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Valmiki Ramayana 2.85.19-20: Ayodhya Kanda, Sarga 85, Shlokas 19-20

भरत-गुहसंवादः

Bharata and Guha: Trust, Hospitality, and the Burden of Grief

ध्याननिर्धरशैलेन विनिश्श्वसितधातुना ।

दैन्यपादपसंघेन शोकायासाधिशृङ्गिणा ॥१९॥

प्रमोहानन्तसत्त्वेन सन्तापौषधिवेणुना ।

आक्रान्तो दुःखशैलेन महता कैकयीसुतः ॥२०॥

Recitation with translationValmiki Ramayana 2.85.19-20

dhyānanirdharaśailena viniśśvasitadhātunā |

dainyapādapasaṅghena śokāyāsādhiśṛṅgiṇā ||19||

pramohānantasattvena santāpauṣadhiveṇunā |

ākrānto duḥkhaśailena mahatā kaikayīsutaḥ ||20||

ധ്യാനമെന്ന അഖണ്ഡശിലകളാൽ ദൃഢമായും, നിശ്വാസമെന്ന ധാതുക്കളാൽ നിറഞ്ഞും, ദൈന്യമെന്ന വൃക്ഷസമൂഹങ്ങളാൽ മൂടപ്പെട്ടും, ശോകവും ക്ഷീണവും എന്ന ഉന്നതശിഖരങ്ങളാൽ ഉയർന്നും; പ്രമോഹമെന്ന അനന്തജീവികളാൽ നിറഞ്ഞും, സന്താപമെന്ന ഔഷധികളും മുളങ്കാടുകളും ഉള്ള—അത്തരം മഹാദുഃഖപർവ്വതം കൈകേയീപുത്രൻ ഭരതനെ പൂർണ്ണമായി കീഴടക്കി।

ध्याननिर्धरशैलेनby/with the mountain of contemplation, (cavityless)
ध्याननिर्धरशैलेन:
करण (Instrument/करण)
TypeNoun
Rootध्यान-निर्धर-शैल (प्रातिपदिक; ध्यान + निर्धर + शैल)
Formपुंलिङ्ग, तृतीया (करण/Instrumental), एकवचन; समासः—षष्ठी-तत्पुरुषः (ध्यानस्य शैलः) + कर्मधारय-प्रायः (निर्धरः शैलः)
विनिःश्वसितधातुनाby the minerals/ores of heaving sighs
विनिःश्वसितधातुना:
करण (Instrument/करण)
TypeNoun
Rootविनिःश्वसित-धातु (प्रातिपदिक; विनिःश्वसित + धातु)
Formस्त्रीलिङ्ग, तृतीया (करण), एकवचन; समासः—षष्ठी-तत्पुरुषः (विनिःश्वसितस्य धातुः)
दैन्यपादपसंघेनby the multitude of trees of dejection
दैन्यपादपसंघेन:
करण (Instrument/करण)
TypeNoun
Rootदैन्य-पादप-संघ (प्रातिपदिक; दैन्य + पादप + संघ)
Formपुंलिङ्ग, तृतीया (करण), एकवचन; समासः—षष्ठी-तत्पुरुषः (दैन्यस्य पादपाः) + तत्पुरुषः (पादपानां संघः)
शोकायासाधिशृङ्गिणाby (that) having peaks of sorrow, fatigue, and distress
शोकायासाधिशृङ्गिणा:
करण (Instrument/करण)
TypeAdjective
Rootशोक-आयास-आधि-शृङ्गिन् (प्रातिपदिक; शोक + आयास + आधि + शृङ्गिन्)
Formपुंलिङ्ग, तृतीया (करण), एकवचन; बहुव्रीहिः—(शोक-आयास-आधि-शृङ्गाणि यस्य सः) ‘having peaks of sorrow, fatigue, and mental distress’

Bharata, son of Kaikeyi was stricken by a lofty mountain of grief. The cavityless rocks of that mountain were his contemplation, the minerals were his sighs, the multitude of trees were his desolation, peaks were his fatigue and mental distress, the unlimited number of animals were his stupor, the bamboo tree was his sorrow.

B
Bharata (Kaikeyī-suta)
K
Kaikeyī
G
grief (śoka)

FAQs

The verse illustrates how devotion to dharma can produce profound inner turmoil when one is linked to adharma (Kaikeyī’s actions); Bharata suffers because he cannot accept unrighteous gain.

As night deepens, the narration turns inward to Bharata’s state: he is mentally overrun by grief, described through an elaborate mountain-metaphor.

Moral sensitivity and remorse without guilt: though not the doer of wrong, Bharata feels crushed by the consequences and seeks to restore truth and right order.

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