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Valmiki Ramayana 2.72.3: Ayodhya Kanda, Sarga 72, Shloka 3

भरतस्य मातृसदनगमनं कैकेय्या दारुणवृत्तान्तकथनं च

Bharata in Kaikeyi’s apartments: revelation of Daśaratha’s death and Rāma’s exile

Setting: Bharata’s residence within Ayodhyā palace complexPlaces named: Ayodhyā (implied)

स प्रविश्यैव धर्मात्मा स्वगृहं श्रीविवर्जितम् ।

भरतः प्रतिजग्राह जनन्याश्चरणौ शुभौ ॥३॥

Recitation with translationValmiki Ramayana 2.72.3

sa praviśyaiva dharmātmā svagṛhaṃ śrī-vivarjitam |

bharataḥ pratijagrāha jananyāś caraṇau śubhau ||3||

ധർമ്മാത്മാവായ ഭരതൻ തന്റെ ഗൃഹത്തിൽ പ്രവേശിച്ചു; അത് മുൻപത്തെ ശ്രീ-വൈഭവം നഷ്ടപ്പെട്ടതായി കണ്ടു. അവൻ തന്റെ ജനനിയുടെ ശുഭചരണങ്ങൾ പിടിച്ചു വണങ്ങി.

saḥhe (Bharata)
saḥ:
TypeNoun
Roottad (प्रातिपदिक)
FormPronoun (सर्वनाम), Masculine Nominative Singular
RoleKarta (कर्ता)
praviśyahaving entered
praviśya:
TypeVerb
Rootpra + viś (प्र + विश्) (धातु)
FormAbsolutive/Gerund (ल्यप्), ‘having entered’
RoleKriyāviśeṣaṇa (क्रियाविशेषण)
evaindeed/just
eva:
TypeIndeclinable
Rooteva (अव्यय)
FormParticle (निश्चय/अवधारणार्थक अव्यय)
RoleSambandha (सम्बन्ध/particle)
dharmātmārighteous-souled
dharmātmā:
TypeAdjective
Rootdharmātman (प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Nominative Singular; षष्ठी-तत्पुरुष: dharma + ātmā (‘whose nature is dharma’)
RoleKarta (कर्ता)
CompoundTatpurusha
svagṛhamhis own house
svagṛham:
TypeNoun
Rootsvagṛha (प्रातिपदिक)
FormNeuter (नपुंसकलिङ्ग), Accusative Singular; तत्पुरुष: sva + gṛha (‘own house’)
RoleKarma (कर्म)
CompoundTatpurusha
śrīvivarjitamdevoid of cheer/splendor
śrīvivarjitam:
TypeAdjective
Rootśrī-vivarjita (प्रातिपदिक)
FormNeuter (नपुंसकलिङ्ग), Accusative Singular; past passive participle (क्त) from √vṛj/varj ‘to exclude’ with vi-; षष्ठी-तत्पुरुष: śrī + vivarjita (‘devoid of splendor/cheer’) qualifying svagṛham
RoleViśeṣaṇa (विशेषण)
CompoundTatpurusha
bharataḥBharata
bharataḥ:
TypeNoun
Rootbharata (प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Nominative Singular (proper noun)
RoleKarta (कर्ता)
pratijagrāhaclasped/took hold of
pratijagrāha:
TypeVerb
Rootprati + grah (प्रति + ग्रह्) (धातु)
FormPerfect (लिट्), 3rd person, Singular, Parasmaipada
RoleKriyā (क्रिया)
jananyāḥof (his) mother
jananyāḥ:
TypeNoun
Rootjananī (प्रातिपदिक)
FormFeminine (स्त्रीलिङ्ग), Genitive (6th/षष्ठी), Singular
RoleSambandha (षष्ठी-सम्बन्ध)
caraṇautwo feet
caraṇau:
TypeNoun
Rootcaraṇa (प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Accusative (2nd/द्वितीया), Dual (द्विवचन)
RoleKarma (कर्म)
śubhauauspicious
śubhau:
TypeAdjective
Rootśubha (प्रातिपदिक)
FormMasculine, Accusative Dual; qualifying caraṇau
RoleViśeṣaṇa (विशेषण)
  • praviśyaiva = praviśya + eva
  • jananyāścaraṇau = jananyāḥ + caraṇau

On entering home the righteous Bharata found it devoid of cheer and touched the auspicious feet of his mother (with reverence).

Even in moral crisis, one may uphold basic duties of respect and restraint; dharma is shown first in conduct.

Duties in tension

  • Respect to mother as parent/queen
  • Inner protest against perceived wrongdoing
  • Duty to preserve family order while seeking justice for Rama/Daśaratha
Ethical theme
Kula-dharma and maryādā
How it resolves
Dharma through decorum (maryādā) maintained even while preparing moral rebuke

Practice of humility and restraint (vinaya) as a spiritual discipline even under emotional strain.

Rasa
Karuna (compassion), with Shanta (peace)
Mood
Somber, dutiful, hushed

Themes

  • Dharma
  • Maryada
  • Itihasa
  • Ethics
  • Filial piety
  • Reverence to elders

B
Bharata
K
Kaikeyī

FAQs

Respect for parents and elders as a visible practice of dharma; Bharata’s reverence is shown through touching his mother’s feet.

Bharata has returned home and immediately senses an ominous change—his house lacks its usual prosperity—yet he first performs the duty of respectful salutation to his mother.

Bharata’s humility and disciplined righteousness (vinaya and dharma-niṣṭhā).

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