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Valmiki Ramayana 2.71.26: Ayodhya Kanda, Sarga 71, Shloka 26

भरतस्य अयोध्याप्रत्यागमनम् · Bharata’s Return Journey and the Distant Sight of Ayodhya

Spoken by Rama to SumantraSetting: Ayodhyā gardens and their footpathsPlaces named: Ayodhyā, udyānāniDeparting; immediate visual of decay/emptiness

तान्येतान्यद्य पश्यामि निरानन्दानि सर्वशः ॥२६॥

स्रस्तपर्णैरनुपथं विक्रोशद्भिरिव द्रुमैः ।

Recitation with translationValmiki Ramayana 2.71.26

tāny etāny adya paśyāmi nirānandāni sarvaśaḥ ||26||

srasta-parṇair anupathaṃ vikrośadbhir iva drumaiḥ |

എന്നാൽ ഇപ്പോൾ ഞാൻ അതേ ഉദ്യാനങ്ങളെ എല്ലാടവും ആനന്ദരഹിതമായി കാണുന്നു—പാതകളിൽ വീണ ഇലകൾ പടർന്നിരിക്കുന്നു; വൃക്ഷങ്ങൾ പോലും വിലപിക്കുന്നതുപോലെ തോന്നുന്നു.

तानिthose
तानि:
TypeNoun
Rootतद् (प्रातिपदिक)
Formसर्वनाम, नपुंसकलिङ्ग, प्रथमा/द्वितीया, बहुवचन; ‘those’
RoleKarma (कर्म)
एतानिthese
एतानि:
TypeNoun
Rootएतद् (प्रातिपदिक)
Formसर्वनाम, नपुंसकलिङ्ग, प्रथमा/द्वितीया, बहुवचन; ‘these’ (appositional)
RoleKarma (कर्म)
अद्यtoday/now
अद्य:
TypeIndeclinable
Rootअद्य (अव्यय)
Formकालवाचक अव्यय (today/now)
RoleKala-adhikarana (काल-अधिकरण)
पश्यामिI see
पश्यामि:
TypeVerb
Rootदृश् (धातु)
Formलट् (Present), उत्तमपुरुष (1st person), एकवचन, परस्मैपद
RoleKriya (क्रिया)
निरानन्दानिjoyless
निरानन्दानि:
TypeAdjective
Rootनिर् + आनन्द (प्रातिपदिक)
Formउपपद-तत्पुरुष/नञ्-समासार्थ: ‘आनन्द-रहितानि’; नपुंसकलिङ्ग, द्वितीया, बहुवचन; तानि/एतानि-विशेषण
RoleVisheshana (विशेषण)
CompoundTatpurusha
सर्वशःeverywhere
सर्वशः:
TypeIndeclinable
Rootसर्वशः (अव्यय)
Formअव्यय (adverb): ‘in every way/all around’
RoleDesha/Prakara-adhikarana (देश/प्रकार-अधिकरण)
स्रस्तपर्णैःwith drooping leaves
स्रस्तपर्णैः:
TypeAdjective
Rootस्रस्त + पर्ण (प्रातिपदिक)
Formकर्मधारय: ‘स्रस्तानि पर्णानि येषाम्’; पुल्लिङ्ग, तृतीया (Instrumental), बहुवचन; द्रुमैः-विशेषण
RoleKarana (करण)
CompoundKarmadharaya
अनुपथम्along the path
अनुपथम्:
TypeNoun
Rootअनुपथ (प्रातिपदिक)
Formअव्ययीभाव: ‘पथम् अनु’ = along the path; पुल्लिङ्ग, द्वितीया, एकवचन (adverbial accusative)
RoleDesha-adhikarana (देश-अधिकरण)
CompoundAvyayibhava
विक्रोशद्भिःas if crying out
विक्रोशद्भिः:
TypeAdjective
Rootवि-क्रुश् (धातु) + शतृ (प्रत्यय)
Formवर्तमानकृदन्त (present active participle/शतृ), पुल्लिङ्ग, तृतीया, बहुवचन; द्रुमैः-विशेषण
RoleVisheshana (विशेषण)
इवas if/like
इव:
TypeIndeclinable
Rootइव (अव्यय)
Formउपमार्थक अव्यय
RoleUpama-dyotaka (उपमा-द्योतक)
द्रुमैःby/with trees
द्रुमैः:
TypeNoun
Rootद्रुम (प्रातिपदिक)
Formपुल्लिङ्ग, तृतीया, बहुवचन
RoleKarana (करण)
  • तान्येतान्यद्य = तानि + एतानि + अद्य (इ/अ सन्धि: इ + ए → ये; इ + अ → य)
  • स्रस्तपर्णैरनुपथं = स्रस्तपर्णैः + अनुपथम् (ः + अ → र्)

Now the trees appear cheerless, the paths are full of dry leaves fallen all over. It appears as if the trees are crying.

Grief can make even beautiful places appear barren; cultivate steadiness so perception is not wholly ruled by sorrow.

Ethical theme
Manas-śikṣā / emotional discipline

Aids bhāvanā for compassion and detachment; useful for reflecting on how the mind colors the world, encouraging japa with equanimity.

Rasa
Karuna (compassion), with Adbhuta (wonder)
Mood
Bleak, wind-stripped, wailing

Themes

  • Dharma
  • Satya
  • Itihasa
  • Ethics
  • Grief
  • Nature imagery

A
Ayodhya
S
Sumantra
T
Trees

FAQs

When righteous order is shaken, the environment of human life—its beauty, care, and cultivation—also declines. The verse links ethical rupture to visible neglect and sorrow.

Rama describes the gardens as neglected and mournful, with leaf-strewn paths and ‘crying’ trees.

Rama’s inward steadiness: he observes grief without becoming cruel or indifferent, holding to truth while absorbing pain.

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