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Varaha Purana 78.7: Adhyaya 78, Shloka 7

Names of the Four Directional Mountain-Kings and Their Lakes

Rudra’s Geographical Description

अनेकजलयन्त्रैश्च नादितानि महान्ति च । शाखाभिर्लम्बमानाभी रुवत्पक्षिकुलालिभिः ॥ ७८.७ ॥

Sanskrit recitationVaraha Purana 78.7

anekajalayantraiś ca nāditāni mahānti ca | śākhābhir lambamānābhī ruvatpakṣikulālibhiḥ || 78.7 ||

وفيه آلاتُ ماءٍ كثيرةٌ عظيمةٌ تُحدِث دويًّا قويًّا؛ وأغصانٌ متدلّية، ومعها أسرابُ الطير وجموعُ النحل تصيح وتطنّ.

अनेक-जल-यन्त्रैःby many water-machines/fountains
अनेक-जल-यन्त्रैः:
Karana (करण)
TypeNoun
Rootअनेक + जल + यन्त्र (प्रातिपदिक)
Formनपुंसकलिङ्ग, तृतीया-विभक्ति, बहुवचन; समासः—अनेकानि जलयन्त्राणि इति षष्ठी/कर्मधारय-प्रायः (बहुपद-तत्पुरुष)
and
:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootच (अव्यय)
Formअव्यय; समुच्चयबोधक
नादितानिmade resounding
नादितानि:
Visheshana (विशेषण)
TypeAdjective
Root√नद् (धातु)
Formनपुंसकलिङ्ग, प्रथमा-विभक्ति, बहुवचन; णिच्-प्रत्ययान्त धातु ‘नादयति’ इत्यस्मात् क्त (past participle, causative sense): ‘made to sound/resounding’
महान्तिgreat/large
महान्ति:
Visheshana (विशेषण)
TypeAdjective
Rootमहत् (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा-विभक्ति, बहुवचन; ‘(तानि)’ इत्यस्य विशेषणम्
and
:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootच (अव्यय)
Formअव्यय; समुच्चयबोधक
शाखाभिःby branches
शाखाभिः:
Karana (करण)
TypeNoun
Rootशाखा (प्रातिपदिक)
Formस्त्रीलिङ्ग, तृतीया-विभक्ति, बहुवचन
लम्बमानाभिःhanging
लम्बमानाभिः:
Visheshana (विशेषण)
TypeAdjective
Rootलम्बमान (प्रातिपदिक)
Formस्त्रीलिङ्ग, तृतीया-विभक्ति, बहुवचन; शतृ-प्रत्ययान्त वर्तमानकृदन्त (present participle) √लम्ब्: ‘hanging’
रुवत्-पक्षि-कुल-आलिभिःby swarms/groups of crying birds
रुवत्-पक्षि-कुल-आलिभिः:
Karana (करण)
TypeNoun
Rootरुवत् + पक्षि + कुल + आलि (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया-विभक्ति, बहुवचन; समासः—रुवतां पक्षिकुलानां आलयः/आलिः इति (बहुपद-तत्पुरुष); ‘रुवत्’ = √रु (शतृ) ‘crying’

Varāha (default dialogue framework; speaker not explicit in excerpt)

Varaha Avatara Context: {"is_varaha_focus":true,"earth_interaction":"Varāha continues instructive description of Bhūmi’s thriving ecology and human-made waterworks, presenting Earth as cared-for and resonant with life."}

Bhu Devi Dialogue: {"is_dialogue":true,"speaker_role":"instructor","bhu_devi_state":"curious; attentive to details of her own sacred places","key_question":"What signs of prosperity and sacred order—natural and human-made—mark these regions?"}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":false}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":true,"symbolic_interpretation":"Resounding water-devices (jala-yantra) suggest regulated flow—ṛta/order—where nature and culture cooperate; the ‘nāda’ evokes Vedic sound as sustaining harmony within creation.","yajna_varaha_imagery":"Water-flow as soma/āpaḥ in yajña; the ‘nāda’ of devices parallels mantra-resonance that ‘turns’ the ritual, keeping the world’s cycles moving.","vedantic_connection":"Ordered activity within prakṛti points to īśvara-niyati; harmony of beings (birds, bees) reflects sattva predominance conducive to dhyāna and bhakti."}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"dharma of stewardship (implicit)","core_concept":"Sacredness includes maintenance: water regulation and flourishing biodiversity indicate dharmic coexistence rather than exploitation.","practical_application":"Support water conservation and non-harm to habitats; treat irrigation/waterworks as sacred responsibility; practice ahiṃsā toward ‘pakṣi-kula’ and ‘alī’."}

Subject Matter: ["Geography","Heritage Sites","Ecology"]

Primary Rasa: adbhuta

Secondary Rasa: shanta

Type: riverine/agrarian zone with water-devices (jala-yantra)

Related Themes: Varāha Purāṇa 78.78: continued ecological-topographical enumeration

Visual Art Cues: {"scene_description":"A riverside with large water-devices turning and sounding; drooping branches over the water; dense swarms of bees and birds filling the air with calls.","item_prompts":["waterwheel/water-lift devices (jala-yantra)","spray and ripples with implied sound","hanging branches (willow-like)","clusters of bees near blossoms","birds in groups, some mid-call"],"kerala_mural_prompt":"Kerala mural: stylized waterwheel forms, rhythmic patterning to suggest ‘nāda’; dense foliage with hanging branches; birds/bees as decorative motifs.","tanjore_prompt":"Tanjore: gilded highlights on the water-device rims and splashes; ornate foliage; symmetrical composition emphasizing prosperity.","mysore_prompt":"Mysore: refined detailing of the mechanism and delicate bees; soft tonal water; naturalistic hanging branches.","pahari_prompt":"Pahari: pastoral riverside with a simple waterwheel; lively birds and bees; airy composition with lyrical vegetation."}

Audio Atmosphere: {"recitation_mood":"vivid, gently energetic (sound-imagery)","suggested_raga":"Hamsadhwani","pace":"medium","voice_tone":"bright and descriptive, slightly emphasizing ‘nādītāni’ and the buzzing/calling cadence"}

C
Classical Literature
P
Purāṇic Geography
E
Ecological Imagery
V
Vaishnavism

FAQs

It preserves a stylized description of a thriving landscape—auditory (resounding waterworks) and ecological (birds and bees)—useful for studying how Purāṇic texts depict managed waterscapes and aesthetically valued environments.

No explicit toponym appears in this single verse; identification depends on adjacent verses in Adhyāya 78 that likely specify the tīrtha/region being described.

Implicitly, the verse valorizes well-watered, biodiverse surroundings, aligning with Purāṇic themes that present flourishing water management and living habitats as markers of a worthy cultural landscape.

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