Sukta 4.27
न घा स मामप जोषं जभाराभीमास त्वक्षसा वीर्येण । ईर्मा पुरंधिरजहादरातीरुत वाताँ अतरच्छूशुवानः ॥
ná ghā sá mām ápa jóṣaṃ jabhārābhímāsa tvákṣasā vīryèṇa | ī́rmā puráṃdhir ajahād árātīr utá vātā́m̐ atarat śū́śuvānaḥ ||
ລາວບໍ່ໄດ້ພາຂ້ອຍໄປຈາກຄວາມຊົມຊື່ນຂອງຂ້ອຍ; ແຕ່ລາວໄດ້ກົດຂີ່ຂ້ອຍ ດ້ວຍພະລັງທີ່ສ້າງຮູບ ແລະ ຄວາມເປັນວິລະຊົນ. ຈາກນັ້ນ ປຸຣັນທິໄດ້ຂັບຂາດການປະຕິເສດ, ແລະ, ເຕີບໃຫຍ່ເຂັ້ມຂົ້ນຂຶ້ນ, ຂ້ອຍໄດ້ຂ້າມພົ້ນລົມ, ເຫນືອການເຄື່ອນໄຫວທີ່ບໍ່ສະຫມັກຂອງລົມຫາຍໃຈ ເຂົ້າໄປໃນຄວາມກວ້າງຂວາງທີ່ສະຫງົບກວ່າ.
He did not take me away from my delight; he pressed upon me with shaping force and hero-power. Purandhi cast off denials; growing intense, I crossed beyond the winds.
The divine force does not steal the soul’s true joy; it intensifies and shapes it (tvakṣasā) into power capable of conquest (vīrya). Purandhi—plentitude/right-mindedness that ‘fills’—casts away arātīḥ (denials, hostile negations, poverty of consciousness). Then the seeker crosses beyond the ‘winds’ (vāta)—the restless prāṇic movements and mental-vital fluctuations—into steadier vastness and silence where Ananda can be held without disturbance.
Spiritual discipline is not joyless suppression; it is the right shaping of delight into strength. Freedom includes mastery over restless inner currents and the abandonment of negating habits.
overcoming denial (arāti), tapas intensification, stability of Ananda, vital transcendence
Vāmadeva’s hymns frequently show an inner autobiography of ascent: delight recovered, resistances rejected, and the crossing into wideness.
The ṛṣi’s voice here is pedagogical: delight is safeguarded and transformed, while denial (arātī) is explicitly rejected—an important Aurobindonian theme of integral affirmation rather than world-negation.
Soma sustains the gods and gives rapture (mada) that empowers right action; Purandhi supports the ‘filling’ and right arrangement of the sacrifice.
Ananda stabilized by formative force; the capacity to hold bliss beyond prāṇic disturbance; rejection of negation.
Soma-yajña; recitation in Soma-related sequences emphasizing acquisition/guardianship and empowerment
न घा॒ स मामप॒ जोषं॑ जभारा॒भीमा॑स॒ त्वक्ष॑सा वी॒र्ये॑ण । ई॒र्मा पुरं॑धिरजहा॒दरा॑तीरु॒त वाताँ॑ अतर॒च्छूशु॑वानः ॥
न । घ॒ । सः । माम् । अप॑ । जोष॑म् । ज॒भा॒र॒ । अ॒भि । ई॒म् । आ॒स॒ । त्वक्ष॑सा । वी॒र्ये॑ण । ई॒र्मा । पुर॑म्ऽधिः । अ॒ज॒हा॒त् । अरा॑तीः । उ॒त । वाता॑न् । अ॒त॒र॒त् । शूशु॑वानः ॥
na | gha | saḥ | mām | apa | joṣam | jabhāra | abhi | īm | āsa | tvakṣasā | vīryeṇa | īmār | puram-dhiḥ | ajahāt | arātīḥ | uta | vātān | atarat | śūśuvānaḥ
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4 pādas × ~11 syllables
Firm, advancing rhythm with a sense of overcoming and crossing.
Creates a felt ‘push through’ turbulence; the cadence naturally supports the image of moving past the winds into steadiness.
Affirmation against ‘arāti’ (non-giving forces) and against dispersion by vāta (restless vital movements) during Soma uplift; supports steadiness in offering and inner concentration.
In Soma liturgy and thematic recitation cycles; also suitable as a contemplative verse on prāṇa-mastery
Strengthening intent (saṅkalpa) to reject arātī and stabilize the offering/inner delight
Chant before pranayama/meditation to move from agitation to calm wideness; use as affirmation that true joy is refined, not rejected.
joṣa ‘enjoyment/consent’ from √juṣ ‘to enjoy, be pleased’; tvakṣasā from √tvakṣ ‘shape, fashion’ (connected to artisan-formative semantics, and to the divine craftsman sphere); vīrya from vīra ‘hero’ (strength as victorious potency); √tṛ ‘cross’ (atarat: imperfect/aorist), a standard Vedic metaphor for passing beyond limiting currents (here vātāḥ).
steadfast delight (joṣa) versus dispersal, formative power (tvakṣas) shaping the being, crossing beyond prāṇic restlessness
Right order is experienced as right formation—divine shaping that removes denial and aligns energies.
Crossing the winds suggests moving from mixed truth/falsehood of the vital to a clearer truth-plane of steadier perception.
Transformation rather than escape: delight is shaped into power; denial is cast off to allow a higher formation.
Integral Yoga resonance: affirmation of Ananda, purification of prāṇa, ascent into wideness.
unspecified
unspecified
Winds = restless prāṇa and thought-currents; crossing them = entering stable, wide awareness where delight can be held.
Hold delight without scattering; let the inner Shaper refine emotion into strength; consciously drop ‘no’ patterns (arātī) and move beyond prāṇic restlessness.
Anāhata (joy/expansion) supported by Ājñā (discernment) to cross agitation
Nadi-śodhana 6–8 rounds; then observe the ‘winds’ quieting; chant once after the final exhale.
From stirred prāṇa to calm, wide, quietly joyous awareness.
On ‘ajahād arātīḥ’ mentally release one habitual denial (doubt, self-criticism, despair). On ‘vātān atarat’ feel the breath settle into a spacious stillness.
Vedic tri-svara (udātta/anudātta/svarita) according to śākhā; keep accents light but precise in connected recitation.
Emphasize firmness on ‘tvakṣasā vīryeṇa’; make ‘ajahād arātīḥ’ crisp (as a decisive rejection); slightly lengthen the sense of passage on ‘vātān atarat’.
tvakṣasā: pronounce ‘kṣ’ clearly (not ‘ks’)., puraṃdhir: keep the nasalization before ‘dh’., arātīḥ: long ‘ā’ and long ‘īḥ’ at the end., śūśuvānaḥ: both ‘ū’ long; keep ‘ś’ palatal.
Steady, forging tone; end with a quieter, widened resonance on the final pāda.
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