്തിലേക്കു.

nanot
na:
Pratiṣedha (प्रतिषेध)
TypeIndeclinable
Rootna (अव्यय)
Formनिषेधार्थक-अव्यय (negative particle)
gacchantithey go
gacchanti:
Kriyā (क्रिया)
TypeVerb
Rootgam (गम् धातु)
Formलट्-लकार (Present), परस्मैपद, प्रथम-पुरुष (3rd person), बहुवचन (plural)
tubut
tu:
Sambandha-nipāta (सम्बन्ध-निपात)
TypeIndeclinable
Roottu (अव्यय)
Formअव्यय; अवधान/विरोधार्थक-निपात (particle: but/indeed)
tamthat
tam:
Karma (कर्म)
TypeNoun
Roottad (तद् सर्वनाम-प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया-विभक्ति (Accusative), एकवचन (singular)
deśamplace, region
deśam:
Karma (कर्म)
TypeNoun
Rootdeśa (देश प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया-विभक्ति (Accusative), एकवचन
pāpiṣṭhammost sinful
pāpiṣṭham:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootpāpiṣṭha (पापिष्ठ प्रातिपदिक; पापिन्-तमप्)
Formपुंलिङ्ग, द्वितीया-विभक्ति, एकवचन; विशेषण (superlative: most sinful)
tamasāby darkness
tamasā:
Karaṇa (करण)
TypeNoun
Roottamas (तमस् प्रातिपदिक)
Formनपुंसकलिङ्ग, तृतीया-विभक्ति (Instrumental), एकवचन
āvṛtamcovered, enveloped
āvṛtam:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootā-√vṛ (आवृ धातु) + kta (क्त)
Formक्त-प्रत्ययान्त कृदन्त (past passive participle), पुंलिङ्ग, द्वितीया-विभक्ति, एकवचन; देशम् इति विशेष्यस्य विशेषणम्
yātanāsthānasaṃpūrṇamfilled with places of torment
yātanāsthānasaṃpūrṇam:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootyātanā-sthāna-saṃpūrṇa (यातना + स्थान + संपूर्ण प्रातिपदिक)
Formतत्पुरुष-समास (षष्ठी/सप्तमी-सम्भव: 'यातनानां स्थानैः/स्थानेन' इत्यर्थ-सम्बन्धः), पुंलिङ्ग, द्वितीया-विभक्ति, एकवचन; देशम् इति विशेष्यस्य विशेषणम्
hāhākārabhayākulamdisturbed by cries and fear
hāhākārabhayākulam:
Viśeṣaṇa (विशेषण)
TypeAdjective
Roothāhākāra-bhaya-ākula (हाहाकार + भय + आकुल प्रातिपदिक)
Formतत्पुरुष-समास (हाहाकार-भयेन आकुलम्), पुंलिङ्ग, द्वितीया-विभक्ति, एकवचन; देशम् इति विशेष्यस्य विशेषणम्

Yama

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":true,"speaker_role":"instructor","key_question":"None (graphic characterization of the avoided region)."}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":true,"instruction_summary":"Naraka is portrayed as a dark, sin-saturated realm of torments and terror; the prior virtues are presented as the means to avoid it.","karmic_consequence":"Sin leads to entry into a fear-filled torture-region; virtue prevents that destination (explicitly tied to preceding verses)."}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"moral psychology / consequence ethics","core_concept":"Vivid contemplation of consequences (phala-smṛti) strengthens resolve toward restraint and compassion.","practical_application":"Use the imagery as a meditative deterrent: before harmful action, recall the ‘tamasāvṛta’ outcome and choose dharma."}

Subject Matter: ["Cosmology","Ethics"]

Primary Rasa: bhayānaka

Secondary Rasa: karuṇa

Type: infernal realm

Related Themes: Varāha Purāṇa 207.19–22 (who does not go there)

Visual Art Cues: {"scene_description":"A hellish landscape: thick darkness, pits and instruments of torment, crowds crying ‘hā hā’, faces contorted in fear—contrasted by an implied boundary that the virtuous do not cross.","item_prompts":["blackened sky and smoky haze","jagged ground with torture-pits (yātanā-sthāna)","figures with raised arms crying in anguish","Yama’s distant silhouette as judge","chains/nooses as symbolic implements"],"kerala_mural_prompt":"Kerala mural: stylized dark palette with dramatic reds/blacks; rhythmic arrangement of suffering figures; Yama as stern icon at edge, maintaining compositional order.","tanjore_prompt":"Tanjore: less naturalistic, iconic infernal paneling; gold used sparingly as ominous contrast; strong outlines and hierarchical scale with Yama overseeing.","mysore_prompt":"Mysore: detailed chiaroscuro-like shading for darkness; expressive faces; controlled depiction of fear without excess gore.","pahari_prompt":"Pahari: narrative infernal scene with simplified torment motifs; emphasis on emotional expression and atmospheric gloom."}

Audio Atmosphere: {"recitation_mood":"grave, cautionary, intense","suggested_raga":"Darbari Kanada","pace":"slow","voice_tone":"deep, resonant, ominous"}

C
Classical Literature
P
Purāṇic Studies
A
Afterlife Imagery

FAQs

It exemplifies Purāṇic rhetorical imagery used to communicate ethical consequences through vivid cosmological description.

No earthly location; ‘deśa’ here functions as a cosmological/imagined punitive region.

The verse reinforces avoidance of grave wrongdoing by contrasting it with an imagined realm characterized by darkness, fear, and torment.

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