और्ध्वदैहिकक्रिया-शोकविलापः
Obsequies for Daśaratha and the Brothers’ Lament
Setting: अयोध्या (palace precincts, implied)
उन्मत्त इव निश्चेता विललाप सुदुःखितः ॥१२॥
स्मृत्वा पितुर्गुणाङ्गानि तानि तानि तथा तथा ।
unmatta iva niścetā vilalāpa suduḥkhitaḥ ||12||
smṛtvā pitur guṇāṅgāni tāni tāni tathā tathā |
അത്യന്തം ദുഃഖിതനായി, ഉന്മത്തനെന്നപോലെ ചിത്തം അസ്ഥിരമായി അവൻ വിലപിച്ചു; പിതാവിന്റെ അനവധി ഗുണങ്ങളെ വീണ്ടും വീണ്ടും സ്മരിച്ചു.
Recollecting the many virtues of his father again and again, like a madman, Satrughna,mentally unsteady, lamented in profound sorrow.
Remembering the good of the departed is noble, yet grief can unseat the mind; dharma requires returning to steadiness after lament.
Practice of smṛti: transforming remembrance into gratitude rather than destabilizing sorrow; supports śama and titikṣā.
Mind’s vṛttis, when seized by rāga-śoka, appear ‘unsteady’; the verse illustrates citta-vikṣepa and the need for inner steadiness (śama).
Reminiscent of teachings that the mind oscillates with attachment; only knowledge/steadiness leads beyond sorrow (śoka-taraṇa).
Vālmīki Rāmāyaṇa 2.77.14-15 (direct address to the father continues); Vālmīki Rāmāyaṇa 2.64 (Ayodhya’s collective lament)
Mahābhārata: grief-induced ‘unmāda’ descriptions in lament passages (e.g., Strī-parvan style)
Ayodhyākāṇḍa: repeated praise of Daśaratha’s qualities and generosity in earlier court scenes
Anuṣṭup
Grieving
Vilambita (slow) with plaintive udatta emphasis on vilalāpa
Remembering and honoring virtue is itself dharmic: the verse frames moral excellence (guṇa) as worthy of continual recollection, shaping the living toward righteousness and truth.
Śatrughna grieves intensely, repeatedly recalling Daśaratha’s qualities.
Daśaratha’s accumulated virtues (guṇas) are foregrounded as the cause of heartfelt reverence.
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