अयोध्याकाण्डे त्रयोदशः सर्गः | Kaikeyi Presses the Boons; Dasaratha’s Lament and Collapse
Setting: Ayodhyā (palace chamber/courtyard)
तथैवोष्णं विनिश्वस्य वृद्धो दशरथो नृपः ॥१६॥
विललापार्तवद्युखं गगनासक्तलोचनः ।
tathaivoṣṇaṃ viniśvasya vṛddho daśaratho nṛpaḥ ||16||
vilalāpārtavad duḥkhaṃ gaganāsaktalocanaḥ |
ດັ່ງນັ້ນແຫຼະ ພຣະຣາຊາທະສະຣະຖະຜູ້ເຖົ້າຊະລາ ຫາຍໃຈອອກຮ້ອນໆ ແລະຄຳຄວນທຸກຂ໌ຂອງພຣະອົງດັ່ງຄົນເຈັບ ດວງຕາຈ້ອງຕິດຢູ່ທ້ອງຟ້າ
The old king Dasaratha, heaving hot sighs, started lamenting pitiably fixing his gaze at the sky like the sick:
Even sovereignty cannot shield one from jarā and duḥkha; ungoverned sorrow disorders breath and mind.
Breath-awareness as support in grief; turning the gaze inward/upward toward steadiness rather than rumination.
Identification with bodyƶ3 heat and breath shows bondage to upādhis; the skyward gaze hints at seeking a higher ground beyond suffering.
Breath (prāṇa) as central to life; its agitation under sorrow recalls prāṇa-centered reflections, though here in poetic symptom.
Vālmīki Rāmāyaṇa 2.13.14ṇ (progression of grief through night); Mahābhārata Strīparvan: bodily signs of lament (hot breath, fainting)
Ayurvedic/poetic convention: grief producing heat, sighing, fixation of gaze
Ayodhyākāṇḍa: Daśarathaƶ3 decline leading toward death after Rāmaƶ3 departure
Anuƶ3ubh
Grieving
Heavy mandra register; elongated vowels on vilalāpa ārtavat
Dharma is not abstract: its burdens are borne in the body and mind. The verse shows how a ruler’s pledged word and moral conflict can break human strength.
The narration lingers on Daśaratha’s physical and emotional collapse as he continues to grieve through the night.
Daśaratha’s seriousness about obligation—his suffering indicates he recognizes the gravity of the situation rather than treating it lightly.
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