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Valmiki Ramayana 2.13.21: Ayodhya Kanda, Sarga 13, Shloka 21

अयोध्याकाण्डे त्रयोदशः सर्गः | Kaikeyi Presses the Boons; Dasaratha’s Lament and Collapse

Spoken by Dasharatha to KaikeyiSetting: Ayodhyā (inner palace)

शून्ये न खलु सुश्रोणि मयेदं समुदाहृतम् ॥२१॥

कुरु साधु प्रसादं मे बाले सहृदया ह्यसि ।

Recitation with translationValmiki Ramayana 2.13.21

śūnye na khalu suśroṇi mayedaṃ samudāhṛtam ||21||

kuru sādhu prasādaṃ me bāle sahṛdayā hy asi |

ໂອ ສຸຊໂຣນີ ຜູ້ມີສະໂພກງາມ, ຖ້ອຍຄຳຂອງຂ້າພະເຈົ້າບໍ່ໄດ້ກ່າວໃສ່ຄວາມຫວ່າງເປົ່າ; ໂອ ນາງນ້ອຍ, ຂໍໃຫ້ເຈົ້າໂປດເມດຕາຂ້າພະເຈົ້າ, ເພາະແທ້ຈິງເຈົ້າເປັນຜູ້ມີໃຈອ່ອນໂຍນ ແລະກະລຸນາ.

śūnyein emptiness; in vain
śūnye:
TypeNoun
Rootśūnya (प्रातिपदिक)
FormNeuter (नपुंसकलिङ्ग), Locative (7th/सप्तमी), Singular (एकवचन)
RoleAdhikaraṇa (अधिकरण)
nanot
na:
TypeIndeclinable
Rootna (अव्यय)
FormNegation particle (निषेध-अव्यय)
RolePratiṣedha (प्रतिषेध)
khaluindeed
khalu:
TypeIndeclinable
Rootkhalu (अव्यय)
FormEmphatic particle (निश्चय/अनुनयार्थक-अव्यय)
RoleAvadhāraṇa (अवधारण)
suśroṇiO fair-hipped lady
suśroṇi:
TypeNoun
Rootsu-śroṇī (प्रातिपदिक)
FormFeminine (स्त्रीलिङ्ग), Vocative (8th/सम्बोधन), Singular (एकवचन); ‘fair-hipped’
RoleSambodhana (सम्बोधन)
CompoundKarmadharaya
mayāby me
mayā:
TypeNoun
Rootasmad (अस्मद् सर्वनाम-प्रातिपदिक)
FormInstrumental (3rd/तृतीया), Singular (एकवचन)
RoleKaraṇa (करण)
idamthis
idam:
TypeNoun
Rootidam (इदम् सर्वनाम-प्रातिपदिक)
FormNeuter (नपुंसकलिङ्ग), Nominative (1st/प्रथमा), Singular (एकवचन)
RoleKarta (कर्ता)
samudāhṛtamhas been uttered; declared
samudāhṛtam:
TypeVerb
Rootā + hṛ (हृ धातु) with sam-ud- + kta
FormPast passive participle (क्त), Neuter (नपुंसकलिङ्ग), Nominative (1st/प्रथमा), Singular (एकवचन); agrees with idam
RoleKriyā (क्रिया)
kurudo; grant
kuru:
TypeVerb
Rootkṛ (कृ धातु)
FormImperative (लोट्), 2nd person (मध्यमपुरुष), Singular (एकवचन); parasmaipada
RoleKriyā (क्रिया)
sādhuwell
sādhu:
TypeIndeclinable
Rootsādhu (अव्यय)
FormAdverb (प्रशंसार्थक-अव्यय)
RoleKriyāviśeṣaṇa (क्रियाविशेषण)
prasādamfavor; grace
prasādam:
TypeNoun
Rootprasāda (प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Accusative (2nd/द्वितीया), Singular (एकवचन)
RoleKarma (कर्म)
meto me
me:
TypeNoun
Rootasmad (अस्मद् सर्वनाम-प्रातिपदिक)
FormDative (4th/चतुर्थी), Singular (एकवचन)
RoleSampradāna (सम्प्रदान)
bāleO young lady
bāle:
TypeNoun
Rootbālā (प्रातिपदिक)
FormFeminine (स्त्रीलिङ्ग), Vocative (8th/सम्बोधन), Singular (एकवचन)
RoleSambodhana (सम्बोधन)
sahṛdayākind-hearted
sahṛdayā:
TypeAdjective
Rootsa-hṛdaya (प्रातिपदिक)
FormFeminine (स्त्रीलिङ्ग), Nominative (1st/प्रथमा), Singular (एकवचन); bahuvrīhi: ‘one who has a (good) heart’
RoleViśeṣaṇa (विशेषण)
CompoundBahuvrihi
hiindeed; for
hi:
TypeIndeclinable
Roothi (अव्यय)
FormParticle (हेतु/निश्चयार्थक-अव्यय)
RoleHetu (हेतु)
asiyou are
asi:
TypeVerb
Rootas (अस् धातु)
FormPresent (लट्), 2nd person (मध्यमपुरुष), Singular (एकवचन); parasmaipada
RoleKriyā (क्रिया)
  • mayēdaṃ = mayā + idam
  • sahṛdayā hyasi = sahṛdayā + hi + asi

O lady with fair hips, I hope whatever I have said has not been a cry in the (empty) sky. O young lady show me this favour. Surely you are kind-hearted.

Speech seeks a receptive heart; dharma includes not only speaking truth but also hearing with compassion.

Duties in tension

  • Responding to sincere plea vs pursuing desired outcome
  • Compassionate listening vs hard-hearted insistence
  • Marital duty vs political ambition
Ethical theme
Ethics of communication / compassion

Practice of mindful speech and compassionate listening; reflection on not letting words fall into śūnya through inattentiveness or cruelty.

Rasa
Karuna (compassion), with Shanta (peace)
Mood
Earnest, softening, hopeful

Themes

  • Dharma
  • Appeal to compassion
  • Speech ethics
  • Pathos
  • Family duty

D
Daśaratha
K
Kaikeyī

FAQs

Dharma is sustained by responsiveness to rightful plea; ignoring sincere supplication is portrayed as moral hardness, while kindness of heart is upheld as the proper standard.

Daśaratha continues to beseech Kaikeyī, hoping his words will move her and not vanish without effect.

The virtue invoked is compassion (sahṛdayatā). Daśaratha appeals to Kaikeyī’s better nature, even as the narrative elsewhere questions it.

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