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Varaha Purana 142.35 — Adhyaya 142, Shloka 35

The Greatness of Esoteric Practice: Menstrual Impurity, Mental Equanimity, and Seasonal Conjugal Ethics

रेतःपाः पितरस्तस्य एवमेतन्न संशयः ॥ एकां तु पुरुषो याति द्वितीयां काममोहितः ॥

retaḥpāḥ pitaras tasya evam etan na saṃśayaḥ || ekāṃ tu puruṣo yāti dvitīyāṃ kāmamohitaḥ ||

അവന്റെ പിതാക്കന്മാർ ‘രേതഃപാഃ’—വീര്യം പാനം ചെയ്യുന്നവർ—ആകുന്നു; ഇതു തന്നെയാണ്, സംശയം ഇല്ല. പുരുഷൻ ആദ്യ (ദിവസം) പോകുന്നു; രണ്ടാം (ദിവസം) കാമവും മോഹവും കൊണ്ട് മോഹിതനായി പോകുന്നു.

retaḥpāḥthe 'semen-drinking' (ancestors)
retaḥpāḥ:
Karta (कर्ता)
TypeNoun
Rootretaḥ-pā (प्रातिपदिक)
FormPuṃliṅga, Prathamā (1st), Bahuvacana (plural); components: retaḥ (semen) + pā (drinker/protector)
pitaraḥancestors; fathers
pitaraḥ:
Karta (कर्ता)
TypeNoun
Rootpitṛ (प्रातिपदिक)
FormPuṃliṅga, Prathamā (1st), Bahuvacana
tasyaof him; his
tasya:
Sambandha (सम्बन्ध/Genitive)
TypeNoun
Roottad (सर्वनाम-प्रातिपदिक)
FormPuṃliṅga/napuṃsaka, Ṣaṣṭhī (6th), Ekavacana; demonstrative pronoun
evamthus
evam:
Kriyā-viśeṣaṇa (क्रियाविशेषण)
TypeIndeclinable
Rootevam (अव्यय)
FormPrakāra-avyaya (manner adverb: thus)
etatthis
etat:
Karta (कर्ता)
TypeNoun
Rootetad (सर्वनाम-प्रातिपदिक)
FormNapumsaka, Prathamā (1st), Ekavacana; demonstrative pronoun
nanot
na:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootna (अव्यय)
FormPratiṣedha-avyaya
saṃśayaḥdoubt
saṃśayaḥ:
Karta (कर्ता)
TypeNoun
Rootsaṃśaya (प्रातिपदिक)
FormPuṃliṅga, Prathamā (1st), Ekavacana
ekāmone (woman)
ekām:
Karma (कर्म)
TypeAdjective
Rootekā (प्रातिपदिक)
FormStrīliṅga, Dvitīyā (2nd), Ekavacana; numeral adjective used substantively
tubut/indeed
tu:
Sambandha (सम्बन्ध)
TypeIndeclinable
Roottu (अव्यय)
FormNipāta (but/indeed)
puruṣaḥa man
puruṣaḥ:
Karta (कर्ता)
TypeNoun
Rootpuruṣa (प्रातिपदिक)
FormPuṃliṅga, Prathamā (1st), Ekavacana
yātigoes/approaches
yāti:
Kriyā (क्रिया)
TypeVerb
Rootyā (धातु)
FormLaṭ (लट्/present indicative), Prathama-puruṣa (3rd), Ekavacana; Parasmaipada
dvitīyāma second (woman)
dvitīyām:
Karma (कर्म)
TypeAdjective
Rootdvitīyā (प्रातिपदिक)
FormStrīliṅga, Dvitīyā (2nd), Ekavacana; ordinal used substantively
kāmamohitaḥdeluded by desire
kāmamohitaḥ:
Karta (कर्ता)
TypeAdjective
Rootkāma-mohita (प्रातिपदिक)
FormPuṃliṅga, Prathamā (1st), Ekavacana; components: kāma (desire) + mohita (deluded; √muh, kta)

Varāha

Varaha Avatara Context: {"is_varaha_focus":true}

Bhu Devi Dialogue: {"is_dialogue":false,"speaker_role":"instructor"}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":true,"topic":"shraddha","instruction_summary":"Illicit intercourse during prohibited r̥tu days harms the pitṛ-relationship: the ancestors are said to become ‘semen-drinkers’; going on the second day is driven by kāma-moha and is condemned.","karmic_consequence":"Violation produces grave pitṛ-doṣa and ritual pollution, undermining śrāddha efficacy and accruing demerit; restraint protects pitṛ-satisfaction and dharmic merit."}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"karmic_ethics","core_concept":"Private acts have transpersonal karmic effects—especially upon pitṛ-bandha (ancestral linkage); desire-clouded action (kāma-moha) distorts dharma.","practical_application":"Use remembrance of pitṛ-ṛṇa and śrāddha responsibility to regulate sexuality; avoid actions that generate pitṛ-doṣa; cultivate viveka over impulse."}

Subject Matter: ["Ethics","Ritual Conduct"]

Primary Rasa: bībhatsa

Secondary Rasa: bhayānaka

Related Themes: Varāha Purāṇa 142.39 (gradation of blame for 3rd/4th day); Varāha Purāṇa 142.34-37 (the prohibitions and śauca)

Visual Art Cues: {"scene_description":"A stark admonitory image: Varāha speaks with severity; behind him a symbolic pitṛ-world vignette shows ancestors in a distressed state (allegorical, not literalized), contrasted with a restrained householder in calm purity.","item_prompts":["Varāha with stern teaching gesture","shadowy pitṛ figures receiving impure offering (symbolic)","a split-scene contrast: restraint vs kāma-moha","dark-to-light gradient to show consequence vs purity"],"kerala_mural_prompt":"Kerala mural: dramatic contrast palette; Varāha central; stylized pitṛ silhouettes in a side register; strong linework and expressive eyes; allegorical rather than graphic.","tanjore_prompt":"Tanjore: icon-like Varāha with gold; small narrative medallion showing pitṛ distress symbolically; emphasis on moral warning through composition.","mysore_prompt":"Mysore: refined but serious; subtle depiction of pitṛ realm as faint figures; Varāha’s expression controlled yet admonishing.","pahari_prompt":"Pahari: narrative split panel with gentle but clear moral contrast; pitṛ figures as pale ancestors in the background; restrained domestic foreground."}

Audio Atmosphere: {"recitation_mood":"grave warning","suggested_raga":"Bhairavi","pace":"slow","voice_tone":"low, weighty, emphasizing ‘na saṃśayaḥ’ and the pitṛ consequence"}

C
Classical Literature
P
Purāṇic Dharma
P
Pitṛ Concepts

FAQs

It exemplifies Purāṇic rhetorical strategies: striking compounds and consequence language used to reinforce normative conduct.

No geographic identification occurs here.

It discourages certain timing/behavior by associating it with negative consequences framed through pitṛ-related imagery.

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