Sukta 9.33
तिस्रो वाच उदीरते गावो मिमन्ति धेनवः । हरिरेति कनिक्रदत् ॥
tisró vā́ca úd īrate gā́vo mimanti dhenávaḥ | hárir eti kánikradat ||
ສາມຄຳເວົ້າໄດ້ຟັນຂຶ້ນ; ລັດສະຫວ່າງຕ່າງໆ ຮ້ອງດັ່ງດັ່ງງົວນົມ; ແລະ ຜູ້ສີຄຳເດີນຕໍ່ໄປ, ຮ້ອງອອກມາ - ພາລະແຫ່ງຄວາມສຸກຂອງໂສມະ ປະກາດການເດີນທາງອັນຊະນະ.
Three utterances rise; the cows low like milch-cows; the tawny one goes, crying out.
The ‘three voices’ (tisro vācaḥ) are the triple word/utterance—levels of speech or inspiration (often linked with parā-paśyantī-madhyamā/vaikharī in later thought, or with threefold mantra-vision). As Soma moves, the ‘cows’—rays of knowledge—low and yield like milch-cows (dhenavaḥ), meaning illumination becomes nourishing and abundant. The tawny Soma (hariḥ) advances with a triumphant cry (kanikradat): the Ananda-force proclaims its victorious passage through the being.
When the inner delight-force is released, higher speech awakens, knowledge-rays begin to nourish, and the soul hears a victorious call of progress in consciousness.
Mantric speech, Soma as herald, Illumination sounds, Creative vibration
Pavamāna hymns frequently connect Soma’s flow with Vāc (mantric speech) and Go (rays), indicating a tradition of inner revelation through chant.
The seer highlights the mantra-yoga principle: purified delight awakens higher speech, which releases knowledge-rays that nourish the being.
Soma as the moving delight that awakens the Word and releases the rays of knowledge, sustaining the worlds.
Power to activate inspired speech and convert illumination into nourishment; creates a victorious resonance that carries the seeker forward.
Pavamāna chanting during Soma purification; also stotra-like recitation emphasizing sound and proclamation
ति॒स्रो वाच॒ उदी॑रते॒ गावो॑ मिमन्ति धे॒नव॑: । हरि॑रेति॒ कनि॑क्रदत् ॥
ति॒स्रः । वाचः॑ । उत् । ई॒र॒ते॒ । गावः॑ । मि॒म॒न्ति॒ । धे॒नवः॑ । हरिः॑ । ए॒ति॒ । कनि॑क्रदत् ॥
tisraḥ | vācaḥ | ut | īrate | gāvaḥ | mimanti | dhenavaḥ | hariḥ | eti | kanikradat
44
4 × ~11
Upward-lifting opening (three voices) followed by vivid, quick images; ends with a sharp exclamatory cadence (kanikradat).
Stimulates inspiration and vocal resonance; often felt as a ‘rising’ in the chest/throat and a brightening in the head.
Accompanies the audible/sonic dimension of Soma pressing and chanting; inwardly, awakening of multi-level speech and the sounding of illuminations.
During moments when Soma’s flow is celebrated as triumphant and clarifying.
Chanting to ‘raise the voices’ and invoke the release of rays (go) through Soma.
A mantra for awakening inner speech and insight: useful before japa, study, or creative work; also as a ‘voice-opening’ contemplative chant.
vāc: from √vac ‘speak’ (PIE *wekʷ- ‘voice, speak’; cf. Latin vox). tisraḥ vācaḥ evokes Vedic doctrine of layered speech (parā/paśyantī/madhyamā/vaikharī traditions later systematize). √īr ‘raise’ signals awakening. kanikradat: reduplicated/intensive of √krand ‘cry’, expressive of Soma’s dynamic proclamation.
Vāc as creative power, Triple formation (three voices), Go as knowledge-rays
Right speech arises when Soma is purified; revelation aligns with ṛta.
Truth becomes audible/expressible as higher utterance; knowledge turns nourishing (milk).
Creation by the Word supported by delight; rays emerge through awakened speech.
Mantra-śakti orientation within Integral-Vedic reading: sound as carrier of consciousness and transformation.
Cows/milk = nourishing illuminations; three voices = layered revelation; tawny movement = advancing bliss-force; cry = resonance of victory and awakening.
Listen inwardly for the ‘three voices’: (1) spoken thought, (2) subtler intuitive speech, (3) silent revelatory knowing; let Soma-delight make them clear and harmonious.
vishuddha (voice)
soft bhrāmarī (humming) after chanting to internalize ‘kanikradat’ as inner resonance.
Inspired, luminous, joyfully energized.
Chant 3, 9, or 12 times; then sit with attention at the throat and brow; allow insights (go) to ‘milk’ themselves as calm, nourishing understanding.
Observe Vedic accents; keep a clear rise on ‘vā́caḥ’ if marked; ‘haríḥ’ typically carries accent in many contexts—follow your padapāṭha/recension.
Give slight lift to ‘tisro vāca’ (upward), soften on ‘gāvo mimanti dhenavaḥ’ (nourishing), and sharpen the ending ‘kanikradat’ (proclamation).
‘tisraḥ’: clear visarga ḥ at end in careful recitation., ‘dhenavaḥ’: aspirate dh; keep e long quality; end -vaḥ with visarga., ‘kanikradat’: crisp k-r cluster; do not blur into ‘kanikadat’.
bright, ringing, slightly more resonant at the throat; end with a clear, confident cadence.
12
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